A book that combines science fiction, satire of Victorian society and politics, proving to be a great literary allegory. The illustrated world is populated by Squares, Triangles, Circles and Lines living in a two-dimensional universe, all strictly divided by class and gender. The narrator is precisely one of them, a Square. He will guide readers into his world by explaining the brilliant implications of two-dimensional life. Later, however, he will tell of his discovery of other, more geometrically complex universes such as the three-dimensional one, represented by his encounter with a Sphere. Thus begins a true journey of knowledge, which will lead him to that which can hardly be conceived by the mind. A unique book that has become a cult object by the scientific community and beyond.

First there was Edwin A. Abbott's remarkable Flatland, published in 1884, and one of the all-time classics of popular mathematics. Now, from mathematician and accomplished science writer Ian Stewart, comes what Nature calls "a superb sequel." Through larger-than-life characters and an inspired story line, Flatterland explores our present understanding of the shape and origins of the universe, the nature of space, time, and matter, as well as modern geometries and their applications. The journey begins when our heroine, Victoria Line, comes upon her great-great-grandfather A. Square's diary, hidden in the attic. The writings help her to contact the Space Hopper, who tempts her away from her home and family in Flatland and becomes her guide and mentor through ten dimensions. In the tradition of Alice in Wonderland and The Phantom Toll Booth, this magnificent investigation into the nature of reality is destined to become a modern classic.

Poetry. "Some writers approach the Nebraska plains as a big, empty other into which they may imagine. I understand the appeal of that mythology. But in Ruth Williams gorgeous new collection, FLATLANDS, the landscape is as alive as the plains truly are, and serves as both a generating place and quixotic companion to Williams's subtle, precise speaker. Throughout the poems, Williams images are beautifully wrought and full of surprises: a salmon being filleted opens like 'a girl's coral dress come undone,' and the 'night heat' of spent fireworks sleeps in the hands of children who are 'ready to knock.' I love this book--it's musical syncopation, the tight, clean transparency of the poems' lines. I think Willa Cather, the collection's genius loci, would admire Williams's work, recognizing its fundamental truthfulness. Which is about the highest compliment I have to give."--Erin Belieu "Ruth Williams' FLATLANDS starts from the premise of emptiness and uncovers resources for what can be found and what's to be made. Landscape, identity, desire, the past and the moment--the distinct constellation of her concerns is thrown into focus by a taut, understated craft. These seemingly casual observations break out in bursts of insight flaring against the broad horizon."--Don Bogen

Flatland is uniquely both a social critique and a primer on multi-dimensional geometry. Written in two parts in 1884 by Edwin A. Abbott, an English mathematician and theologian, it tells the story of a square living in Flatland: a two-dimensional realm. After a dream of a restrictive one-dimensional existence and the difficulties this poses, he is visited by a sphere from a three-dimensional space who wishes to enlighten him into the ways of “Upward, yet not Northward.” Edwin A. Abbott wrote other theological fiction and non-fiction (including several biographies), but he is best remembered for Flatland. While it was mostly forgotten after publication, it received a revived interest from the 1960s onwards, and has more recently had several sequels and film adaptations. This edition of Flatland is based on the second published edition and includes its preface, which in part attempts to address some of the contemporary accusations of misogyny. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

A fully annotated edition of Abbott's classic Flatland, with notes and commentary putting it in its historical and mathematical context.

Recommended for ages 4 and up and grade level of Kindergarten to 3rd grade. From first time children's author David Sayre and award-winning illustrator Rebecca Emberley comes a story of our place in the universe as experienced by Owuza and his Flatlander friends. Follow along as they explore Flatland and its limits, discovering themselves in the process. This story may take you beyond your ordinary experience and open discussion about where "here" is, what is out "there," and what happens when people and things we love are no longer where we can see them. Emberley's gorgeous, tapestry-like depictions of Flatland are a perfect foil for Sayre's deep, yet simple story.

Joe Cube is a Silicon Valley hotshot--well, a would-be hotshot anyway--hoping that the 3-D TV project he's managing will lead to the big money IPO he's always dreamed of. On New Year's Eve, hoping to impress his wife, he sneaks home the prototype. It brings no new warmth to their cooling relationship, but it does attract someone else's attention. When Joe sees a set of lips talking to him (floating in midair) and feels the poke of a disembodied finger (inside him), it's not because of the champagne he's drunk. He has just met Momo, a woman from the All, a world of four spatial dimensions for whom our narrow world, which she calls Spaceland, is something like a rug, but one filled with motion and life. Momo has a business proposition for Joe, an offer she won't let him refuse. The upside potential becomes much clearer to him once she helps him grow a new eye (on a stalk) that can see in the fourth-dimensional directions, and he agrees. After that it's a wild ride through a million-dollar night in Las Vegas, a budding addiction to tasty purple 4-D food, a failing marriage, eye-popping excursions into the All, and encounters with Momo's foes, rubbery red critters who steal money, offer sage advice and sometimes messily explode. Joe is having the time of his life, until Momo's scheme turns out to have angles he couldn't have imagined. Suddenly the fate of all life here in Spaceland is at stake. Rudy Rucker is a past master at turning mathematical concepts into rollicking science fiction adventure, from Spacetime Donuts and White Light to The Hacker and the Ants. In the tradition of Edwin A. Abbott's classic novel, Flatland, Rucker gives us a tour of higher mathematics and visionary realities. Spaceland is Flatland on hyperdrive! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.