" Winner of the 2003 Ray and Pat Browne Book Award, given by the Popular Culture Association The contributors to Hollywood's White House examine the historical accuracy of these presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. The volume, which includes a comprehensive filmography and a bibliography, is ideal for historians and film enthusiasts.

Cinematic depictions of real U.S. presidents from Abraham Lincoln to George W. Bush explore how Hollywood movies represent American history and politics on screen. Morgan and his contributors show how films blend myth and reality to present a positive message about presidents as the epitome of America's values and idealism until unpopular foreign wars in Vietnam and Iraq led to a darker portrayal of the imperial presidency, operated by Richard Nixon and Bush 43. This exciting new collection further considers how Hollywood has continually reinterpreted historically significant presidents, notably Abraham Lincoln, Theodore Roosevelt, and Franklin D. Roosevelt, to fit the times in which movies about them were made.

The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics—Hollywood and the presidency—and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood its own identity through the presidency’s peculiar mix of national epic and unified protagonist. Additionally, they contend that studios often made their films to sway political outcomes; that the performance of presidential personae has been constrained by the kinds of bodies (for so long, white and male) that have occupied the office, such that presidential embodiment obscures the body politic; and that Hollywood and the presidency may finally be nothing more than two privileged figures of media-age power.

The first book-length assessment of Coolidge's presidency in thirty years draws on the recently opened papers of his White House physician for hitherto unknown personal information. Ferrell (history, Indiana U.) exonerates Coolidge for the failures of his party's foreign policy, but holds him accountable for having had insufficient economic savvy to warn Wall Street against the overspeculation that caused the Depression. Annotation copyrighted by Book News, Inc., Portland, OR

The new edition of The Paradoxes of the American Presidency--now with three prize-winning presidential scholars: Thomas E. Cronin, Michael A. Genovese and Meena Bose--explores the complex institution of the American presidency by presenting a series of paradoxes that shape and define the office. Rewritten and updated to reflect recent political events including the presidency of Barack Obama, the 2012 and 2014 elections (with greater emphasis on the importance of the Presidential midterm election), and the primary and presidential election of 2016, as well as the 2020 election and beginning of the Biden Administration, this must-read sixth edition incorporates findings from the latest scholarship, recent elections and court cases, and essential survey research.

A bold new history of the American presidency, arguing that the successful presidents of the past created unrealistic expectations for every president since JFK, with enormously problematic implications for American politics In The Impossible Presidency, celebrated historian Jeremi Suri charts the rise and fall of the American presidency, from the limited role envisaged by the Founding Fathers to its current status as the most powerful job in the world. He argues that the presidency is a victim of its own success-the vastness of the job makes it almost impossible to fulfill the expectations placed upon it. As managers of the world's largest economy and military, contemporary presidents must react to a truly globalized world in a twenty-four-hour news cycle. There is little room left for bold vision. Suri traces America's disenchantment with our recent presidents to the inevitable mismatch between presidential promises and the structural limitations of the office. A masterful reassessment of presidential history, this book is essential reading for anyone trying to understand America's fraught political climate.

Discusses how film has affected the culture of presidential politics by looking at fourteen different presidents, including Herbert Hoover, John F. Kennedy, and Barack Obama.