First piano trio, in D minor

First piano trio, in D minor
Title First piano trio, in D minor PDF eBook
Author Robert Schumann
Publisher
Pages 104
Release 1982
Genre Piano trios
ISBN

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First Piano Trio, Op. 63 in D Minor

First Piano Trio, Op. 63 in D Minor
Title First Piano Trio, Op. 63 in D Minor PDF eBook
Author Robert Schumann
Publisher
Pages 49
Release 1970
Genre Piano trios
ISBN

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First piano trio, op. 63 in D minor

First piano trio, op. 63 in D minor
Title First piano trio, op. 63 in D minor PDF eBook
Author Robert Schumann
Publisher
Pages 114
Release 1978
Genre Piano trios
ISBN

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Six great piano trios, opp. 1, 70, and 97

Six great piano trios, opp. 1, 70, and 97
Title Six great piano trios, opp. 1, 70, and 97 PDF eBook
Author Ludwig van Beethoven
Publisher Courier Corporation
Pages 210
Release 1987-01-01
Genre Music
ISBN 0486253988

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This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.

Trio in D Minor, Op. 32

Trio in D Minor, Op. 32
Title Trio in D Minor, Op. 32 PDF eBook
Author
Publisher Alfred Music Publishing
Pages 0
Release 1985-03
Genre Piano trios
ISBN 9780769259109

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Expertly arranged String Trio by Anton Arensky from the Kalmus Edition series. This Trio is from the Romantic era.

Piano trio in D minor, op. 11

Piano trio in D minor, op. 11
Title Piano trio in D minor, op. 11 PDF eBook
Author Fanny Mendelssohn Hensel
Publisher
Pages 12
Release 1998
Genre Chamber music
ISBN

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Allusion as Narrative Premise in Brahms's Instrumental Music

Allusion as Narrative Premise in Brahms's Instrumental Music
Title Allusion as Narrative Premise in Brahms's Instrumental Music PDF eBook
Author Jacquelyn Sholes
Publisher Indiana University Press
Pages 276
Release 2018-05-24
Genre Music
ISBN 0253033160

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Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.