“A tremendously compelling debut of rare skill” (Phil Klay, author of Redeployment) about a soldier who goes AWOL from Afghanistan and returns home to unravel the mystery of his wife’s death. When Coop—a U.S. Army paratrooper serving in Afghanistan—is called urgently to his Captain’s office, he fears he’s headed for a court martial. Coop has been keeping a terrible secret from his fellow soldiers, and worries he’s been discovered. Instead, his life is devastated in a different way: his wife, Kay, has been killed in a hit-and-run. Given a brief leave to fly back to New York and attend to Kay’s affairs, Coop is increasingly disturbed by the suspicious circumstances of his wife’s death. He decides to go AWOL, using his military training to uncover the real story behind Kay’s fatal accident. As he circles in on the truth, Coop must distinguish ally from enemy among a cast of players in the Bronx underworld: Albanian heroin smugglers, shady cops, corrupt rehab doctors, and his wife’s family, a powerful clan of financial elites. Navigating this new battlefield, he’ll have to find justice for Kay while also seeking his own redemption. Humming with mystery and grief, Fire in the Blood is a compulsively readable thriller about the wars we fight, whether overseas, in our city streets, or in the depths of our own hearts.

#1 NEW YORK TIMES BESTSELLER • The thrilling history of the Targaryens comes to life in this masterly work, the inspiration for HBO’s Game of Thrones prequel series House of the Dragon “The thrill of Fire & Blood is the thrill of all Martin’s fantasy work: familiar myths debunked, the whole trope table flipped.”—Entertainment Weekly Centuries before the events of A Game of Thrones, House Targaryen—the only family of dragonlords to survive the Doom of Valyria—took up residence on Dragonstone. Fire & Blood begins their tale with the legendary Aegon the Conqueror, creator of the Iron Throne, and goes on to recount the generations of Targaryens who fought to hold that iconic seat, all the way up to the civil war that nearly tore their dynasty apart. What really happened during the Dance of the Dragons? Why was it so deadly to visit Valyria after the Doom? What were Maegor the Cruel’s worst crimes? What was it like in Westeros when dragons ruled the skies? These are but a few of the questions answered in this essential chronicle, as related by a learned maester of the Citadel and featuring more than eighty-five black-and-white illustrations by artist Doug Wheatley—including five illustrations exclusive to the trade paperback edition. Readers have glimpsed small parts of this narrative in such volumes as The World of Ice & Fire, but now, for the first time, the full tapestry of Targaryen history is revealed. With all the scope and grandeur of Gibbon’s The History of the Decline and Fall of the Roman Empire, Fire & Blood is the first volume of the definitive two-part history of the Targaryens, giving readers a whole new appreciation for the dynamic, often bloody, and always fascinating history of Westeros. Praise for Fire & Blood “A masterpiece of popular historical fiction.”—The Sunday Times “The saga is a rich and dark one, full of both the title’s promised elements. . . . It’s hard not to thrill to the descriptions of dragons engaging in airborne combat, or the dilemma of whether defeated rulers should ‘bend the knee,’ ‘take the black’ and join the Night’s Watch, or simply meet an inventive and horrible end.”—The Guardian

From the celebrated author of the international bestseller Suite Française, a newly discovered novel, a story of passion and long-kept secrets, set against the background of a rural French village in the years before World War II.Written in 1941, Fire in the Blood – only now assembled in its entirety – teems with the intertwined lives of an insular French village in the years before the war, when "peace" was less important as a political state than as a coveted personal condition: the untroubled pinnacle of happiness. At the center of the novel is Silvio, who has returned to this small town after years away. As his narration unfolds, we are given an intimate picture of the loves and infidelities, the scandals, the youthful ardor and regrets of age that tie Silvio to the long-guarded secrets of the past.

Years ago, the skies ripped open and the world was destroyed in fire and ash. Dragons - once creatures of legend - are the enemy. Vicious and unpredictable, they rule the skies of the ruined cities, forcing humanity to huddle behind barricades for safety.Claudia's a survivor. She scrapes by as best as she can in a hard, dangerous world. When she runs afoul of the law, she's left as bait in dragon territory. She only has one chance to survive - to somehow 'tame' a dragon and get it to obey her.Except the dragon that finds her is as wild and brutal as any other...and he's not interested in obeying.What he is interested in is a mate.

Of Blood and Fire is a classic Epic Fantasy adventure. It takes all the familiar fantasy tropes - elves, dwarves, giants, and dragons - and adds a fresh, contemporary twist.

Tiefling heroine Farideh returns to the Forgotten Realms' game of thrones in this riveting fourth installment in the Brimstone Angels series Young warlock Farideh and her twin, Havilar, have ventured to the capital of the Corymr empire, where their friend Aubrin Crownsilver is set to marry a Princess of the Royal Blood. No sooner do they arrive than they are thrust into a ruthless battle for the throne . . . Meanwhile, Farideh must also grapple with her newfound connection to Asmodeus, the archdevil God of Sin who has marked her as one of his Chosen. As the war brought on by the Sundering rages across Faerûn, princes and princesses, wizards and rogues scheme to capture the seat of power of the Land of the Purple Dragon—with Farideh and her allies caught squarely in the middle. Fire in the Blood is the fourth book in the Brimstone Angels series.

There are great differences between the oral use of figurative language and its written use. Nevertheless, the only separately published textbook for figurative language is almost entirely concerned with oral figurative language, offering such examples as "you have a heart of stone" or "you make my blood boil." Much, if not most, oral language consists of long, repetitious portions of cliche and platitude, and not surprisingly, the figurative language used follows the same pattern. Writing teachers generally ask their students not to use cliches and platitudes, even though they may (mistakenly, I think) advise students to "write like you speak."