Versatile collection of 136 floral designs for royalty-free use. Ready-to-use illustrations include the Aztec lily, African violet, holly, dogwood, magnolia, evening primrose, wild calla, and many other flowers and plants.

Superb treasury of 319 royalty-free designs skillfully rendered from French, English, German, Swiss, and Russian textiles of 18th and 19th centuries. Profusion of flowers, leaves, sprays, branches, fruits, and birds.

Treasury of rare Victorian-era designs for borders, wreaths, cushion squares, sprays, and other projects. Patterns for verbena, strawberry, lily, many more.

Ethnobotany deals with relationship between people and plants. Since ancient times plants were used to cure all types of illness and diseases all over the world. The traditional knowledge of medicincal valued plants communicated from one generation to another generation and plays a significant role in the development of traditional medicines. The ethnobotanical research provides information about medicinal plants that can cure fatal diseases. This book has fourteen chapters that include various aspect of Ethnobotany viz: Introduction to Ethnobotany; Ethnobotany: Past, Present and Future; Ethnobotany and Ayurveda; Important Sacred Plants in India; Grace of Butter tree; Diversity, Indigenous use of the Ethnomedicinal flora of various plants of India; Ethnobotany and Modern system of Medicine; Plants of folklore from myth to magic; Different tribal committee of India and Historical journey and its prospective in India. This book is highly relevant to innovated and enhance knowledge about Ethnobotany and helpful for undergraduate, post-graduate students, research scholars and faculty. The book incorporates chapters authored by eminent botanists who are working in the field of Ethnobotany since a long time.

Practical archive of 45 royalty-free designs adapted from watercolors, screens, kimonos, Noh drama costumes, wall hangings, more. Wide variety of stripes, allover patterns, nature scenes, grand sprays of flowers and tree branches, other clearly detailed designs suggesting subtle elegance of Japanese art. Introduction. Captions.

Handbook of Museum Textiles Textiles have been known to us throughout human history and played a vital role in the lives and traditions of people. Clothing was made by using different materials and methods from natural fibers. There are different varieties of textiles, out of which certain traditional textiles, archaeological findings, or fragments are of cultural, historical, and sentimental value such as tapestries, embroideries, flags, shawls, etc. These kinds of textiles, due to their historical use and environmental factors, require special attention to guarantee their long-term stability. Textile conservation is a complex, challenging, and multi-faceted discipline and it is one of the most versatile branches of conservation. Volume 1 of the Handbook of Museum Textiles focuses on conservation and cultural research and addresses the proper display, storage, upkeep, handling, and conservation technology of textile artifacts to ensure their presence for coming generations. Spread over 19 chapters, the volume is a unique body of knowledge of theoretical and practical details of museum practices. Chapters on textile museums, the importance of cultural heritage, conservation, and documentation of textiles are covered in depth. Conservation case studies and examples are highlighted in many chapters. Management practices and guidelines to pursue a career in the museum textile field have been given due attention. The respective authors of the chapters are of international repute and are researchers, academicians, conservators, and curators in this field. Audience The book is a unique asset for textile researchers, fine art scholars, archaeologists, museum curators, designers, and those who are interested in the field of traditional or historic textile collections.

The "flower piece" has existed as an art genre since the 16th century, but for decades the floral still life was considered unworthy of artists' attention because of its alleged superficiality and bourgeois banality. But now in the nineties, this old motif is enjoying a revival. ART OF THE FLOWER places the genre in its historical perspective.