Sometime in the first half of the twentieth century, a coterie of fire ants came ashore from South American ships docked in Mobile, Alabama. Fanning out across the region, the fire ants invaded the South, damaging crops, harassing game animals, and hindering harvesting methods. Responding to a collective call from southerners to eliminate these invasive pests, the U.S. Department of Agriculture developed a campaign that not only failed to eradicate the fire ants but left a wake of dead wildlife, sickened cattle, and public protest. With political intrigue, environmental tragedy, and such figures as Rachel Carson and E. O. Wilson, The Fire Ant Wars is a grippingly perceptive tale of changing social attitudes and scientific practices. Tracing the political and scientific eradication campaigns, Joshua Buhs's bracing study uses the saga as a means to consider twentieth-century American concepts of nature and environmental stewardship. In telling the story, Buhs explores how human concepts of nature evolve and how these ideas affect the natural and social worlds. Spotlighting a particular issue to discuss larger questions of science, public perceptions, and public policy—from pre-environmental awareness to the activist years of the early environmental movement—The Fire Ant Wars will appeal to historians of science, environmentalists, and biologists alike.

A jinni. A princess. And the wish that changes everything. . . . Beautifully written and accessible fantasy for fans of Tamora Pierce, Rachel Hartman, and Laini Taylor. In this romantic and evocative fantasy, Najwa is a jinni, training to be a spy in the war against the humans. Zayele is a human on her way to marry a prince of Baghdad—which she’ll do anything to avoid. So she captures Najwa and makes a wish. With a rush of smoke and fire, they fall apart and re-form—as each other. A jinni and a human, trading lives. Both girls must play their parts among enemies who would kill them if the deception were ever discovered—enemies including the young men Najwa and Zayele are just discovering they might love.

The sequence of civil wars that ripped England apart in the seventeenth century was the single most traumatic event in this country between the medieval Black Death and the two world wars. Indeed, it is likely that a greater percentage of the population were killed in the civil wars than in the First World War. This sense of overwhelming trauma gives this major new history its title: God’s Fury, England’s Fire. The name of a pamphlet written after the king’s surrender, it sums up the widespread feeling within England that the seemingly endless nightmare that had destroyed families, towns and livelihoods was ordained by a vengeful God – that the people of England had sinned and were now being punished. As with all civil wars, however, ‘God’s fury’ could support or destroy either side in the conflict. Was God angry at Charles I for failing to support the true, protestant, religion and refusing to work with Parliament? Or was God angry with those who had dared challenge His anointed Sovereign? Michael Braddick’s remarkable book gives the reader a vivid and enduring sense both of what it was like to live through events of uncontrollable violence and what really animated the different sides. The killing of Charles I and the declaration of a republic – events which even now seem in an English context utterly astounding – were by no means the only outcomes, and Braddick brilliantly describes the twists and turns that led to the most radical solutions of all to the country’s political implosion. He also describes very effectively the influence of events in Scotland, Ireland and the European mainland on the conflict in England. God’s Fury, England’s Fire allows readers to understand once more the events that have so fundamentally marked this country and which still resonate centuries after their bloody ending.

Starship captain Han Solo and his copilot Chewbacca run into trouble when they are hired by Jabba the Hutt to pick up a cargo container at Fornax Station.

Europe’s second Thirty Years’ War—an epoch of blood and ashes Fire and Blood looks at the European crisis of the two world wars as a single historical sequence: the age of the European Civil War (1914–1945). Its overture was played out in the trenches of the Great War; its coda on a ruined continent. It opened with conventional declarations of war and finished with “unconditional surrender.” Proclamations of national unity led to eventual devastation, with entire countries torn to pieces. During these three decades of deepening conflicts, a classical interstate conflict morphed into a global civil war, abandoning rules of engagement and fought by irreducible enemies rather than legitimate adversaries, each seeking the annihilation of its opponents. It was a time of both unchained passions and industrial, rationalized massacre. Utilizing multiple sources, Enzo Traverso depicts the dialectic of this era of wars, revolutions and genocides. Rejecting commonplace notions of “totalitarian evil,” he rediscovers the feelings and reinterprets the ideas of an age of intellectual and political commitment when Europe shaped world history with its own collapse.