Filming Shakespeare's Plays
Title | Filming Shakespeare's Plays PDF eBook |
Author | Anthony Davies |
Publisher | Cambridge University Press |
Pages | 240 |
Release | 1990-06-29 |
Genre | Literary Criticism |
ISBN | 9780521399135 |
Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's dramatic language in the film adaptations of Shakespeare's plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to a film representation. Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. The central chapters focus on Laurence Olivier's Henry V, Hamlet and Richard III; Orson Welles' Macbeth, Othello and Chimes at Midnight; Peter Brook's King Lear and Akira Kurosawa's Throne of Blood. Davies discusses the dramatic problems posed by the source plays for these films for the film maker and he examines how these films influenced later theatrical stagings. He concludes with an examination of the demands that distinguish the work of the Shakespearean stage actor from that of his counterpart in film.
Filming Shakespeare's plays. The adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akir
Title | Filming Shakespeare's plays. The adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akir PDF eBook |
Author | Anthony Davies |
Publisher | |
Pages | |
Release | 1990 |
Genre | |
ISBN |
Filming Shakespeare's Plays
Title | Filming Shakespeare's Plays PDF eBook |
Author | Anthony Davies |
Publisher | |
Pages | |
Release | 1988 |
Genre | |
ISBN |
Shakespeare and the Moving Image
Title | Shakespeare and the Moving Image PDF eBook |
Author | Anthony Davies |
Publisher | Cambridge University Press |
Pages | 280 |
Release | 1994 |
Genre | Drama |
ISBN | 9780521435734 |
Towards the end of the 1980s it looked as if television had displaced cinema as the photographic medium for bringing Shakespeare to the modern audience. In recent years there has been a renaissance of Shakespearian cinema, including Kenneth Branagh's Henry V and Much Ado About Nothing, Franco Zeffirelli's Hamlet, Peter Greenaway's Prospero's Books and Christine Edzard's As You Like It. In this volume a range of writers study the best known and most entertaining film, television and video versions of Shakespeare's plays. Particular attention is given to the work of Olivier, Zeffirelli and Kurosawa, and to the BBC Television series. In addition the volume includes a survey of previous scholarship and an invaluable filmography.
Shakespeare in the Movies
Title | Shakespeare in the Movies PDF eBook |
Author | Douglas Brode |
Publisher | Oxford University Press |
Pages | 268 |
Release | 2000-04-27 |
Genre | Performing Arts |
ISBN | 019972802X |
Shakespeare is now enjoying perhaps his most glorious--certainly his most popular--filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author--and an auteur--and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others. Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue--PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide.
The Cambridge Companion to Shakespeare on Film
Title | The Cambridge Companion to Shakespeare on Film PDF eBook |
Author | Russell Jackson |
Publisher | Cambridge University Press |
Pages | 12 |
Release | 2007-03-29 |
Genre | Literary Criticism |
ISBN | 052168501X |
This companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. The emphasis is on feature films for cinema with strong coverage Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.
Shakespeare and the Middle Ages
Title | Shakespeare and the Middle Ages PDF eBook |
Author | Martha W. Driver |
Publisher | McFarland |
Pages | 285 |
Release | 2014-01-10 |
Genre | Literary Criticism |
ISBN | 0786491655 |
Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright's medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare's plays.