In the vein of The Borrowers and The Indian in the Cupboard, this is an imaginative, irresistible, and incredible exploration into what happens when one boy discovers a kingdom of tiny people. The day before summer vacation, Max's closest friend at boarding school disappears, leaving behind his amazing model collection and a handful of sand on his bedroom floor. Like Max, the eccentric janitor Mr. Darrow is a genius at building tiny models. Eight weeks later, Max finds that the sand has magically transformed into a whole desert kingdom--filled with millions of tiny people! Max wears hearing aids, and they allow him to hear the ant-sized people. There's a boy named Luke who's about to become king. But when Max appears, he plunges their world into chaos. Luckily, Luke has two strong allies: Ivy, a fearless girl, and Luke's trusty steed--a flea. While Max and his new friend Sasha fight to protect the Floor from their evil headmaster, Luke must fight to save it from being destroyed by all-out war.

The World Health Organization's post-World War II work on the epidemiology and classification of mental disorders and its vision of a "world psyche." In 1946, the World Health Organization undertook a project in social psychiatry that aimed to discover the epidemiology and classification of mental disorders. In Mad by the Millions, Harry Y-Jui Wu examines the WHO's ambitious project, arguing that it was shaped by the postwar faith in technology and expertise and the universalizing vision of a "world psyche." Wu shows that the WHO's idealized scientific internationalism laid the foundations of today's highly highly metricalized global mental health system.

After their mother dies, two brothers find a huge amount of money which they must spend quickly before England switches to the new European currency, but they disagree on what to do with it.

An intriguing look at the changing roles of artists in modern America.

Argues that the two popular women's magazines were pivotal in the combining of gender and commercialism at the turn of the century, and that publishers and advertisers conspired to create both a gendered commercial discourse and a commercial gender discourse for both men and women. Annotation copyright by Book News, Inc., Portland, OR

Co-winner, 2023 AIPS Book Prize, American Institute of Pakistan Studies Finalist, 2023 Richard Wall Memorial Award, Theatre Library Association From news about World War II to the broadcasting of music from popular movies, radio played a crucial role in an increasingly divided South Asia for more than half a century. Radio for the Millions examines the history of Hindi-Urdu radio during the height of its popularity from the 1930s to the 1980s, showing how it created transnational communities of listeners. Isabel Huacuja Alonso argues that despite British, Indian, and Pakistani politicians’ efforts to usurp the medium for state purposes, radio largely escaped their grasp. She demonstrates that the medium enabled listeners and broadcasters to resist the cultural, linguistic, and political agendas of the British colonial administration and the subsequent independent Indian and Pakistani governments. Rather than being merely a tool of nation building in South Asia, radio created affective links that defied state agendas, policies, and borders. It forged an enduring transnational soundscape, even after the 1947 Partition had made a united India a political impossibility. Huacuja Alonso traces how people engaged with radio across news, music, and drama broadcasts, arguing for a more expansive definition of what it means to listen. She develops the concept of “radio resonance” to understand how radio relied on circuits of oral communication such as rumor and gossip and to account for the affective bonds this “talk” created. By analyzing Hindi film-song radio programs, she demonstrates how radio spurred new ways of listening to cinema. Drawing on a rich collection of sources, including newly recovered recordings, listeners’ letters to radio stations, original interviews with broadcasters, and archival documents from across three continents, Radio for the Millions rethinks assumptions about how the medium connects with audiences.