Three Principles of Garden of Mirrored Flowers: 1 “The sensations that visitors to the theme park will experience are precisely those that classical Chinese literature has always wanted to convey: life as a bewildering maze. As such, we can better comprehend one of the key principles for the construction of the theme park: bewilder—the soul— intensely.” 2 “In the process of construction, I began to increasingly feel that the process should be an intermittent walk from one area to the next, like how a moving essay is extracted from a grand narrative—this is therefore the second principle of designing gardens: the form may disperse but not the spirit.” 3 "Just like the flower fairies, we have all fallen to earth, having lost our inner equilibrium. As such, no one would turn down the opportunity to enjoy the spiritual release and pleasure that this kind of theme park can offer. Garden of Mirrored Flowers is hence a psychodrama of an even higher class. Therefore, we should be able to understand the third principle for the construction of the park easily: the world's experiential center." Fang's novel tells the story of a man in the process of designing a theme park, called Garden of Mirrored Flowers, and is an adaptation and transformation of the classical Chinese novel Jin Hua Yuan, or Flowers in the Mirror, from the Qing Dynasty. Beginning as a pictorial journey through myriad advertisements and the way they allow for many different entries into reality, Fang depicts parallels between the park's actual construction and how it has been imagined, or how it has evolved out of history. For Garden of Mirrored Flowers is less the vision of one author (Fang) and more the result of reality writing itself through this author; that is, a script, or documentary, of life. “It's a book,” Fang states, “written by a ghost writer. Me? Just a traveler floating within the wave of globalization.” Culminating with the park's opening ceremony, Fang creates a space where history seems to have been completely consumed and absorbed by contemporary social movements. It is both a labyrinth to get lost in and a pavilion made of reflective glass. Hu Fang is a novelist, art critic, and the co-founder and artistic director of Vitamin Creative Space, a project and gallery space dedicated to contemporary art exploration and searching for an independent working mode, specifically geared to the contemporary Chinese context. He lives and works in Beijing and Guangzhou.

A beautiful and original book from a renowned thinker and geometrist

The essays in this collection are not confined to any one period or any one subject. Nearly every one, in the author's words, is "an attempt to understand some short passage from the work of some philosopher, teasing the passage with analogies of sense. If one were to describe the method, as Descartes described his method, the method of doubt, perhaps it might best be described as the method of failure."

From the legendary New York Times bestselling author of Flowers in the Attic and My Sweet Audrina (now Lifetime movies) comes the first book in a new series featuring identical twin sisters forced to act, look, and feel truly identical by a perfectionist mother. For fans of Ruth Ware (The Woman in Cabin 10) and Emma Donoghue (Room). Alike in every single way...with one dark exception. As identical twins, their mother insists that everything about them be identical: their clothes, their toys, their friends...the number of letters in their names, Haylee Blossom Fitzgerald and Kaylee Blossom Fitzgerald. If one gets a hug, the other must too. If one gets punished, the other must be too. Homeschooled at an early age, when the girls attend a real high school they find little ways to highlight the differences between them. But when Haylee runs headfirst into the dating scene, both sisters are thrust into a world their mother never prepared them for—causing one twin to pursue the ultimate independence. The one difference between the two girls may spell the difference between life...and a fate worse than death. Written with the taboo-breaking, gothic atmosphere that V.C. Andrews is loved for, The Mirror Sisters is the latest in her long line of spellbinding novels about mysterious families and tormented love.