This exhibition catalog documents FOLD UNFOLD, a project by Susan Falls and Jessica Smith. Coverlet weaving requires tremendous aptitude, but coverlets are not well known when it comes to southern material culture. In our research, we found 19th and early 20th century samples folded up in closets, doubled over beneath beds, or stuffed unseen in chests rather than exhibited as artworks integral to the production of economic, political, and cultural values in southern households. To reframe these objects, we folded historic coverlets into a pillar to connote the foundational role of cotton in the emerging global economy and the role southern women played in the aesthetic narrative of their landscape. We also invited contemporary makers to weave overshot coverlets in a black and white color scheme. This palette was chosen not only to underline (and undermine) some of the ways we found color being used to signify class and race in our research, but also to draw viewers' attention to the formal qualities of weaving work. Viewers can only glimpse the pattern, palette, and worksmanship of these coverlets when they are folded. To reveal these works, the pillars were taken down and the coverlets unfolded in a public performance. The objects were restacked at full size to form a minimalist contemporary sculpture meant to call attention to art/craft, formal/domestic, and nonfunctional/functional dichotomies.

Every day millions of us sit in front of a computer screen tapping away at a keyboard, mostly writing virtual notes to unseen correspondents. By contrast, an origami project is a chance to be creative and make something tangible; in fact, turning a piece of paper into a three-dimensional sculpture is a meditative journey that instills in us a sense of pride, competence, and accomplishment. As we fold the paper, the focus required and the tactile connection help free our minds to roam, creating the opportunity for a moment of self-reflection, for true presence of mind.

Bestselling origami artist John Montroll offers a new collection of 35 original origami models, presented in order of complexity. They start with simple one-star models (ladybug, butterfly, sailboat) and progress to very complex four-star models (giraffe, wooly mammoth) with cranes, lions, peacocks, and geometric shapes in between. This comprehensive volume includes step-by-step instructions and full-color illustrations to allow folders at all levels to develop their skills -- one fold at a time.

Understanding Numbers is a carefully written series of mathematics to help students encourage the study of mathematics in the best interactive form. It contains ample practice material, attractive illustrations and real-life examples for the students to relate the topics with their everyday life. Special care has been taken while teaching topics like geometry and probability to the students. Keeping in mind the development status and comprehension level of students, the text has been presented in a well graded manner.

Many designers use folding techniques in their work to make three-dimensional forms from two-dimensional sheets of fabric, cardboard, plastic, metal, and many other materials. This unique book explains the key techniques of folding, such as pleated surfaces, curved folding, and crumpling. It has applications for architects, product designers, and jewelry and fashion designers An elegant, practical handbook, Folding for Designers explains over 70 techniques explained with clear step-by-step drawings, crease pattern drawings, and specially commissioned photography. All crease pattern drawings are available to view and download from the Laurence King website.

It is only recently, with the increasing interest in origami and folding in natural sciences and the humanities, that the fold as a new conception in a whole range of disciplines has begun to be conceived in a broader way. Folding as a material and structural process offers a new methodology to think about the close relationship of matter, form and code. It henceforth crosses out old dichotomies, such as the organic and the inorganic or nature and technology, and blurs the boundaries between experimental, conceptual and historical approaches. This anthology aims to unfold this new interdisciplinary field and its disciplinary impact, ranging from materials science, biology, architecture, and mathematics to literature and philosophy.

This second edition contains revised chapters taking into account recent research advances. More advanced exercises have been included, and "Part II The Prolog Language" has been modified to be compatible with the new Prolog standard. This is a graduate level text that can be used for self-study.