In this memoir, set as deeply in his mind as in the Southeast Asian jungle, a young American soldier embarks on a journey to a war that, for him, will never be over. The world was a playground for Mickey, a naive Irish American kid bored with his life. His father served in World War II, his brother was a Marine in Vietnam; now it was his turn. His 365 days in the hell that was Vietnam builds in torment until an attack on a bunker complex in Cambodia. Wounded, his friend captured, he becomes a tormented survivor knowing he is always just a heartbeat from death. His adventure-turned-nightmare brings a visceral understanding of the words penned by Thoreau, the very same words Mickey's father spoke throughout Mickey's youth: "The mass of men lead lives of quiet desperation," especially those at war. This memoir chronicles the key perspective-shaping experiences of a U.S. Army grunt fighting in Vietnam.

In this memoir, set as deeply in his mind as in the Southeast Asian jungle, a young American soldier embarks on a journey to a war that, for him, will never be over. The world was a playground for Mickey, a naive Irish American kid bored with his life. His father served in World War II, his brother was a Marine in Vietnam; now it was his turn. His 365 days in the hell that was Vietnam builds in torment until an attack on a bunker complex in Cambodia. Wounded, his friend captured, he becomes a tormented survivor knowing he is always just a heartbeat from death. His adventure-turned-nightmare brings a visceral understanding of the words penned by Thoreau, the very same words Mickey's father spoke throughout Mickey's youth: "The mass of men lead lives of quiet desperation," especially those at war. This memoir chronicles the key perspective-shaping experiences of a U.S. Army grunt fighting in Vietnam.

Isaacs talks to the veterans unable to forget the war no one wanted to talk about. He explores the class divisions deepened by a conflict in which the privileged avoided service that an earlier generation had embraced as a duty. And he shows how the "Vietnam Syndrome" continues to affect nearly every major U.S. foreign policy decision, from the Persion Gulf to Somalia, Bosnia, and Haiti.

Vietnamese culture and religious traditions place the utmost importance on dying well: in old age, body unblemished, with surviving children, and properly buried and mourned. More than five million people were killed in the Vietnam War, many of them young, many of them dying far from home. Another 300,000 are still missing. Having died badly, they are thought to have become angry ghosts, doomed to spend eternity in a kind of spirit hell. Decades after the war ended, many survivors believe that the spirits of those dead and missing have returned to haunt their loved ones. In War and Shadows, the anthropologist Mai Lan Gustafsson tells the story of the anger of these spirits and the torments of their kin. Gustafsson's rich ethnographic research allows her to bring readers into the world of spirit possession, focusing on the source of the pain, the physical and mental anguish the spirits bring, and various attempts to ameliorate their anger through ritual offerings and the intervention of mediums. Through a series of personal life histories, she chronicles the variety of ailments brought about by the spirits' wrath, from headaches and aching limbs (often the same limb lost by a loved one in battle) to self-mutilation. In Gustafsson's view, the Communist suppression of spirit-based religion after the fall of Saigon has intensified anxieties about the well-being of the spirit world. While shrines and mourning are still allowed, spirit mediums were outlawed and driven underground, along with many of the other practices that might have provided some comfort. Despite these restrictions, she finds, victims of these hauntings do as much as possible to try to lay their ghosts to rest.

The imaginative literature of the Vietnam War participates-both overtly and covertly-in a struggle for national memory. First-generation Vietnam War literature, focusing on representations of combat and life in the battlefield, strove to give testimony, to write history. Later writings, in their range of genre and style, investigate and interrogate the very meaning of war. To reflect these two stages, Philip Jason divides his newest book of literary criticism into two sections: 'acts' and 'shadows.' In 'Acts, ' Jason provides formal and cultural readings of combat narratives-by such authors as James Webb, Larry Heinemann, and Joe Haldeman-and explores the meaning of 'authenticity' as applied to Vietnam War texts. 'Shadows' looks both forward and backward from the combat zone, challenging the parameters of what we define as 'Vietnam War literature.

