Part fable, part diatribe, part elegy, part love song, this extraordinary fifth collection by Campbell McGrath makes poetry of the most unlikely of materials -- his home state of Florida. While at times poignantly personal, McGrath also returns for the first time to the characteristically comic and visionary public voice displayed in the renowned "Bob Hope Poem." Moving effortlessly from prehistory to the space age, he catalogues Florida's natural wonders and historical figureheads, from Ponce de LeÓn to Walt Disney, William Bartram to Chuck E. Cheese -- "the bewhiskered Mephistopheles of ring toss,/the diabolical vampire of our transcendent ideals." In the brilliant sociohistorical monologue of "The Florida Poem," McGrath employs the Fountain of Youth as a mythic symbol for both the tragic consequences of a society built on greed and cultural erasure and the diverse human potential, "which must become the fountain/for any communal future we might dare imagine." Place-bound and tightly focused, Campbell McGrath's message is nonetheless universal, as his penetrating vision of Florida is also a vision of America -- its history and hopes, failings and fulfillments, and the eternal force that transcends it all.

The title poem of this book records a sojourn to a small island off the Florida Panhandle. Reachable only by boat, Dog Island provides a quiet respite where Miami poet-artist Laurence Donovan contemplates the sea, sand, and sky and transforms them into words and etchings. Donald Justice, in his foreword, calls Donovan "doubly gifted" in both his poetry and his art. This volume presents both, the latter in fifteen of his etchings. He was also known for his linocuts, represented here by the small scorpion at the end of the book.

Combing Florida's Shores is a poetic memoir. Part one depicts a man, his wife, and their girl and boy reveling in the joys of vacationing in Fort Lauderdale. The second section chronicles the now-divorced man returning to his old haunts, with a new love, to find that everything, and nothing, is the same.

A lyric mix of journalism, science, family lore, and lived experience reveals the complex realities of Florida and a redemption that's wondrously messy and surprising.

Poems of the Florida glades and islands. More poems on travels to Greece and China, Nature, and a general Potpourri.

Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for The Gulf Motel is a genealogy of the heart, exploring how his family's emotional legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother's life shaped by exile, his father's death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.