The tragic, the comic, the terrifying, the poignant are all part of the story of the Black Pony pilots who distinguished themselves in the Mekong Delta during the Vietnam War. Flying their turboprop Broncos "down and dirty, low and slow," they killed more of the enemy and saved more allied lives with close-air support than all the other naval squadrons combined during the three years they saw action. Author Kit Lavell was part of this squadron of "black sheep" given a chance to make something of themselves flying these dangerous missions. The U.S. Navy's only land-based attack squadron, Light Attack Squadron Four (VAL-4) flew support missions for the counter insurgency forces, SEALs, and allied units in borrowed, propeller-driven OV-10s. For fixed-wing aircraft they were dangerous, unorthodox missions, a fact readers quickly come to appreciate.

The tragic, the comic, the terrifying, the poignant are all part of the story of the Black Pony pilots who distinguished themselves in the Mekong Delta during the Vietnam War. Flying their turboprop Broncos "down and dirty, low and slow," they killed more of the enemy and saved more allied lives with close-air support than all the other naval squadrons combined during the three years they saw action. Author Kit Lavell was part of this squadron of "black sheep" given a chance to make something of themselves flying these dangerous missions. The U.S. Navy's only land-based attack squadron, Light Attack Squadron Four (VAL-4) flew support missions for the counter insurgency forces, SEALs, and allied units in borrowed, propeller-driven OV-10s. For fixed-wing aircraft they were dangerous, unorthodox missions, a fact readers quickly come to appreciate.

A lyrical, poignant middle grade novel about embracing change, accepting help from others, and finding a place to call home. Perfect for fans of Raymie Nightingale. A Kirkus Best Book of 2019! Lizzie St. Claire wants to be invisible. Forced to move out of her home, she and her mom now live in a transitional housing shelter, Good Hope, until they can get back on their feet. Lizzie just wants to keep her head down at Good Hope and her new school, so she doesn’t have to admit the real reason she and her mom lost everything. But when Lizzie finds herself at the nearby Birchwood Stables, some new friends—along with the arrival of a frightened pony named Fire—help Lizzie to open up and accept help from those around her, even if it means she’ll have more to lose if things change again.

Personal stories and biographies of Game Wardens in Vietnam.

The U.S. Department of Defense predicts that ground forces of the future will wage tomorrow’s wars by replacing large numbers of personnel and organic firepower for advanced technology and superior maneuverability. Those forces must be prepared to face an unconventional enemy who will operate in small, lethal units interspersed with the civilian population rather than facing coalition forces with massed formations. This scenario of blurred lines of battle and difficulty determining friend from foe resembles very closely what the U.S. military faced in Vietnam. This paper will address the successes and failures of United States airborne forward air controllers (FACs), particularly in Vietnam, and whether combat lessons learned were passed from service to service or historically from conflict to conflict. The FAC mission has not significantly changed since the end of the Vietnam War, and a thorough study of operational and tactical lessons learned by those aircrew will significantly enhance today’s FACs ability to find and destroy dispersed enemy forces in a wide array of environments.

Contributions by Emily Anderson, Elif S. Armbruster, Jenna Brack, Christine Cooper-Rompato, Christiane E. Farnan, Melanie J. Fishbane, Vera R. Foley, Sonya Sawyer Fritz, Miranda A. Green-Barteet, Anna Thompson Hajdik, Keri Holt, Shosuke Kinugawa, Margaret Noodin, Anne K. Phillips, Dawn Sardella-Ayres, Katharine Slater, Lindsay Stephens, and Jericho Williams Reconsidering Laura Ingalls Wilder: Little House and Beyond offers a sustained, critical examination of Wilder's writings, including her Little House series, her posthumously published and unrevised The First Four Years, her letters, her journalism, and her autobiography, Pioneer Girl. The collection also draws on biographies of Wilder, letters to and from Wilder and her daughter, collaborator and editor Rose Wilder Lane, and other biographical materials. Contributors analyze the current state of Wilder studies, delineating Wilder's place in a canon of increasingly diverse US women writers, and attending in particular to issues of gender, femininity, space and place, truth, and collaboration, among other issues. The collection argues that Wilder's work and her contributions to US children's literature, western literature, and the pioneer experience must be considered in context with problematic racialized representations of peoples of color, specifically Native Americans. While Wilder's fiction accurately represents the experiences of white settlers, it also privileges their experiences and validates, explicitly and implicitly, the erasure of Native American peoples and culture. The volume’s contributors engage critically with Wilder's writings, interrogating them, acknowledging their limitations, and enhancing ongoing conversations about them while placing them in context with other voices, works, and perspectives that can bring into focus larger truths about North American history. Reconsidering Laura Ingalls Wilder examines Wilder's strengths and weaknesses as it discusses her writings with context, awareness, and nuance.