The book that could end the opioid epidemic, For the Love of Opium, begins with a historical account of Opium use in polite society prior to its criminalization. Author W. E. Simmons examines its influence on history, art, and literature, including how it inspired the most famous monsters of the horror genre. We learn what Opium is, the alkaloids that produce its effects, and how they work together and independently. We also learn why science has failed to make a safer and less addictive version of nature’s strongest medicine. The author delves into his personal experiences with opiates as we learn of the history of Opium, where it came from, its use by animals, Neanderthals, and early humans, Opium in religion, early medicine, and the first failed drug laws. Side effects of Opium and how to remedy them are explained. The science and psychology of addiction, endorphins, and the dark side of Opium and addiction are covered. Simple instructions for how not to get addicted to opium are laid out. Where and how to purchase Papaver Somniferum and its seeds is explained along with a step-by-step guide to growing poppies and harvesting your own Opium, how to make poppy tea and an extract of Opium from poppy straw, methods of ingestion, and Opium potentiators. The history of the legal status of Opium is debated, as well as the problem with the current drug scheduling system, and the absurdity of criminalizing plants. The citizens of the world are dying from Fentanyl and other deadly synthetic opioids that are secretly hidden in the drugs they take, and they take these drugs because the natural and safer alternative is against the law.

Poppy tears, opium, heroin, fentanyl: humankind has been in thrall to the “Milk of Paradise” for millennia. The latex of papaver somniferum is a bringer of sleep, of pleasurable lethargy, of relief from pain—and hugely addictive. A commodity without rival, it is renewable, easy to extract, transport, and refine, and subject to an insatiable global demand. No other substance in the world is as simple to produce or as profitable. It is the basis of a gargantuan industry built upon a shady underworld, but ultimately it is an agricultural product that lives many lives before it reaches the branded blister packet, the intravenous drip, or the scorched and filthy spoon. Many of us will end our lives dependent on it. In Milk of Paradise, acclaimed cultural historian Lucy Inglis takes readers on an epic journey from ancient Mesopotamia to modern America and Afghanistan, from Sanskrit to pop, from poppy tears to smack, from morphine to today’s synthetic opiates. It is a tale of addiction, trade, crime, sex, war, literature, medicine, and, above all, money. And, as this ambitious, wide-ranging, and compelling account vividly shows, the history of opium is our history and it speaks to us of who we are.

NEW YORK TIMES BESTSELLER A renowned authority on the secret world of opium recounts his descent into ruinous obsession with one of the world’s oldest and most seductive drugs, in this harrowing memoir of addiction and recovery. A natural-born collector with a nose for exotic adventure, San Diego–born Steven Martin followed his bliss to Southeast Asia, where he found work as a freelance journalist. While researching an article about the vanishing culture of opium smoking, he was inspired to begin collecting rare nineteenth-century opium-smoking equipment. Over time, he amassed a valuable assortment of exquisite pipes, antique lamps, and other opium-related accessories—and began putting it all to use by smoking an extremely potent form of the drug called chandu. But what started out as recreational use grew into a thirty-pipe-a-day habit that consumed Martin’s every waking hour, left him incapable of work, and exacted a frightful physical and financial toll. In passages that will send a chill up the spine of anyone who has ever lived in the shadow of substance abuse, Martin chronicles his efforts to control and then conquer his addiction—from quitting cold turkey to taking “the cure” at a Buddhist monastery in the Thai countryside. At once a powerful personal story and a fascinating historical survey, Opium Fiend brims with anecdotes and lore surrounding the drug that some have called the methamphetamine of the nineteenth-century. It recalls the heyday of opium smoking in the United States and Europe and takes us inside the befogged opium dens of China, Thailand, Vietnam, and Laos. The drug’s beguiling effects are described in vivid detail—as are the excruciating pains of withdrawal—and there are intoxicating tales of pipes shared with an eclectic collection of opium aficionados, from Dutch dilettantes to hard-core addicts to world-weary foreign correspondents. A compelling tale of one man’s transformation from respected scholar to hapless drug slave, Opium Fiend puts us under opium’s spell alongside its protagonist, allowing contemporary readers to experience anew the insidious allure of a diabolical vice that the world has all but forgotten.

Matt has always been nothing but a clone - an exact replica, grown from a strip of old El Patron's skin. Now, age fourteen, Matt suddenly finds himself thrust into the position of ruling over his own country, Opium, on the one-time border between the US and Mexico, stretching from the ruins of San Diego to the ruins of Matamoros. But while Opium thrives, the rest of the world has been devastated by ecological disaster… and hidden somewhere in Opium is the cure. And that isn't all that's hidden within the depths of Opium. Matt is haunted by the ubiquitous army of eejits, zombie-like workers harnessed to the old El Patron's sinister system of drug growing... people stripped of the very qualities which once made them human. Matt wants to use his newfound power to help stop the suffering, but he can't even find a way to smuggle his childhood love Maria across the border and into Opium. Instead, his every move hits a roadblock - both from the traitors that surround him and from a voice within himself. For who is Matt really but the clone of an evil, murderous dictator?

As the teenage ruler of his own country, Matt must cope with clones and cartels in this riveting sequel to the modern classic House of the Scorpion, winner of the National Book Award, a Newbery Honor, and a Printz Honor. Matt has always been nothing but a clone--grown from a strip of old El Patron's skin. Now, at age fourteen, he finds himself suddenly thrust into the position of ruling over his own country. The Land of Opium is the largest territory of the Dope Confederacy, which ranges on the map like an intestine from the ruins of San Diego to the ruins of Matamoros. But while Opium thrives, the rest of the world has been devastated by ecological disaster--and hidden in Opium is the cure. And that isn't all that awaits within the depths of Opium. Matt is haunted by the ubiquitous army of eejits, zombielike workers harnessed to the old El Patron's sinister system of drug growing--people stripped of the very qualities that once made them human. Matt wants to use his newfound power to help, to stop the suffering, but he can't even find a way to smuggle his childhood love, Maria, across the border and into Opium. Instead, his every move hits a roadblock, some from the enemies that surround him...and some from a voice within himself. For who is Matt really, but the clone of an evil, murderous dictator?

A discourse, beginning with the history of early use; covering opium's effects along with its complicated chemical structure and numerous derivatives.

A groundbreaking meditation on pain, painkillers, and dependence from a prescription opioid user. Her writing has been described as "measured," "sensuous," and "compelling." In 2016, Carlyn Zwarenstein's short narrative on pain made the Globe and Mail'sTop 100 Books. Now, she returns with a seductive dive into opioids and the nature of dependence. North Americans are the world's most prolific users of opioid painkillers. In On Opium, Zwarenstein describes her own use of opioid-inspired medicines to cope with a painful disease. Evoking both Thomas De Quincey and Frida Kahlo, she travels from the decadence of recreational drug use in past eras to the misery and privation of the overdose crisis today. Speaking with users of prescribed morphine, illicit fentanyl, and smoked opium, Zwarenstein investigates uncomfortable questions about why people use substances and when substance use becomes addiction. And she exposes causes of drug-related harms: the debilitating effects of poverty, isolation, and trauma; the role of race, class, and gender in addressing pain; and a system of prohibition that has converted age-old medicines into taboo substances. Through all of this, Zwarenstein finds hope. Drawing on solidarity between illicit drug users and people in pain; in a wise understanding of what humans need to be well; and in radical drug policies like legalization and safe supply, she lays out a vision of a world where suffering is no longer lauded, and opioids are no longer demonized.