First piano trio, in D minor
Title | First piano trio, in D minor PDF eBook |
Author | Robert Schumann |
Publisher | |
Pages | 104 |
Release | 1982 |
Genre | Piano trios |
ISBN |
First Piano Trio, Op. 63 in D Minor
Title | First Piano Trio, Op. 63 in D Minor PDF eBook |
Author | Robert Schumann |
Publisher | |
Pages | 49 |
Release | 1970 |
Genre | Piano trios |
ISBN |
First piano trio, op. 63 in D minor
Title | First piano trio, op. 63 in D minor PDF eBook |
Author | Robert Schumann |
Publisher | |
Pages | 114 |
Release | 1978 |
Genre | Piano trios |
ISBN |
Six great piano trios, opp. 1, 70, and 97
Title | Six great piano trios, opp. 1, 70, and 97 PDF eBook |
Author | Ludwig van Beethoven |
Publisher | Courier Corporation |
Pages | 210 |
Release | 1987-01-01 |
Genre | Music |
ISBN | 0486253988 |
This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.
Trio in D Minor, Op. 32
Title | Trio in D Minor, Op. 32 PDF eBook |
Author | |
Publisher | Alfred Music Publishing |
Pages | 0 |
Release | 1985-03 |
Genre | Piano trios |
ISBN | 9780769259109 |
Expertly arranged String Trio by Anton Arensky from the Kalmus Edition series. This Trio is from the Romantic era.
Piano trio in D minor, op. 11
Title | Piano trio in D minor, op. 11 PDF eBook |
Author | Fanny Mendelssohn Hensel |
Publisher | |
Pages | 12 |
Release | 1998 |
Genre | Chamber music |
ISBN |
Allusion as Narrative Premise in Brahms's Instrumental Music
Title | Allusion as Narrative Premise in Brahms's Instrumental Music PDF eBook |
Author | Jacquelyn Sholes |
Publisher | Indiana University Press |
Pages | 276 |
Release | 2018-05-24 |
Genre | Music |
ISBN | 0253033160 |
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.