"Fighting Windmills" is the story of a modern-day Don Quixote, whose adventures are revealed as you march side by side with the author on his life's journey, one that has truly been to the beat of a different drum. His adventures as a CIA Operations Officer during pivotal times in our country's recent history, an Army 'Green Beret', an International Business Executive, and Entrepreneur, are chock full of life, laughter, love and the lessons learned along the way. This is a story about life as seen through the eyes of a romantic idealist, and the quixotic odyssey which evolves; as Webster defines, "quixotic" implies "extravagantly chivalrous or romantic, impractical, impulsive and often rashly unpredictable," which aptly describes the saga herein. This is a unique story of intrigue and normality, of success and failure, of love and the loss of it, of the perpetual seeking of wisdom and the occasional departure from sound judgment. In essence, it is a fundamental story of the human experience.

What is the source of a book's perceived greatness and why do certain books become part of the accepted canon? This book presents a fresh perspective on these questions: against prevalent approaches, it explains a work's reputation in terms of its aesthetic qualities or as the result of dictates by social hegemonies (the power view).

"Diana de Armas Wilson's introductory study captures the true essence of why Cervantes's novel has become a valuable piece of our shared cultural heritage. Humour, satire, and the religious and political conflicts that plagued the era all form part of Cervantes's great vision, and Wilson's study provides thorough analysis of why we still want to read the adventures of his would-be knight errant and his loyal squire over four centuries later." --AARON KAHN, University of Sussex

Drawn over the course of a century of traumatic political and social upheavals, The Georgian Beekeeper is a tribute to love, perseverance, and the indomitability of the human spirit. Spanning four generations beginning in Tsarist times, through the turbulent 20th century in which the Georgian people survived two world wars, revolution, political purges, and with the culmination of the 2008 Five-Day War with Russia, this is a story of one Georgian family and how they managed to prosper during these historically challenging times. Seen through the eyes of the family Matriarch, Ksenia Kolumbegovi, The Georgian Beekeeper traces her family's life experiences through this tumultuous period in world history. The story will give you full appreciation of the trials and tribulations of living under Soviet dominance, will provide you with an understanding of the strength and resiliency of the Georgian people, and bring you joy with the illumination of the unconquerable strength of love and human perseverance.

NEW YORK TIMES BESTSELLER • An epic Don Quixote for the modern age, “a brilliant, funny, world-encompassing wonder” (Time) from internationally bestselling author Salman Rushdie SHORTLISTED FOR THE MAN BOOKER PRIZE • “Lovely, unsentimental, heart-affirming . . . a remembrance of what holds our human lives in some equilibrium—a way of feeling and a way of telling. Love and language.”—Jeanette Winterson, The New York Times Book Review NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TIME AND NPR Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen.” Meanwhile, his creator, in a midlife crisis, has equally urgent challenges of his own. Just as Cervantes wrote Don Quixote to satirize the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of Rushdie’s work, the fully realized lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction. Praise for Quichotte “Brilliant . . . a perfect fit for a moment of transcontinental derangement.”—Financial Times “Quichotte is one of the cleverest, most enjoyable metafictional capers this side of postmodernism. . . . The narration is fleet of foot, always one step ahead of the reader—somewhere between a pinball machine and a three-dimensional game of snakes and ladders. . . . This novel can fly, it can float, it’s anecdotal, effervescent, charming, and a jolly good story to boot.”—The Sunday Times “Quichotte [is] an updating of Cervantes’s story that proves to be an equally complicated literary encounter, jumbling together a chivalric quest, a satire on Trump’s America and a whole lot of postmodern playfulness in a novel that is as sharp as a flick-knife and as clever as a barrel of monkeys. . . . This is a novel that feeds the heart while it fills the mind.”—The Times (UK)

Claude has an intuitive faith in something splendid and feels at odds with his contemporaries. The war offers him the opportunity to forget his farm and his marriage of compromise; he enlists and discovers that he has lacked. But while war demands altruism, its essence is destructive

Cervantes’ Don Quixote is the most widely read masterpiece in world literature, as appealing to readers today as four hundred years ago. In Fighting Windmills Manuel Durán and Fay R. Rogg offer a beautifully written excursion into Cervantes’ great novel and trace its impact on writers and thinkers across centuries and continents. How did Cervantes write such a rich tale? Durán and Rogg explore the details of Cervantes’ life, the techniques with which he constructed the novel, and the central themes of the adventures of Don Quixote and his earthy squire Sancho Panza. The authors then provide an insightful, panoramic view of Cervantes’ powerful influence on generations of writers as diverse as Descartes, Voltaire, Dickens, Dostoyevsky, Twain, and Borges.