Explores the lives of the children of settlers on the American frontier, looking especially at schooling, chores, home life, food, and recreation.

Uses many sources to portray the diversity of the American frontier of the 1800s.

Follows three families as they recreate the lives of Western homesteaders.

The Frontier Club delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western.

Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians—and bloody battles—at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity. Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices—those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American. Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.

This family album of the Western frontier shows what daily life was like for the diverse pioneers who crossed the Mississippi during the nineteenth century. It traces the successive waves of migration identified by historian Frederick Jackson Turner in 1893 as the frontiers of the trader, the miner, the farmer and the rancher.