Following the Drum tells the story of the forgotten women who spent the winter of 1777-78 with the Continental Army at Valley Forge.

Jeffrey isn't a little boy with cancer anymore. He's a teen who's in remission, but life still feels fragile. The aftereffects of treatment have left Jeffrey with an inability to be a great student or to walk without limping. His parents still worry about him. His older brother, Steven, lost it and took off to Africa to be in a drumming circle and "find himself." Jeffrey has a little soul searching to do, too, which begins with his escalating anger at Steven, an old friend who is keeping something secret, and a girl who is way out of his league but who thinks he's cute.

“This book is the song of my middle-school heart.”—Michelle Schusterman, author of the I Heart Band! series Sam knows she wants to be a drummer. But she doesn’t know how to afford a drum kit, or why budget cuts end her school’s music program, or why her parents argue so much, or even how to explain her dream to other people. But drums sound all the time in Sam’s head, and she’d do just about anything to play them out loud—even lie to her family if she has to. Will the cost of chasing her dream be too high? An exciting new voice in contemporary middle grade, Mike Grosso creates a determined heroine readers will identify with and cheer for.

Following the Drums: African American Fife and Drum Music in Tennessee is an epic history of a little-known African American instrumental music form. John M. Shaw follows the music from its roots in West Africa and early American militia drumming to its prominence in African American communities during the time of Reconstruction, both as a rallying tool for political militancy and a community music for funerals, picnics, parades, and dances. Carefully documenting the music's early uses for commercial advertising and sports promotion, Shaw follows the strands of the music through the nadir of African American history during post-Reconstruction up to the form's rediscovery by musicologists and music researchers during the blues and folk revival of the late 1960s and early 1970s. Although these researchers documented the music, and there were a handful of public performances of the music at festivals, the story has a sad conclusion. Fife and drum music ultimately died out in Tennessee during the early 1980s. Newspaper articles from the period and interviews with music researchers and participants reawaken this lost expression, and specific band leaders receive the spotlight they so long deserved. Following the Drums is a journey through African American history and Tennessee history, with a fascinating form of music powering the story.

The Drum Book tells the story of the rock drum kit, from the moment Ringo Starr began to thrash his Ludwigs to the diverse styles of today's players. This expanded and updated edition celebrates in loving detail the music and the drummers that inspired change and invention, and in doing so, changed the sound of music forever.

64 page full colour book and 76 minute DVD with over 100 drumming exercises.

The state of Connecticut boasts an extensive and active community of fife and drum groups. This musical tradition has its origins in the small military bands maintained by standing armies in Britain and Europe in the seventeenth and eighteenth centuries—the drum was especially important as it helped officers train soldiers how to march, and was also used to communicate with troops across battlefields. Today fifers and drummers gather at conventions called "musters," which may include a parade and concerts featuring the various participating corps. According to the Guinness Book of World Records, the largest muster ever was held in Deep River, Connecticut, in 1976. Musician and historian James Clark is the first to detail the colorful history of this unique music. This engaging book leads the reader through the history of the individual instruments and tells the story of this classic folk tradition through anecdotes, biographies, photographs, and musical examples.