This book takes an empirically grounded perspective on research in values, intimacy and sexuality, among other topics in psychology, to highlight the importance of searching for human subjectivity in its diversity, plurality and self-generativity. The author conducts an in-depth discussion on the methodological and epistemological issues enabling the study of subjectivity, and argues that in order to improve the contribution of psychology to human knowledge, a study of subjectivity must be at the forefront.This book presents a critical reflection of the author’s decades-long research within psychology to argue for a significant paradigm shift in the conception and execution of psychological research: a shift to “second order psychology”.

This book takes an empirically grounded perspective on research in values, intimacy and sexuality,among other topics in psychology, to highlight the importance of searching for human subjectivity in its diversity, plurality and self-generativity. The author conducts an in-depth discussion on the methodological and epistemological issues enabling the study of subjectivity, and argues that in order to improve the contribution of psychology to human knowledge, a study of subjectivity must be at the forefront.This book presents a critical reflection of the author's decades-long research within psychology to argue for a significant paradigm shift in the conception and execution of psychological research: a shift to "second order psychology". Gabriel Bianchi is a senior research fellow at the Slovak Academy of Sciences, Institute for Research in Social Communication, Slovakia.He is a social psychologist active in non-medical research on sexuality, intimacy, gender, reproduction and partnerhood within a broad context of values, democracy and politics. He has over 30 years of experience in international research teams, with a focus on applying qualitative, discursive and mixed research design. He is author of Sexuality: From Intimacy to Politics: With Focus on Slovakia in the Globalized World, 2020.

DIVAn interdisciplinary examination of debates surrounding the figure of the child in transnational politics and culture./div

Following the material turn in the humanities, this book brings perspectives from science and ecology into dialogue with children's fiction written and published in the UK and the USA in the 21st century. It develops the concept of entanglement, which originated in 20th-century quantum physics but has been applied to cultural critique, through a reading of Fantastika literature. Surveying a wide-ranging scope of literary texts, this book covers the gothic, fantasy, the Weird, and other forms of speculative fiction to argue that Fantastika positions entanglement as an ethical imperative that transforms our imaginative relationship with materiality. In so doing, it synthesizes perspectives from a similarly diverse range of areas, including ecology, physics, anthropology, and literary studies, to examine the storied matter of children's Fantastika as ground from which we might begin to imagine an as-yet-unrealised future that addresses the problems of our present.

Recent debates have highlighted the importance of the self to a better understanding of the nature of culture and its relation to power. In his new book, John Mandalios incorporates the current 'postmodern' debate on these issues with a deeper, philosophical exploration of identity and cultural formation, and the dynamics of social power underlying them. He takes up identity formation within an analysis of the historical, social, political, religious, and psychoanalytical dimensions of civilized life that can be traced back to the classical world. Questions ordinarily associated with the 'postmodern condition'_otherness, fragmentation, power, the situated self, disciplinary practices, and multiplicity_are related to the problematic of human subjectivity and how civilized modes of conduct of the self cannot simply be explained by national cultural traditions. Mandalios argues that self-identity is not reducible to the effects of globalization or power or any one single collective identity representation. The self is enveloped within a complex which requires a 'civilization-analytic' perspective into the world and the inner life.

This edited volume breaks new ground for understanding peripheries and peripherality by providing a multidisciplinary cross-exposure through a collection of chapters and visual essays by researchers and artists. The book is a collection of approaches from several disciplines where the spatial, conceptual, and theoretical hierarchies and biased assumptions of ‘peripheries’ are challenged. Chapters provide a diverse collection of viewpoints, analyses, and provocations on ‘peripherality’ through bringing together international specialists to discuss the socio-political, aesthetic, artistic, ethical, and legal implications of ‘peripheral approach.’ The aim is to illuminate the existing, hidden, often incommensurable, and controversial margins in the society at large from equal, ethical, and empathic perspectives. The book is designed to assist established researchers, academics, and students across disciplines who wish to incorporate novel, arts and practice-based research and critical approaches in their research projects, artwork, and academic writing. Providing both a consolidated understanding of the peripheries, visual studies, and artistic research as they are and setting expansive and new research insights and practices, this book is essential reading for scholars of arts and humanities, visual culture, art history, design, philosophy, and cultural studies.

This collection draws from scholars across different languages to address and assess the scholarly achievements of Tawada Yōko. Yōko, born in Japan (1960) and based in Germany, writes and presents in both German and Japanese. The contributors of this volume recognize her as one of the most important contemporary international writers. Her published books alone number more than fifty volumes, with roughly the same number in German and Japanese. Tawada’s writing unfolds at the intersections of borders, whether of language, identity, nationality, or gender. Her characters are all travelers of some sort, often foreigners and outsiders, caught in surreal in-between spaces, such as between language and culture, or between species, subjectivities, and identities. Sometimes they exist in the spaces between gendered and national identities; sometimes they are found caught between reality and the surreal, perhaps madness. Tawada has been one of the most prescient and provocative thinkers on the complexities of travelling and living in the contemporary world, and thus has always been obsessed with passports and trouble at borders. This current volume was conceived to augment the first edited volume of Tawada’s work, Yōko Tawada: Voices from Everywhere, which appeared from Lexington Books in 2007. That volume represented the first extensive English language coverage of Tawada’s writing. In the meantime, there is increased scholarly interest in Tawada’s artistic activity, and it is time for more sustained critical examinations of her output. This collection gathers and analyzes essays that approach the complex international themes found in many of Tawada’s works.