Graded exercises take you from the fundamentals of fingerpicking to five authentic blues tunes. All exercises and pieces printed in the book are played in addition to some extra explanation of the concepts and techniques presented.

Builds fingerstyle blues technique and independence through musical phrases and licks

(Guitar Solo). The arrangements in this book are carefully written for intermediate-level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement. The book also includes an easy introduction to basic fingerstyle guitar. Features 15 top blues tunes: Bright Lights, Big City * Come On in My Kitchen * Every Day I Have the Blues * How Long, How Long Blues * My Babe * Nobody Knows You When You're Down and Out * (They Call It) Stormy Monday * and more.

A collection of 20 different 4-bar patterns and 10 original solo compositions by one of Europe's finest guitarists. Designed for the serious fingerstyle guitar student, this book presents rhythm patterns in a wide range of moods written in standard notation and tablature, along with new concepts about blues and jazz. In the solos, beautiful and impressive melodies are paired with alternate and walking basses. an accompanying audio CD includes a demonstration of each concept and a performance of each solo.

"Descriptive analysis and musical transcriptions, in standard notation and tablature" of the works of various blues guitarists.

This book and CD has been carefully prepared for guitarists who are starting to learn blues fingerpicking-and yes, the book can actually be used by an ambitious total beginner. the arrangements, written in tab and standard notation, include new blues songs, standards, introductions, turnarounds, and more. All songs are recorded note-for-note on the companion CD, making this unique set the perfect teacher for the emerging fingerpicker.Check out the Free PDF Download that contains a third of the book!

This book/3CD audio lesson is designed for the beginner and intermediate student. Basic fingerpicking styles are illustrated in all the major keys. The technique of the alternating bass is introduced in various settings (both in standard and open tunings). The styles and techniques of Mississippi John Hurt, Rev. Gary Davis, Blind Blake, Blind Boy Fuller, Sam McGee, Skip James, Willie Brown and Tommy Johnson are explored.