Azalea finally discovers her true identity, but at what cost? She finds herself at the mercy of Cethios and in magical bound shackles, preventing her from reaching her magic, or do they? Azalea must become stronger and braver than ever to face all of the consequences of her first initial decision when she ran away from the ball. She must over come her guilt to achieve the prophecy that was bestowed upon her and Xanthus. Xanthus must also find the courage in his heart to not only forgive himself for losing Azalea to Cethios' wrath, but to find it in his heart to have faith in Azalea. Both Azalea and Xanthus must overcome magical situations, dangerous endeavors, and learn to accept the trust of mysterious characters. As the battle of the century approaches, Azalea and Xanthus must prepare themselves for the epic turning point in this Forbidden Fairytale...

This trilogy begins with the truth of Azaleas' past, as we also learn the true reasoning's behind Cethios' intentions. In this epic conclusion we follow a few paths before they are all united into one last adventure. Xanthus is forced to venture off to find and save his beloved mother. We also discover that Therons' intentions are not at all what we have been lead to believe, he is off to find Azalea for his own benefit with his own twisted plans. And of course, we follow Azalea as she begins to learn how to control her once suppressed magic. In the end, will Azalea and Xanthus be strong enough to keep their prophecy from falling apart into the hands of evil, or will they be able to conquer over their enemies and live a Forbidden Fairytale.

2009 CHOICE Outstanding Academic Title Where did Cinderella come from? Puss in Boots? Rapunzel? The origins of fairy tales are looked at in a new way in these highly engaging pages. Conventional wisdom holds that fairy tales originated in the oral traditions of peasants and were recorded for posterity by the Brothers Grimm during the nineteenth century. Ruth B. Bottigheimer overturns this view in a lively account of the origins of these well-loved stories. Charles Perrault created Cinderella and her fairy godmother, but no countrywoman whispered this tale into Perrault's ear. Instead, his Cinderella appeared only after he had edited it from the book of often amoral tales published by Giambattista Basile in Naples. Distinguishing fairy tales from folktales and showing the influence of the medieval romance on them, Bottigheimer documents how fairy tales originated as urban writing for urban readers and listeners. Working backward from the Grimms to the earliest known sixteenth-century fairy tales of the Italian Renaissance, Bottigheimer argues for a book-based history of fairy tales. The first new approach to fairy tale history in decades, this book answers questions about where fairy tales came from and how they spread, illuminating a narrative process long veiled by surmise and assumption.

Summary: A collection of literary fairy tales written during the Weimar Republic in Germany, intended to serve as utopian tales for raising the political consciousness of the young people of that period. Includes a scholarly introduction giving the social and cultural background of the tales.

Reproduction of the original: Lancashire Folk-Lore by John Harland, T.T. Wilkinson