The author arrived at the Marine Corps Recruit Depot in San Diego ill-prepared for the training and abuse that awaited him in boot camp. At the time, he would have done anything to escape; only upon reflection years later did he realize that the self-confidence instilled in him by his drill instructors had probably saved his life in Vietnam. A few months after boot camp, Private Ball was shipped out to Vietnam, joining F Company, 2nd Battalion, 3rd Marines, near Khe Sanh. As a grunt, in the vernacular of the Corps, Ball, like the other youths of F Company, did a difficult and deadly job in such places as the A Shau Valley, Leatherneck Square, the DMZ and other obscure but critical I Corps locales. His--their--fear of death mingled with homesickness. Little did they realize that the horrors of the Vietnam War--horrors that while in-country they often claimed did not even exist--would haunt them for the rest of their lives.

Shadows of Saigon is a work of fiction based upon real people and factual events during the Vietnam War. The book covers the time period from the American Invasion of Cambodia in May 1970 to May 1971 when Vietnamization and U. S. troop withdrawals are well underway. During this time, the Vietnam War takes a major swing westward into the neighboring country of Cambodia. Shadows of Saigon is a compelling story of a young man who for various reasons leaves his chosen profession and the woman he loves to volunteer for service in the U. S. Air Force. The setting of the story revolves around Tan Son Nhut Air Base in Saigon, Republic of Vietnam. Former teacher, Lieutenant Paul Knight is fresh from officer's school and pilot training in Texas. He volunteers for Air Commando duty in the AC-119 Shadow gunship. Reporting for duty with the 17th Special Operations Squadron in Vietnam, he is assigned to Fighting C Flight at Tan Son Nhut Air Base in Saigon. It is not long after American ground troops are withdrawn from Cambodia that Charlie Flight with its five fixed-wing gunships is assigned the task of providing twenty-four hour air support for the Cambodian Army. Flying antiquated, propeller-driven transport planes converted to attack-gunships, the Air Commandos are designated with the radio call sign "Shadow". The Shadows are accustomed to hiding in the darkness of night on combat missions, but now they must also operate during the day. The big black warplane becomes a most inviting target for enemy gunners as it flies low and slow to encircle the enemy with four side-firing Gatling guns that rain death. Knight and his fellow Air Commandos deal with the increased dangers of flying missions eye-to-eye with the enemy in broad daylight. Knight's chances of surviving his twelve-month tour of duty in Southeast Asia lessen with each combat mission. He soon learns that the gunship he pilots is not always reliable and that the monsoon season creates extremely hazardous combat flying conditions. No larger than the State of Missouri, Cambodia is a hotbed for U. S. air operations. Twenty-four hours a day, Shadow gunships from Saigon rotate every four hours to provide continual close fire support for the Cambodians. From the provincial capitals of Prey Veng, Kampong Cham, Kampong Thom, Siem Reap and the ancient ruins of Angkor to the nation's capital city of Phnom Penh and the nation's major seaport at Kompong Som, Shadows of Saigon are hell-bent to provide uninterrupted direct air support for the newly formed Republic of Cambodia. Knight's world of war ranges from sheer boredom to stark terror. It constantly transitions back and forth between the relatively safe sanctum of Tan Son Nhut and the dangerous combat environment over hostile enemy territory in Cambodia and Laos. Laying his life on the line for an unpopular and seemingly never-ending war, Knight struggles with his convictions that motivated him to volunteer for service. He wrestles with fears of getting killed or captured. With the enticement of Saigon just outside the gates of Tan Son Nhut, Knight takes advantage of the city to escape the rigors of war. Knight meets and eventually falls in love with a Eurasian war correspondent from Paris. She hates the Americans and what they have done to Vietnam. Three of Knight's pilot training buddies are also stationed in Vietnam. Their paths cross frequently as they too face the realities of war and the possibility of never returning home alive. Killer Dameron pilots AC-119G Shadow gunships along with Knight at Tan Son Nhut. He rejects his past life to become a renegade obsessed with killing the enemy. Joseph Eric Thomas, better known as JET, flies AC-119K Stinger gunships that carry much greater firepower than its sister-ship, Shadow. Youngblood is stationed at Phan Rang where he flies F-100 fighter/bombe