There has been a lack of reliable academic studies regarding Filipino martial arts (FMA) that have uniquely developed in the Philippine archipelago. This anthology assembles pioneering scholarly materials valuable for any interested in the Filipino combatives, as well as chapters specifically on the practice. Mark Wiley stands out as a leading scholar/practitioner of the Filipino arts. This book contains three chapters by him. In the first, he conducted linguistic and historical research to present the developmental background of the ancient Filipino kali and European fencing systems, thus illuminating the evolution of classical eskrima. In chapter two, Wiley attempts to classify Filipino martial arts and explore the ethos of Filipino martial culture by deriving information directly from the contemporary grandmasters who have maintained an oral transmission of information concerning the evolution and development of their respective martial systems. Part of Wiley’s research also led him to seek out special repositories of artifacts. Museums collections rarely include much on Southeast Asian weapons. University of Pennsylvania Museum of Archaeology and Anthropology has nearly 1,000 martial artifacts in storerooms from the Philippines, including swords, knives, spears, shields, helmets, and armor discussed in Wiley’s third chapter. On a practical side, Steven Dowd presents the art of Carlita Lañada who studied martial arts as passed down within his own family in the Philippines. He calls his rendition Kuntaw Lima-Lima, an art whose techniques are reminiscent of Okinawan karate styles, with hints of Chinese gongfu. Presented are the underlying principles, and a sayawan (form) with applications. Majia Soderholm’s chapter is about Visayan Corto Kadena Eskrima and some of its concepts and training methods with regard to free-sparring with swords. It is a Filipino martial system encompassing empty-hand and non-bladed and bladed weapons. Peter Hobart presents a wonderful tribute to Remy Presas, the founder of Modern Arnis. This retrospective is comprised of the stories and memories of many of those who knew him. Topics include Presas’ theory and practice of arnis, such as importance of flow, and memories of his last seminar. The chapter by Ruel Macaraeg dives into the topic of piracy in the Philippines. His study reconstructs the pirates’ martial practices through comparative historical analysis of their weapons, costume, and organization in order to draw conclusions about their relationship to martial cultures in the Philippines and across the region. In the final chapter, Ken Smith discusses a few of his favorite techniques from Modern Arnis. His insights—as well as the information found in the previous chapters—contribute to the academic understanding of Filipino martial traditions as well as the actual practice of kali, escrima, and arnis. We hope you’ll enjoy the reading.

Filipino Martial Arts illustrates the basic strikes, blocks, counters, and disarms of the Serrada Escrima fighting system. A highly effective, well-rounded warrior art, Serrada Escrima uses basic stick-fighting movements that are equally applicable in both unarmed and knife fighting. Profusely illustrated, this martial arts manual describes not only the techniques but also the history and philosophy of the Filipino martial arts and their relevance in the fighting and mixed martial arts world today. Filipino Martial Arts: Cabales Serrada Escrima is an essential addition to any martial arts library.

Widely practiced but not always understood, the Filipino martial arts have a rich history and distinctive character that have not fully been documented until now. Written in the context of Philippine history and culture, Filipino Martial Culture uncovers the esoteric components of the Filipino martial arts and the life histories of the men who perpetuate them. Included are: the history of turbulence and war in the Philippines from prehistoric times to the present day; the culture of the Filipino martial arts, including warrior ethos and worldview, spirituality, folklore, and weaponry; biographical sketches of eighteen Filipino masters and descriptions of their respective fighting styles; and a comparative study of the ethos, ideology, and development of the Filipino martial arts in relation to the considerable martial traditions of India, China, and Japan. In the course of his research, internationally renowned martial arts master and scholar Mark V. Wiley traveled the globe, interviewing top masters and recording their life histories, thoughts, and anecdotes. In addition, he collected 320 historical photographs and illustrations, including step-by-step sequences of the masters demonstrating the distinctive techniques of their particular martial styles. A classic reference for practitioners and researchers alike, this Filipino martial arts book is as much a definitive anthropological textbook as it is a practical guide to Arnis, Kali, Eskrima, and the other martial arts of the Philippines.

Arnis: Reflections on the History and Development of the Filipino Martial Arts is an intriguing collection of essays on Filipino martial arts. Featured are insightful essays by Filipino martial artists: Krishna K. Godhania Antonio E. Somera Abner G. Pasa Dr. Jopet Laraya Felipe P. beano, Jr. Rene J. Navarro For centuries, Filipino martial arts have played integral and often momentous roles in the history of the Philippines and in the survival of the Filipino people. But what are these arts? Where do they come from? How have they developed? Where are they headed? And what inner dimensions do they offer their practitioners? These questions, among others, form the basis of Arnis: Reflections on the History and Development of the Filipino Martial Arts.

The history, evolution, and essential principles and concepts of the Filipino martial artEskrima, also known as Arnis or Kali, is the indigenous martial art of the Philippine Islands and this fascinating book explains why Eskrima uses training weapons, such as rattan sticks and daggers, from the earliest stages, alongside unarmed techniques. Dynamic and flexible, with a wide range of training methods, the technique can be practiced by students of all ages and levels of fitness. Well-known and respected as a highly practical weapons-based system, Eskrima is practiced worldwide by civilians, law enforcement personnel, and special units within the military. These training methods have been found particularly effective at increasing coordination and reflexes, providing a fast track to developing the qualities needed for practical self-defense. The instructional section of the book illustrates how the Eskrima martial artist is able to succeed in a wide range of combat situaions involving fighting with both weapons and open hands. Techniques, two person flow drills, self-defense applications, training with specialized equipment, and the philosophy of the art are all covered in depth. "

African literature in the twentieth century has grown from the early poetry of Negritude to recent novels of magical realism. As novelists, poets, and playwrights testified to the unique qualities of their lives and societies, a new tradition began to emerge. Novels of testimony, novels of revolt, novels of struggle, followed by post-colonial writings, filled with complexities and ambiguities, have created a literary tradition expressive of the African spirit-a tradition influenced by earlier African oral literature, by European writings, by changing social conditions, and increasingly by African writings themselves. Thresholds of Change in African Literatureexplores the emergence of this tradition, and particularly the ways in which the emergent literature changed at each critical stage