What is creationism? Is it science, theology, both, neither? Who's behind it? What does it mean for Western Civilization? And why should you give a damn in the first place? National Lampoon veteran Barrett Brown and Professor of Sociology Jon P. Alston, Ph.D, answer these questions - and perhaps one or two others in a superbly unorthodox, serenely offensive and splendidly hilarious look at the forces behind the most talked-about pseudo-theory in modern history. In FoD, the reader will discover ominous parallels between Billy Joel's greaser anthem Uptown Girl and chief intelligent design proponent William Dembski, the wholly non-Christian origins of the United States, the goofy history of the creation science movement, secrets of a happy marriage to anti-feminist icon Phylis Schafly, stunning evidence that William Jennings Bryan might not have been all that bright, the the three interesting things that occurred in 2004, and the true nature of the millennia-old Conspiracy of Nonsense that threatens the very fiber of Western Civilization.

In Don't Be Such a Scientist, Randy Olson shares lessons of his transformation from tenured professor to Hollywood filmmaker, challenging the science world to toss out its stodgy past in favor of something more dymanic --and ultimately more human. In this second edition, Olson buils upon the radical approach of Don't Be Such a Scientist throught timely updates and new stories. In his signature candid style, Olson weighs in on recent events in the science community, celebrating the rise in grassroots activism while critiquing the scientific establishment. In an age of renewed attack on science, Don't Be Such a Scientist, Second Edition is a provocative guide to making your voice heard.--

A non-technical analysis of the controversial culture war over Darwin versus intelligent design states that there is no irrefutable evidence supporting Darwinism, argues that Darwin-based theories that are taught in school are not fact-based, and reveals how scientists at major universities believe in intelligent design. Original.

Everything you were taught about evolution is wrong.

Communicate more effectively about science—by taking a page from Hollywood and improving your storytelling skills. Ask a scientist about Hollywood, and you’ll probably get eye rolls. But ask someone in Hollywood about science, and they’ll see dollar signs: Moviemakers know that science can be the source of great stories, with all the drama and action that blockbusters require. That’s a huge mistake, says Randy Olson: Hollywood has a lot to teach scientists about how to tell a story—and, ultimately, how to do science better. With Houston, We Have a Narrative, he lays out a stunningly simple method for turning the dull into the dramatic. Drawing on his unique background, which saw him leave his job as a working scientist to launch a career as a filmmaker, Olson first diagnoses the problem: When scientists tell us about their work, they pile one moment and one detail atop another moment and another detail—a stultifying procession of “and, and, and.” What we need instead is an understanding of the basic elements of story, the narrative structures that our brains are all but hardwired to look for—which Olson boils down, brilliantly, to “And, But, Therefore,” or ABT. At a stroke, the ABT approach introduces momentum (“And”), conflict (“But”), and resolution (“Therefore”)—the fundamental building blocks of story. As Olson has shown by leading countless workshops worldwide, when scientists’ eyes are opened to ABT, the effect is staggering: suddenly, they’re not just talking about their work—they’re telling stories about it. And audiences are captivated. Written with an uncommon verve and enthusiasm, and built on principles that are applicable to fields far beyond science, Houston, We Have a Narrative has the power to transform the way science is understood and appreciated, and ultimately how it’s done.

From the critically acclaimed author of The Food Chain and Footsucker comes a sophisticated comedy about three people caught in the Hollywood machine. Following the death of his wife, Henry Cadwallader, an English doctor, insists on accompanying his aspiring actress daughter, Dorothy, on a trip to Hollywood. He fears she will fall prey to corruption and sleaze, but finds that it is actually he who is being corrupted at every turn. On the flight to LA, they meet 'auteur of the future' Rick McCartney. Rick's trying to get the backing to make a costume drama set in seventeenth-century England about a man who owns what he fears is the last dodo on earth. Dorothy Cadwallader's quest for fame begins badly and goes downhill from there. Meanwhile Henry becomes involved with a former actress turned estate agent. The lives of Henry and Dorothy once again intersect with that of Rick McCartney to dramatic effect as the characters find themselves drawn to the brink, where dreams die and extinction threatens. Sharp humor and keen observation drive Geoff Nicholson's satisfyingly oblique look at America's obsession with stardom.

What should we teach our children about where we come from? Is evolution a lie or good science? Is it incompatible with faith? Have scientists really detected evidence of a creator in nature? From bestselling, Pulitzer Prize-winning author Edward Humes comes a dramatic story of faith, science, and courage unlike any since the famous Scopes Monkey Trial. Monkey Girl takes you behind the scenes of the recent war on evolution in Dover, Pennsylvania, when the town's school board decision to confront the controversy head-on thrust its students, then the entire community, onto the front lines of America's culture wars. Told from the perspectives of all sides of the battle, it is a riveting true story about an epic court case on the teaching of "intelligent design," and what happens when science and religion collide.