Featuring 33 stories under 1000 words by the winners of the Flash in the Attic Flash Fiction Contest. The very brief stories in this volume, by turns playful, provocative, poignant, fantastical, fearless, and wildly imaginative, prove just how much can be accomplished in 1000 words or fewer.As it turns out, 1000 words is plenty of room to make a scene, get people in trouble, get them out of it, or parse language one letter at a time, as Sharon Goldberg does in "Rear-End Collisions," which took second place. 1000 words is also enough room for the dead to visit the living on a subway car bound for Brooklyn, for fathers to lose the hearts of their daughters, and for the sun to threaten the future of the earth and the intricate bonds of family. Neal Allen's winning story, "The Mayan Calendar," proves that 1000 words is also enough to span the history of civilization.

Family Stories from the Attic is an anthology of essays, creative nonfiction, and poetry inspired by family letters, objects, and archives. Nearly two dozen contributors from the United States and Australia tell stories of immigration and migration, loss, discovery, secrets, questions, love, and the search for meaning and identity. Editors Christi Craig and Lisa Rivero bring together both experienced and new authors who will prompt writers and non-writers alike to think about their own family treasures and histories in new ways.

Called "a feminist classic" by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later. "Gilbert and Gubar have written a pivotal book, one of those after which we will never think the same again."--Carolyn G. Heilbrun, Washington Post Book World

A mysterious book, unusual abilities, and a school that isn't quite what it seems - Celia Fincastle is about to step into a whole different world, and she has no idea what awaits her. She's got new friends and some big expectations for her future, but someone doesn't want her to stay. Celia must figure out who's behind the plot and stop it - fast - because there's more at stake than she realizes...

"Flash Frights" is a chilling collection of 50 concise and spine-tingling horror stories that will send shivers down your spine. Dive into a world of terror and suspense as each tale unfolds, offering quick but potent doses of fear and excitement. From ghostly apparitions to sinister creatures, this anthology promises to keep readers on the edge of their seats, delivering a relentless onslaught of scares and thrills in bite-sized portions. Perfect for those seeking a quick adrenaline rush and a taste of the macabre, "Flash Frights" guarantees a hair-raising reading experience that will haunt your nightmares.

"The Vulgar Tongue tells the full story of English language slang, from its origins in early British beggar books to its spread in American and Australian culture in the eighteenth century"--

This exuberant debut, praised by Gabrielle Zevin as a "time-bending gem," asks: how do we navigate life, love and choice in a world of never-ending options? When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years. As Lauren tries to puzzle out how she could be married to someone she can’t remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her. Realizing that her attic is creating an infinite supply of husbands, Lauren confronts the question: If swapping lives is as easy as changing a lightbulb, how do you know you’ve taken the right path? When do you stop trying to do better and start actually living?