The 95th Aero Squadron was the first American pursuit squadron to fly over the front in March 1918 and 1st Lt. Waldo Heinrichs was one of its original members. The history of the Squadron is told through the words of those who served, Heinrichs' richly written diary forms the nucleus of the story supported by contemporary letters, anecdotes, and combat reports from many of the other flyers. Entries from the official Squadron history as contained in the History of the American Air Services A.E.F. (the Gorrell History) round out the narrative. Over 280 photos, most unpublished from the personal albums of the participants, show planes, places and personnel which surrounded this happy band of warriors.

In the hell that was World War II, the Eastern Front was its heart of fire and ice. Gottlob Herbert Bidermann served in that lethal theater from 1941 to 1945, and his memoir of those years recaptures the sights, sounds, and smells of the war as it vividly portrays an army marching on the road to ruin. A riveting and reflective account by one of the millions of anonymous soldiers who fought and died in that cruel terrain, In Deadly Combat conveys the brutality and horrors of the Eastern Front in detail never before available in English. It offers a ground soldier's perspective on life and death on the front lines, providing revealing new information concerning day-to-day operations and German army life. Wounded five times and awarded numerous decorations for valor, Bidermann saw action in the Crimea and siege of Sebastopol, participated in the vicious battles in the forests south of Leningrad, and ended the war in the Courland Pocket. He shares his impressions of countless Russian POWs seen at the outset of his service, of peasants struggling to survive the hostilities while caught between two ruthless antagonists, and of corpses littering the landscape. He recalls a Christmas gift of gingerbread from home that overcame the stench of battle, an Easter celebrated with a basket of Russian hand grenades for eggs, and his miraculous survival of machine gun fire at close range. In closing he relives the humiliation of surrender to an enemy whom the Germans had once derided and offers a sobering glimpse into life in the Soviet gulags. Bidermann's account debunks the myth of a highly mechanized German army that rolled over weaker opponents with impunity. Despite the vast expanses of territory captured by the Germans during the early months of Operation Barbarossa, the war with Russia remained tenuous and unforgiving. His story commits that living hell to the annals of World War II and broadens our understanding of its most deadly combat zone. Translator Derek Zumbro has rendered Bidermann's memoir into a compelling narrative that retains the author's powerful style. This English-language edition of Bidermann's dynamic story is based upon a privately published memoir entitled Krim-Kurland Mit Der 132 Infanterie Division.The translator has added important events derived from numerous interviews with Bidermann to provide additional context for American readers.

Facing Armageddon is the first scholarly work on the 1914-18 War to explore, on a world-wide basis, the real nature of the participants experience. Sixty-four scholars from all over the globe deliver the fruits of recent research in what civilians and servicemen passed through, in the air, on the sea and on land.

A “fascinating” look at hardship, heroism, and civilian life in England during the Great War (World War One Illustrated). The truth about the sacrifice and suffering among British civilians during World War I is rarely discussed. In this book, people who were there speak about experiences and events that have remained buried for decades. Their testimony shows the same candor and courage we have become accustomed to hearing from military veterans of this war. Those interviewed include a survivor of a Zeppelin raid in 1915; a Welsh munitions worker recruited as a girl; and a woman rescued from a bombed school after five days. There are also accounts of rural famine, bereavement, and the effects on families back home—and even the story of a woman who planned to kill her family to save them further suffering.

"The First World War demanded revolutionary technology to break the vicious stalemate in which the armies of Europe found themselves, as soon as static, or trench warfare became established. One such technology was aerial reconnaissance and photography, which together with the growing intelligence use of phone tapping and radio intercepts, changed the nature of war forever. Colonel Terry J. Finnegan's Shooting the Front reviews the entire evolution of Allied aerial photography and photographic interpretation during the Great War, in a text packed with data and based upon meticulous research in archives worldwide. The photographs included are both informative and spectacular, charting perforce the early years of aviation itself. Shooting the Front shows not only how important aerial reconnaissance was to the war effort, but also how it became the foundation for modern-day exploitation of imagery and geospatial intelligence used to guide today's decision makers on global issues, and shaped intelligence work for generations to come."--Publisher.

This is the remarkable story of the American First World War serviceman Arthur Clifford Kimber. When his country entered the Great War in 1917, Kimber left Stanford University to carry the first official American flag to the Western Front. Fired by idealism for the French cause, the young student initially acted as a volunteer ambulance driver, before training as a pilot and taking part in dogfights against ‘the Boche’. His letters home give a vivid picture of what Kimber witnessed on his journey from Palo Alto, California to the front in France: keen-eyed descriptions of New York as it prepared for the forthcoming conflict, the privations of wartime Britain and France, and encounters with former president Theodore Roosevelt and Hollywood actress Lillian Gish. Kimber details his exhilaration, his everyday concerns and his horror as he adapts to an active wartime role. Arthur Clifford Kimber was one of the first Americans on the front line after the entry of the US into the war and, tragically, also one of the last to be buried there – killed in action just a few weeks before the end of the war. Here, his frank letters to his mother and brothers, compiled, edited and put in context by Patrick Gregory and Elizabeth Nurser, are published for the first time.

One hundred years later, the First World War has returned to public consciousness, often through republished photographs of its horrors: the muddy trenches, the devastated battlefields, the maimed survivors. Because the most popular cameras of the time were the Vest Pocket Kodak and other crude film cameras, the "look" of that Great War is grainy, blurred, and monochrome. This book presents a startlingly different First World War, one seen through rare glass plate photographs made by the war's most gifted cameramen, selected and digitally restored by Magnum photographer Carl De Keyzer. Scanned from the original plates, with scratches and other flaws painstakingly removed, these oversized reproductions reveal the war in uncanny and previously unseen clarity. Also startling are the unfamiliar scenes selected by De Keyzer and elucidated by historian David Van Reybrouck: staged scenes of men in training (and of children imitating them), dramatic industrial photographs, landscapes of astonishing destruction, pictures of African colonial troops on the Western front, and postmortem portraits of thirteen Belgian soldiers killed in battle on the second day of the war. A quarter of the photographs in this book are in color, made with the autochrome process. The book includes a preface by Geoff Dyer, who refers to "the extraordinary power and surprise of this hoard of photographs" and discusses the disconcerting temporal effects of seeing such unusual pictures of a historical event we strongly associate with entirely different imagery.