Historical fiction, in screenplay format. Inspired by the violent labor revolt of 1878 on the island of St. Croix, Fireburn weaves a tale of passion, purpose, and revenge.

Fireburn tells of the horrors of a little-known, bloody period of Caribbean historyAnna Clausen, a young Anglo-Danish woman, returns to her childhood home on Saint Croix after her mother's death. She weathers personal heartache as she challenges the conventions of the day and survives the worker rebellion of 1878, 30 years after Emancipation.

A story within a story, beautifully woven by best-selling author, Angela Golden Bryan. It is important for children to learn right from wrong and to avoid destructive bullying behavior. James and the Fireburn not only provides lessons in making wise choices for children, it also teaches them a bit of US Caribbean history in the process. This book takes challenging subjects and presents them in a fun rhyme, making both the story and lesson easier to learn and remember. James and the Fireburn explores what happens when silence prevails and encourages children to stand up for what is right in an age-appropriate manner.

In her third collection, Indonesian American poet Cynthia Dewi Oka dives into the implications of being parents, children, workers, and unwanted human beings under the savage reign of global capitalism and resurgent nativism. With a voice bound and wrestled apart by multiple histories, Fire Is Not a Country claims the spaces between here and there, then and now, us and not us. As she builds a lyric portrait of her own family, Oka interrogates how migration, economic exploitation, patriarchal violence, and a legacy of political repression shape the beauties and limitations of familial love and obligation. Woven throughout are speculative experiments that intervene in the popular apocalyptic narratives of our time with the wit of an unassimilable other. Oka’s speakers mourn, labor, argue, digress, avenge, and fail, but they do not retreat. Born of conflicts public and private, this collection is for anyone interested in what it means to engage the multitudes within ourselves.

In 1931, a 12-year-old boy shot and killed the sheriff of Asotin, Washington. The incident stunned the small town and a mob threatened to hang him. Both the crime and Herbert Niccolls's eventual sentence of life imprisonment at the Washington State Penitentiary in Walla Walla drew national attention, only to be buried later in local archives. Journalist Nancy Bartley has conducted extensive research to construct a compelling narrative of the events and characters that make this a unique episode in the history of criminal justice in the United States. Niccolls became a cause for Father Flanagan of Boys Town,who took to the airwaves, imploring listeners to write Governor Hartley on the boy's behalf. The bitter campaign put Hartley in such a negative light that he lost his bid for reelection. Under a new and progressive warden, Niccolls thrived in prison. Inmates like physician Peter Miller and literary agent James Ashe became his tutors, finding that Niccolls had an insatiable appetite for knowledge. During the deadly 1934 prison riot at Walla Walla, several prisoners kept him from harm. Niccolls was finally released from prison in his early twenties. He went to work at 20th Century Fox in Hollywood, where he kept his secret for the rest of his long life. The Boy Who Shot the Sheriff explores this little-known story of a young boy's fate in the juvenile justice system during the bloodiest years in the nation's penitentiaries. Watch the trailer: http://www.youtube.com/watch?v=jRKFFQDgW20&list=UUge4MONgLFncQ1w1C_BnHcw&index=6&feature=plcp

“Wordsworth, Whitman, William Carlos Williams, and the Beats in their respective generations moved poetry toward a more natural language. Bukowski moved it a little farther.” –Los Angeles Times Book Review In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, woman, and the Los Angeles Public Library's collection of D.H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

"In Story screenwriting guru Robert McKee presents his powerful and much sought-after knowledge in a comprehensive guide to the essentials of screenwriting and storytelling." -- Methuen.