Floodgate Companion is Robert Beatty's debut monograph, a cosmic and immersive collection of artwork from the renowned album cover artist.

An inspiring story about a young Black girl who wants to be an astronaut, written years before Black astronauts were sent into space. This remarkable picture book has been out of print for decades, until now. First published in 1973, a year after the final Apollo mission, when American astronauts were exclusively white and male, Blast Off is the story of a young African American girl with a vision and a mission. Regina Williams wants to be an astronaut. One day she’s drawing a picture of a rocket ship on the sidewalk when her friends come by and start to tease her. “You’ll never be an astronaut,” they say. In reply, she builds her own spaceship with old boxes, pipes, and cans. Before long she’s in space, her eyes wide with wonder at the smallness of the blue-green Earth, the blackness of space, the stars and satellites. When she comes back down to earth, her friends don’t believe her, but she knows her dream is real. An inspiring story of interstellar space travel with illustrations by the legendary Diane and Leo Dillon.

All Gates Open presents the definitive story of arguably the most influential and revered avant-garde band of the late twentieth century: CAN. It consists of two books. In Book One, Rob Young gives us the full biography of a band that emerged at the vanguard of what would come to be called the Krautrock scene in late sixties Cologne. With Irmin Schmidt and Holger Czukay - two classically trained students of Stockhausen - at the heart of the band, CAN's studio and live performances burned an incendiary trail through the decade that followed: and left a legacy that is still reverberating today in hip hop, post rock, ambient, and countless other genres. Rob Young's account draws on unique interviews with all founding members of CAN, as well as their vocalists, friends and music industry associates. And he revisits the music, which is still deliriously innovative and unclassifiable more than four decades on. All Gates Open is a portrait of a group who worked with visionary intensity and belief, outside the system and inside their own inner space. Book Two, Can Kiosk, has been assembled by Irmin Schmidt, founding member and guiding spirit of the band, as a 'collage - a technique long associated with CAN's approach to recording. There is an oral history of the band drawing on interviews that Irmin made with musicians who see CAN as an influence - such as Bobby Gillespie, Geoff Barrow, Daniel Miller, and many others. There are also interviews with artists and filmmakers like Wim Wenders and John Malkovitch, where Schmidt reflects on more personal matters and his work with film. Extracts of Schmidt's notebook and diaries from 2013-14 are also reproduced as a reflection on the creative process, and the memories, dreams, and epiphanies it entails. Can Kiosk offers further perspectives on a band that have inspired several generations of musicians and filmmakers in the voices of the artists themselves. CAN were unique, and their legacy is articulated in two books in this volume with the depth, rigour, originality, and intensity associated with the band itself. It is illustrated throughout with previously unseen art, photographs, and ephemera from the band's archive.

An intensely honest book, brimming with ideas and emotion. How do you make the most difficult decision in life when your family, friends and lover are more distant than the nearest galaxy?

Cyn, a witch, and Avian, executioner of the truly evil, discover that Cyn is an Echo, a conduit for souls of the dead, who will lose control unless she risks her life to vanquish the source of her power in Sleepy Hollow.

"Before the rise of underground comics in the late 1960s, there was no place for eccentric talent in the comics industry. Rather than creating super heroes like Superman and Spider-Man, comic strips like Peanuts and Krazy Kat, or graphic novels like Jimmy Corrigan: The Smartest Kid on Earth and Ghost World, the artists represented in Art Out of Time created their own "ingenious" versions of the super hero, western, romance, humor, and horror genres that dominated the comics of their day." "Their visions found a home, but were mostly obscured by the more accessible mainstream work of others. These artists have a distinct, fully formed visual sensibility, and their comics stray from the usual thematic and visual ideas of what we now consider the medium to be. All of them were under-recognized in their lifetimes, and all of them remain outside the usual narratives of comic book history." "Art Out of Time reprints complete comic book and comic strip stories, most of which are being reprinted here for the first time since their initial publication. In five thematic sections, this anthology is a "counter history" of comics, containing nearly thirty often-unknown visionary American cartoonists from 1900 to 1969. These artists foreshadowed and influenced the innovations within the comics medium of today. Together for the first time, these oddballs and obsessives truly constitute an underground that wasn't."--BOOK JACKET.

Buried deep under sand sits a library the size of a small city, owned by the eerily powerful Mr. Wish and protected by roving bands of toughs and lethal sentient vehicles. When a small but heavy interdimensional spider demands access to the vault, poor William Softkey, with assistance from the gravity-experimenter Gigglewindow sisters, is hired to deal with the problem. Rendered in the artist's trademark stark linework--against a backdrop of paranoid techno-fantasy, strange emblematic beings, and woozy halftone patterns--William Softkey and the Purple Spider is acclaimed cartoonist CF's second dreamy narrative published under the Anthology Editions banner.