The story of Asbury Park and its musical heritage is well known and loved by many the world over. Visitors come from miles to see the spots described in famous song lyrics, such as the Stone Pony and the Palace Amusements building. Little do they know as they walk down Cookman Avenue they pass one of the best-kept secrets in Rock n Roll Containing over 1000 never before seen images of musicians, hippies, riots, town life, and artwork it gives an in depth, up close and personal look at a community undergoing a musical renaissance while at the same time struggling for civil rights. Memories of musicians and locals provide a guide to this missing piece of rock history as you wander into the portal of The Upstage Club and Green Mermaid Cafe and experience this exciting long awaited release of the entire Tom Potter Collection.

Wangga, originating in the Daly region of Australia's Top End, is one of the most prominent Indigenous genres of public dance-songs. This book focuses on the songmen who created and performed the song

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

This guidebook is filled with strategies and ideas to help educate the general public, and political decision makers, about the long-term benefits of music education. It is ideal practical companion for all music educators.

How do children learn music? And how can music teachers help children to become independent and self-sufficient musical thinkers? Author Eric Bluestine sheds light on these issues in music education.

This volume shows music educators how music teaching and learning can help address humanity’s greatest challenge—the ecological crisis. It provides the essential background knowledge in ecomusicology, from compositions about nature, soundscape experiences, activist songs, to practical lesson ideas. Motivated by the urgent need for increased ecological awareness and sustainable practices, and the ecological aspects of music and musical aspects of ecosystems, the book explores the powerful role that music educators can play in protecting and preserving the natural environment. Each chapter includes a narrative and potential lesson ideas that include listening, singing, playing instruments, moving, and contextualizing, with the goal of translating research in ecomusicological theory into a sustainable, creative, and critical music teaching practice. Bridging the gap between recent scholarship and pedagogical work, this book will be a valuable resource for educators, P–12 classroom teachers, and music specialists, as well as in undergraduate music education methods courses.

The authors biblically answer contemporary missiological questions. The 299 page book covers a brief history of the Student Volunteer Movement and an explanation for its demise. Several chapters provide a solid theological and philosophical base for mission activity. The later chapters of the book provide some practical steps for involvement in missions. For the Sake of His Name is an excellent tool for college students, graduate students, pastors, missionaries, and mission agency personnel.