Delving deep into the Australian landscape and the environmental challenges we face, Fire Country is a powerful account from Indigenous land management expert Victor Steffensen on how the revival of cultural burning practices, and improved 'reading' of country, could help to restore our land. From a young age, Victor has had a passion for traditional cultural and ecological knowledge. This was further developed after meeting two Elders, who were to become his mentors and teach him the importance of cultural burning. Developed over many generations, this knowledge shows clearly that Australia actually needs fire. Moreover, fire is an important part of a holistic approach to the environment, and when burning is done in a carefully considered manner, this ensures proper land care and healing. Victor's story is unassuming and honest, while demonstrating the incredibly sophisticated and complex cultural knowledge that has been passed down to him, which he wants to share with others. As global warming sees more parts of our planet burning, this book emphasises the value of Indigenous knowledge systems. There is much evidence that, if adopted, it could greatly benefit the land here in Australia and around the world.

In her third collection, Indonesian American poet Cynthia Dewi Oka dives into the implications of being parents, children, workers, and unwanted human beings under the savage reign of global capitalism and resurgent nativism. With a voice bound and wrestled apart by multiple histories, Fire Is Not a Country claims the spaces between here and there, then and now, us and not us. As she builds a lyric portrait of her own family, Oka interrogates how migration, economic exploitation, patriarchal violence, and a legacy of political repression shape the beauties and limitations of familial love and obligation. Woven throughout are speculative experiments that intervene in the popular apocalyptic narratives of our time with the wit of an unassimilable other. Oka’s speakers mourn, labor, argue, digress, avenge, and fail, but they do not retreat. Born of conflicts public and private, this collection is for anyone interested in what it means to engage the multitudes within ourselves.

"Exciting Post-Apocalyptic Tale...world building is rich, detailed, and believable. Readers who enjoyed Blood Red Road by Moira Young will absolutely love this book!"- Mike Mullin, bestselling author of ASHFALL"Fire Country is a fast, fierce read. You will root for the protagonist, Siena, and her story will rake you across the coals. I will be keeping an eye on David Estes. You should too!" -Emmy Laybourne, bestselling author of MONUMENT 14"Strong world building and vivid characters make Fire Country stand out from other post-apocalyptic YA novels. Young Siena is spunky and believable, and readers will pull for her to escape the clutches of her father and the dystopian society in which she lives."- Rysa Walker, bestselling author of TIMEBOUNDIn a changed world where the sky bleeds red, winter is hotter than hell and full of sandstorms, and summer's even hotter with raging fires that roam the desert-like country, the Heaters manage to survive, barely. Due to toxic air, life expectancies are so low the only way the tribe can survive is by forcing women to procreate when they turn sixteen and every three years thereafter. It is their duty as Bearers.Fifteen-year-old Siena is a Youngling, soon to be a Bearer, when she starts hearing rumors of another tribe of all women, called the Wild Ones. They are known to kidnap Youngling girls before the Call, the ceremony in which Bearers are given a husband with whom to bear children with. As the desert sands run out on her life's hourglass, Siena must uncover the truth about the Wild Ones while untangling the web of lies and deceit her father has masterfully spun.

Contemplating Country picks up where Gondwana Theology (2018) left off. It extends and deepens the ways in which Aboriginal spirituality and Christian theology may talk to each other. Employing the image of conversation around a campfire, Contemplating Country invites the reader to consider the ways in which Christian theology, community, and practice may be transformed through a deep and profound encounter with Aboriginal ways of seeing, knowing, and doing. Such transformation is necessary, according to this author, if Christianity is ever to leave behind its Eurocentric habits and truly arrive in the sovereign and unceded country of Aboriginal and Torres Strait Islander nations.

Ray Cummings was an American author of science fiction literature and comic books. Cummings is identified as one of the "founding fathers" of the science fiction genre. His most highly regarded fictional work was the novel The Girl in the Golden Atom, which was a consolidation of a short story by the same name. For this novel Cummings combined the idea of Fitz James O'Brien's The Diamond Lens with H. G. Wells's The Time Machine. During the 1940s, Cummings anonymously scripted comic book stories for Timely Comics, the predecessor to Marvel Comics. He recycled the plot of The Girl in the Golden Atom

DigiCat Publishing presents to you this special edition of "Aerita of the Light Country" by Raymond King Cummings. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Jolly Roger McKay is an outcast who is running from the law, or more precisely from Cassidy – a sheriff from the Royal Mounted Police. Nada is a young girl who lives a difficult life together with her alcoholic father, who worships Jolly Roger. McKay and Nada fall in love and decide to make the most of their time together, as sheriff Cassidy is close in on them. How did Jolly Roger become an outlaw? Will he finally get caught? Do McKay and Nadia have future together? Find all the answers in James Oliver Curwood’s novel of risks and love "The Country Beyond" from 1922. James Oliver Curwood (1878 - 1927) was an American writer as well as an unwavering nature lover and conservationist. As such, many of Curwood’s action-adventure stories were based on real events from the rugged landscapes of the American Northwest. He built himself Curwood Castle, which he used as a writing studio and as a place to greet guests. More than 150 motion pictures have been adapted to or directly inspired by his novels.