The period of the Five Dynasties and Ten Kingdoms (907-960) has long been treated as an anomaly in the history of China, an age of great disunity between the empires of the Tang and the Song dynasties. Breaking with previous scholarship on China's middle period, this edited volume presents individual studies that focus on the art, culture, and politics of the interregnum, challenging underlying assumptions about the unitary nature of dynastic culture and its value as a category of historical analysis. It understands these decades as a time of important transition in which the incipient cultural shifts of the mature Tang dynasty turned into the foundations of Song society. Consequently it highlights the complex narrative processes that gave birth to Song culture.

Patrons and Patriarchs breaks new ground in the study of clergy-court relations during the tumultuous period that spanned the collapse of the Tang dynasty (618–907) and the consolidation of the Northern Song (960–1127). This era, known as the Five Dynasties and Ten Kingdoms, has typically been characterized as a time of debilitating violence and instability, but it also brought increased economic prosperity, regional development, and political autonomy to southern territories. The book describes how the formation of new states in southeastern China elevated local Buddhist traditions and moved Chan (Zen) monks from the margins to the center of Chinese society. Drawing on biographies, inscriptions, private histories, and government records, it argues that the shift in imperial patronage from a diverse array of Buddhist clerics to members of specific Chan lineages was driven by political, social, and geographical reorientations set in motion by the collapse of the Tang dynasty and the consolidation of regional powers during the Five Dynasties and Ten Kingdoms. As monastic communities representing diverse arrays of thought, practice, and pedagogy allied with rival political factions, the outcome of power struggles determined which clerical networks assumed positions of power and which doctrines were enshrined as orthodoxy. Rather than view the ascent of Chan monks and their traditions as instances of intellectual hegemony, this book focuses on the larger sociopolitical processes that lifted members of Chan lineages onto the imperial stage. Against the historical backdrop of the tenth century, Patrons and Patriarchs explores the nature and function of Chan lineage systems, the relationships between monastic and lay families, and the place of patronage in establishing identity and authority in monastic movements.

"A great way to learn about China's vast history "--Amy Tan, author of The Joy Luck Club Excels at clarifying the often-confusing transitional periods between dynasties... An excellent introduction to the large trends of early Chinese history."--School Library Journal "The lucid, economical text makes one eager for the successive volumes."--Booklist "The combination of silhouettes--often threatening, martial ones--with open-faced, expressively individualized figures of many social classes adds dramatic tension while neatly balancing the big-picture narrative. There's a lot to absorbeven in this abbreviatedform, but the visual approach lightens the load considerably."--Kirkus Reviews "Simple and effective...This direct, appealing introduction to the foundations of one of the world's oldest civilizations is recommended for teens and adults."--Library Journal "An excellent history that clearly explains the great (and ordinary) people who have made China what it is and the conflicts and debates that have shaped Chinese history. There is nothing else like it in English or Chinese."--Alan Baumler, Professor of History at Indiana University of Pennsylvania "No more burying yourself in text-heavy history books to learn about China, this comic-style book manages to be rich in information and bring Chinese history to readers in a more clear, fun, and accessible way than it's ever been done before. Easily integrated into a social studies or Chinese culture curriculum, I can't wait to get a copy for my class."--Grace Zeng, Chinese Teacher and Middle School Chinese Curriculum Area Leader at International School of Beijing "It is certainly a fascinating look at Chinese history, and doing it in comics has certainly made it more accessible to people, especially for the Western world."--Radio Australia "Jing Liu has brought to life the long and complex early period of Chinese history in this wonderful graphic novel. Foundations of Chinese Civilization is a delight to read; humorous, informative, and truly captivating."--Alexandra Pearson, Founder of The Bookworm Literary Festival "This book is "The Magic School Bus" for those starting to explore Chinese culture."--Dan Cao, Instructor at Confucius Institute at UC Davis "Since the 1990s, Jing Liu has been entertaining and informing foreigners about China with his cartoons. His new series of comic books is a fun, easy, accessible way to gain a basic understanding of Chinese history and culture."--Jeremy Goldkorn, Founder of Danwei 4.5/5 Stars "A very nice way to establish a foundation to understanding China's history and a possible gateway to more intense study and comprehension of a very complex subject."--Portland Book Review 4.5/5 Stars "Entertaining, engaging, and informative, this is a perfect doorway for the student new to ancient China."--Seattle Book Review "Informed and informative, Division to Unification in Imperial China is especially recommended for young readers ages 11 to 17 and should be a part of every school and community library's History of China collection."--The Midwest Book Review "The book does what it says it does: a child will come away with a basic understanding of early Chinese history, what makes the Chinese tick as a people and culture."--Asian Review of Books "With Donald Trump's focus on China, with no signs of letting up, it is a perfect time to gain a better understanding of a very misunderstood country. This is a highly accessible work tailored to fast learning while also very entertaining."--The Comics Grinder

This book is part of an initiative in cooperation with renowned Chinese publishers to make fundamental, formative, and influential Chinese thinkers available to a western readership, providing absorbing insights into Chinese reflections of late, and offering a chance to grasp today’s China. In their influential book Handbook of the History of Religions in China, Zhongjian Mou and Jian Zhang present a panorama of the religions existing in China through time. In their fascinating History, they delineate the emergence and development of Daoism, Buddhism, Confucianism, Islam, and Christianity and explore the roles they played in Chinese society and the interrelations between them. In China, also due to the encompassing Confucian idea of “living together harmoniously while maintaining differences,” religions—including newly arrived ones—came closer together than anywhere else in the world and reached a unique level of peaceful societal coexistence. Despite many frictions and conflicts, communication and reconciliation were indisputably predominant in China throughout history. Buddhism was peacefully introduced into China and, later on, a harmonious, symbiotic syncretism of Confucianism, Buddhism, and Daoism developed—an exemplary process of how a diverse set of different religions can complement each other and contribute to a better life.

A portrait of daily life in tenth-century China during the turbulent period of transition following the disintegration of the Tang dynasty, using the anecdotal memoirs of the scholar Wang Renyu and providing extensive translations of these hitherto unreconstructed texts.

This engaging study by the eminent Sinologist Edward H. Schafer examines one of those kingdoms, the so-called Empire of Min, centered in the coast al and semitropical present-day province of Fujian . Schafer describes the geography, government, and political structure of Min, as well as its economy, arts, literature, and religion. As those