Join Captain Fancy and the crew of the Persephone as they take to the clouds in this riveting steampunk adventure. The Great Atlantic Run is more than a passport to high-flying thrills and excitement; it's a perilous two-day marathon over the ocean, where only the fast and strong survive. In a journey fraught with air pirates, rough weather and international spies, the risks are sky-high. The rewards, fame and fortune. Take off on the voyage of a lifetime as you explore a grand world of flying ships, steam-powered machines, and incredible characters. Flights of Fancy is a fast-paced, unforgettable yarn as limitless and unpredictable as imagination itself.

For five weeks—from April 14 to May 21, 1927—the world held its breath while fourteen aviators took to the air to capture the $25,000 prize that Raymond Orteig offered to the first man to cross the Atlantic Ocean without stopping. Joe Jackson's Atlantic Fever is about this race, a milestone in American history whose story has never been fully told. Delving into the lives of the big-name competitors—the polar explorer Richard Byrd, the French war hero René Fonck, the millionaire Charles Levine, and the race's eventual winner, the enigmatic Charles Lindbergh—as well as those whose names have been forgotten by history (such as Bernt Balchen, Stanton Wooster, and Clarence Chamberlin), Jackson brings a completely fresh and original perspective to the race to conquer the Atlantic. Atlantic Fever opens for us one of those magical windows onto a moment when the nexus of technology, innovation, character, and spirit led so many contenders from different parts of the world to be on the cusp of the exact same achievement at the exact same time.

The trans-Atlantic air race of 1927 and the flight that made Charles Lindbergh a hero The race to make the first nonstop flight between the New York and Paris attracted some of the most famous and seasoned aviators of the day, yet it was the young and lesser known Charles Lindbergh who won the $25,000 Orteig Prize in 1927 for his history-making solo flight in the Spirit of St. Louis. Drawing on many previously overlooked sources, Bak offers a fresh look at the personalities that made up this epic air race – a deadly competition that culminated in one of the twentieth century's most thrilling personal achievements and turned Charles Lindbergh into the first international hero of the modern age. Examines the extraordinary life and cultural impact of Charles Lindbergh, one of the iconic figures of the twentieth century, and his legendary trans-Atlantic flight that captured the world's imagination Explores the romance of flying during aviation's Golden Age of the 1920s, the enduring mystique of the aviator, and rapid technological advances that made for a paradigm shift in human perception of the world Filled with colorful characters from early aviation history, including Charles Nungesser, Igor Sikorsky, René Fonck, Richard Byrd, and Paul Tarascon History and the imagination take flight in this gripping account of high-flying adventure, in which a group of courageous men tested the both limits of technology and the power of nature in pursuit of one of mankind's boldest dreams.

This fascinating book here in its complete and unabridged form makes a worthy addition to the bookshelf of all those interested in this craft. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork

In Afro-Atlantic Flight Michelle D. Commander traces how post-civil rights Black American artists, intellectuals, and travelers envision literal and figurative flight back to Africa as a means by which to heal the dispossession caused by the slave trade. Through ethnographic, historical, literary, and filmic analyses, Commander shows the ways that cultural producers such as Octavia Butler, Thomas Allen Harris, and Saidiya Hartman engage with speculative thought about slavery, the spiritual realm, and Africa, thereby structuring the imaginary that propels future return flights. She goes on to examine Black Americans’ cultural heritage tourism in and migration to Ghana; Bahia, Brazil; and various sites of slavery in the US South to interrogate the ways that a cadre of actors produces “Africa” and contests master narratives. Compellingly, these material flights do not always satisfy Black Americans’ individualistic desires for homecoming and liberation, leading Commander to focus on the revolutionary possibilities inherent in psychic speculative returns and to argue for the development of a Pan-Africanist stance that works to more effectively address the contemporary resonances of slavery that exist across the Afro-Atlantic.