In his foreword, former New York governor and vice president of the United States Nelson A. Rockefeller remembers his first trip to Mexico in 1933 and his subsequent, life-long fascination with the Mexican people and their popular art. Rockefeller's collection of more than 3,000 pieces of Mexican folk art is widely considered to be the most exceptional in the U.S., and Folk Treasures of Mexico celebrates these icons, created from the eighteenth to the twentieth centuries, with more than 150 photos of the pieces, many of which are quite rare. This updated edition of the long out-of-print book focusing on this stunning collection of Mexican folk art contains a new foreword by Rockefeller's daughter, Ann Rockefeller Roberts, and a new prologue by Marion Oettinger, Jr., the director of the San Antonio Museum of Art, who wrote the principal text about the collection. Oettinger describes the objects according to function: utilitarian, ceremonial, decorative, or for play. Among the many noteworthy objects are a wooden-carved centurion helmet mask from the eighteenth century depicting a Roman guard, which is one of the few remaining masks of this type in existence, and a nineteenth century ceramic pitcher from Oaxaca that combines many stylistic techniques. Other objects include a variety of children's toys, clothing, and items for eating and drinking. First published in 1990, the book also contains the original preface by Rockefeller's daughter, who was instrumental in finding permanent homes for her father's collection, which can now be found in the San Antonio Museum of Art and the Mexican Museum in San Francisco. Including a glossary, bibliography, and chronology, Folk Treasures of Mexico is a must-read for anyone interested in Latin American art, culture, and history.

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With some 160 color photographs, this volume portrays the Mexican people, their cultures, and their folk arts, including textiles, ceramics, jewelry, lacquer, masks, and toys. It includes a guide to Mexico's indigenous peoples, a map, a glossary, and a bibliography. Annotation copyrighted by Book News, Inc., Portland, OR

Arts as intimate as a piece of needlework or a home altar. Arts as visible as decorative iron, murals, and low riders. Through such arts, members of Tucson's Mexican American community contribute much of the cultural flavor that defines the city to its residents and to the outside world. Now Tucson folklorist Jim Griffith celebrates these public and private artistic expressions and invites us to meet the people who create them. Josefina Lizárraga learned to make paper flowers as a girl in her native state of Nayarit, Mexico, and ensures that this delicate art is not lost. Ornamental blacksmith William Flores runs the oldest blacksmithing business in town, a living link with an earlier Tucson. Ramona Franco's family has maintained an elaborate altar to Our Lady of Guadalupe for three generations. Signmaker Paul Lira, responsible for many of Tucson's most interesting signs, brings to his work a thoroughly mexicano sense of aesthetics and humor. Muralists David Tineo and Luis Mena proclaim Mexican cultural identity in their work and carry on a tradition that has blossomed in the last twenty years. Featuring a foreword by Tucson author Patricia Preciado Martin and a spectacular gallery of photographs, many by Pulitzer prize-winning photographer José Galvez, this remarkable book offers a close-up view of a community rich with tradition and diverse artistic expression. Hecho a Mano is a piñata bursting with unexpected treasures that will inspire and inform anyone with an interest in folk art or Mexican American culture.

Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.

A massive, luxurious, silk-bound compilation of Mexico's incredible wealth of folk art and craft Mexico accounts for one of the richest and most diverse folk arts in the world. The artisans ́ mastery in different materials such as clay, wood, stone, textiles, metals, leather and plant fibers reflects an aura of genius and creativity that has been passed down by previous generations highlighting the wealth and tenacity of Mexican culture. This new edition of the acclaimed Grand Masters of Mexican Folk Art, first published in 1999 and now expanded to more than 600 pages, pays tribute to the 180 artisans who composed the previous collection and celebrates the 400 artisans that have surfaced since. The book does an exquisite job of capturing the essence of Mexican craftspersons and their meticulous techniques in more than 1,800 full-page portraits and colorful images of the works.