On these pages we meet adventurous princes, romantic princesses, wily peasants, tricky animals--and an abundance of monsters, djinns, gods, goddesses, and powerful magicians. In colorful, exotic settings reminiscent of The Arabian Nights, brave heroes and virtuous heroines triumph over the forces of evil, often with fantastical or comic results. These folktales, collected orally in the desert state of Rajasthan in 1986-87, are eloquent reflections of the great cultural traditions of India, and are stories that bring enchantment to audiences everywhere.

This Book Concentrates On The Theoretical Aspects Of The Study Of Folklore. Here Folklore Has Not Only Been Defined, But Also Its Scope And Dynamism Have Been Located.

This is one of a series of Studies dealing with intellectual property and genetic resources, traditional knowledge and traditional cultural expressions/folklore. The objectives of this Study were to examine how effective protection of folklore is being achieved in India, Indonesia and the Philippines so as to derive directions for future work in this field and also to assess the relevance of the Model Provisions drawn up for framing legislation in these countries.

Ťhe Panćatantra, Jatakas, Kathāsaritasāgara, Hitopadeśa, Ramayana, Mahabharata, and Eesop’s tales – the ancient folk compendiums have knowledge and wisdom for the people of all spheres. They are valuable for all ages with immense light over much darkness. Ťhe Panćatantra is a collection of five books by Vishnu Sharma who has educated three dull minded princes and able for kingdom. Manoj Das, an eminent Indian author who panned his writing to Indian literature in both Odia and English. Folk compendiums fascinate him and as a result of this fascination he writes short stories like Chasing the Rainbow: Growing up in an Indian Village, Selected Fiction, Tales told by Mystics, Mystery of the Missing Cap and Other Stories, The Bridge in the Moonlit Night and Other Stories, etc, the book is an illuminated study of short stories of Manoj Das and Indian Folklore that are not simply tell/story to listen.

This book explores the instrumentality of language in constructing identity in contemporary society. The processes of globalization, hyper-mobility, rapid urbanization, and the increasing desire of local populations to be linked to the global community have created a pressing need to reconfigure identity in this new world order. Following the digital revolution, both traditional and new media are dissolving linguistic boundaries. The centrality of language in organizing communities and groups cannot be overstated: our social order is developed alongside our linguistic allegiance, shared narratives, collective memories, and common social history. Keeping in mind the fluidity of identity, the book brings together fourteen chapters providing cultural and social perspectives. The ideas reflected here draw on a range of disciplines, such as psychology, sociology, anthropology, cultural studies, the politics of language, and linguistic identity.

When's the last time you got to pick a folklorist's brain? Did you know memes count as folklore? Or that folklorists assign numbers to fairy tales to keep track of them all? The field of folklore studies is over two centuries old, and it's full of amazing insights about human behavior, creativity, and community. Folklore studies is as interdisciplinary as it gets, squished somewhere between anthropology and linguistics and religious studies and comparative literature and more. It’s all about the informal human interactions, the million tiny acts and stories and beliefs and arts that function as social glue even if they seem beneath notice. Do traditional holiday foods have a deeper meaning? Yep. Same with folk music, ballads, proverbs, jokes, urban legends, body art, and a ton more genres covered in this book. Is the whole book as easy to read and irreverent as this description? Yep. This fun, accessible guide to the academic study of folklore packs in a college class's worth of material, from basic concepts and major folklore genres to special topics based on identity, fancy theories, and more. If you've always wanted to take a folklore class, or you're a writer or artist using folklore in your work, or you're just generally interested in the topic, this is the book for you! “This wonderfully insightful book introduces the reader to folklore with warmth and good humor. Students and others interested in folklore will love it!” - Libby Tucker, Distinguished Service Professor of English, Binghamton University and author of Haunted Halls: Ghostlore of American College Campuses “Dr. Jeana Jorgensen knows her stuff and, just as importantly, knows how to communicate it. Folklore 101 is a treasure trove of knowledge, the kind it would take years of college courses to accumulate yourself. If you're curious about academic folklore, this clear, engaging book is where you want to start." – Dr. Sara Cleto, co-founder of The Carterhaugh School of Folklore and the Fantastic