Anthropogenic climate change is becoming a reality, and in Australia this means longer , more intense wildfire seasons over a wider area. The GunaiKurnai people saw much of their Country decimated during ‘Black Summer’ (2019/2020), prompting questions about both the management of Country and its heritage resources moving forward.

This Element addresses a burning question – how can archaeologists best identify and interpret cultural burning, the controlled use of fire by people to shape and curate their physical and social landscapes? This Element describes what cultural burning is and presents current methods by which it can be identified in historical and archaeological records, applying internationally relevant methods to Australian landscapes. It clarifies how the transdisciplinary study of cultural burning by Quaternary scientists, historians, archaeologists and Indigenous community members is informing interpretations of cultural practices, ecological change, land use and the making of place. This title is also available as Open Access on Cambridge Core.

Self-Determined First Nations Museums and Colonial Contestation explores Indigenous practices of curation, object repatriation, and cross-cultural community engagement in a dynamic Koori museum. Grounded in the fact that Gunai Kurnai people have never ceded sovereignty, the text reorients dominant temporal and colonial approaches of museum studies to document and theorise Gunai Kurnai self-presentation and community engagement in the Krowathunkooloong Keeping Place. Researched and co-authored by the Cultural Manager of the Keeping Place, Gunai Kurnai Monero Ngarigo man Robert Hudson, and white Historian Shannon Woodcock, the book traces the temporal, social, and cultural considerations of the Elders who curated the permanent exhibition in the early 1990s. Discussing community management of a collection growing through the ongoing repatriation of tools, art, and Ancestor remains, the text also explores how Robert Hudson engages with visitors to the Keeping Place and local colonial history museums, and theorises the power of Gunai Kurnai work with individuals and institutions in the small museum context. Finally, Hudson and Woodcock demonstrate that the Keeping Place articulates sophisticated Gunai Kurnai-grounded methodologies of museum practice in relation to international critical Indigenous studies scholarship. Self-Determined First Nations Museums and Colonial Contestation provides a vital case study of an Indigenous museum space written from an inside perspective. As such, the book will be essential reading for scholars and students engaged in the study of museums and heritage, Indigenous peoples, decolonisation, race, anthropology, culture, and history.

The Australian wildfires of 2019–20 (Black Summer) were devastating and unprecedented. These megafires burnt more than 10 million hectares, mostly of forests in southern and eastern Australia. Many of the fires were uncontrollable. These megafires affected many of Australia’s most important conservation areas and severely impacted threatened species and ecological communities. They were a consequence of climate change – and offered a glimpse of how this is likely to continue to affect our future. Australia’s Megafires includes contributions by more than 200 researchers and managers with direct involvement in the management and conservation of the biodiversity affected by the Black Summer wildfires. It provides a comprehensive review of the impacts of these fires on all components of biodiversity, and on Indigenous cultural values. These fires also triggered an extraordinary and highly collaborative response by governments, NGOs, Indigenous groups, scientists, landholders and others, seeking to recover the fire-affected species and environments – to restore Country. This book documents that response. It draws lessons that should be heeded to sustain that recovery and to be better prepared for the inevitable future comparable catastrophes. Such lessons are of global relevance, for wildfires increasingly threaten biodiversity and livelihoods across the globe.

In 2023 the Sydney Review of Books celebrates a decade online and the publication of more than a thousand essays and longform reviews of Australian and international literature. Over these ten years the SRB has cleared a unique space for serious reflection on literature and for critical thinking about our culture more broadly. The journal has been shaped by the diverse aesthetic, political and critical dispositions of our contributors, each of whom has different questions to ask contemporary literature. As they’ve asked these questions, they’ve guided a bold and independent public conversation about literature, and especially about the many forms of Australian literature. Critic Swallows Book brings together twenty-two essays that together demonstrate the eclecticism of the Sydney Review of Books. It includes essays on decolonising Australian literature and revisiting the classics, on blockbuster fiction and book-length poetry, on modernism in the Antipodes and reading during the pandemic. Essays on Susan Sontag and Rita Felski sit alongside critical considerations of Murray Bail and Joan London, of Evelyn Araluen and Samia Khatun. Contributors: Timmah Ball, Paola Balla, Alix Beeston, Tegan Bennett Daylight, Andrew Brooks, Bonny Cassidy, Mridula Nath Chakraborty, Tom Clark, Ali Cobby Eckermann, Ben Etherington, Ross Gibson, Ivor Indyk, Yumna Kassab, Louis Klee, Jeanine Leane, James Ley, Catriona Menzies-Pike, Drusilla Modjeska, Alys Moody, Suneeta Peres da Costa, Oliver Reeson. Open Secrets is edited by Catriona Menzies-Pike, former editor of the Sydney Review of Book. It follows the collections Open Secrets, Second City and The Australian Face, all published by the Sydney Review of Books.

The Joint Management Plan guides the Gunaikurnai people and Victorian Government partnership in jointly managing the 10 public parks and reserves that have been transferred to the Gunaikurnai as Aboriginal Title in accordance with the Gunaikurnai Recognition and Settlement Agreement of 2010.