Lavishly illustrated with beautiful photographs and original plans, traces the story of this colourful, significant and complex place through its physical development and provides, for the first time in English, a compelling and unique exploration of a.

A 50th anniversary edition of Colin Thubron's celebrated first book, a portrait of Syria's capital city, with a new introduction by the author. Described by the author as simply 'a work of love', Mirror to Damascus provides a rich and fascinating history of Damascus from the Amorites of the Bible to the revolution of 1966, and is also a charming and witty personal record of an extraordinary city. In explaining how modern Damascus is rooted in immemorial layers of culture and tradition, Colin Thubron explores the historical, artistic, social and religious inheritance of its people. Along the way, he shares unforgettable stories about the enterprising travellers of bygone days. Mirror to Damascus is a unique portrait of a city now obscured by recent upheavals, by one of the most indefatigable and popular of travel writers.

On March 17, 2011, many Syrians rose up against the authoritarian Asad regime that had ruled them with an iron fist for forty years. Initial successes were quickly quashed, and the revolution seemed to devolve into a civil war pitting the government against its citizens and extremist mercenaries. As of late 2015, almost 300,000 Syrians have been killed and over half of a total population of 23 million forced out of their homes. Nine million are internally displaced and over four million are wandering the world, many on foot or in leaky boats. Countless numbers have been disappeared. These shocking statistics and the unstoppable violence notwithstanding, the revolution goes on. The story of the attempted crushing of the revolution is known. Less well covered has been the role of artists and intellectuals in representing to the world and to their people the resilience of revolutionary resistance and defiance. How is it possible that artists, filmmakers and writers have not been cowed into numbed silence but are becoming more and more creative? How can we make sense of their insistence that despite the apocalypse engulfing the country their revolution is ongoing and that their works participate in its persistence? With smartphones, pens, voices and brushes, these artists registered their determination to keep the idea of the revolution alive. Dancing in Damascus traces the first four years of the Syrian revolution and the activists’ creative responses to physical and emotional violence.

The fourth book of the DEATH OF ROME SAGA is a must-read for those who loved the heroism of Gladiator and Spartacus. 687 AD. Expansive and triumphant, the Caliphate has stripped Egypt and Syria from the Byzantine Empire. Farther and farther back, the formerly hegemonic Empire has been pushed - once to the very walls of its capital, Constantinople. But what is all this to old Aelric, now in his nineties, and a refugee from the Empire he's spent his life holding together? No longer the Lord Senator Alaric, Brother Aelric is writing his memoirs in the remote wastes of northern England, and waiting patiently for death. Then a band of northern barbarians turn up outside the monastery - and then another. Before he can draw another breath, Aelric is a prisoner of unknown forces, and headed straight back into the snake pit of Mediterranean hatreds. What awaits him at the end of his long and dangerous journey is a confrontation that decides the fate of all mankind.

Damascus, reputed to be the worldʹs oldest continually inhabited city, has enjoyed a history of immense grandeur, enormous political and mercantile power, and great cultural and artistic achievement. In addition to some of Islamʹs most magnificent architecture, such as the Umayyad Mosque, the city boasts a heritage of fairy-tale palaces and sumptuous private houses. Sadly, many of them are in urgent need of restoration. Brigid Keenan and Tim Beddow were given unprecedented access to the inner, "hidden" city, which has resulted in a book that is of immense importance to all concerned with the heritage of architecture in the Islamic world. The superb photographs include façades, courtyards, alleyways and fountains, and the breathtaking interiors that often lie behind the unassuming walls of the old town, with exquisite details in stone, wood, paint, marble, plaster, glass and mother-of-pearl. The whole, published with the generous support of Wafic Rida Said, forms a convincing and elegiac plea for the preservation of the heart of this historic ancient capital. -- Jacket.