This volume brings together a range of studies on various aspects of English and its use in Southern Africa. Experts in their field have written chapters on topics including the history and development of English in South Africa, the characteristics of particular pan-ethnic varieties of English which have evolved in South Africa (including black, Indian and colored varieties) as well as the unique features of the English of South Africa’s southern neighbours: Swaziland, Zimbabwe, Zambia and Malawi. Other contributions focus on English in relation to issues such as standardisation, lexicography, education, language planning, language attitudes and interaction patterns. The book will be of primary interest to students of linguistics and language, but should also be relevant to educationists, sociologists and historians.

Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying CD offers vivid examples of traditional, popular, and classical South African musical styles.

In 1994, South Africas image in the world changed instantaneously from the polecat to that of being a model. The intensity of the societal conflict in the run-up to 1994, and the nature of the post-1994 societal reconstruction focused the attention of the whole world on South Africa. The societal changes have been of a social, economic, political and educational nature; the foundation of which had been laid by a Constitution and a Bill of Human Rights widely hailed as one of the most progressive in the world. After almost two decades, the time is ripe for an assessment. This book offers nine essays written by scholars who are recognised authorities in their fields of expertise, critically surveying some aspects of that societal reconstruction project.

First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.

For students of world music and world cultures, this authoritative work provides an in-depth survey of the full spectrum of black and white South African music. In 1986, Paul Simon's Graceland introduced millions to the sounds of South Africa. But Simon's album explores only a few of the many types of music originating within South Africa's border's a musical culture that epitomizes the enormous ethnic, religious, linguistic, class and gender diversity of the nation itself. The author looks at how South Africans (black and white) have used music to express a sense of place in South Africa, on the African continent, and around the world. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller explores the range of sources that make music from South Africa related to, yet so distinct from, other music from the African continent and around the world. The accompanying CD offers vividexamples of traditional, popular, and classical South African musical styles.

An overview of South Africa covers its history, geography, climate, culture, government, and economy.