A collection of articles, most of them published previously. The following relate, in varying degrees, to the subject of antisemitism in literary circles and in literature:

Provides the music and lyrics for the long-running Broadway musical

Bound together by the common thread of bioethics, these essays encompass such issues as abortion, the removal of life support, the role that doctors play in our society, and how we confront old age and Eros. Controversial, at times infuriating, Leslie Fiedler's comments are sure to anger parties on all sides; but they will also appeal to anyone who appreciates the unorthodox insights of an inquisitive and voracious mind.

The controversial Leslie Fiedler (1917-2003) was one of the first critics of popular culture as well as an early proponent of queer theory. This book traces the evolution of this larger-than-life figure through an extensive examination of his works. Beginning with his homoerotic reading of the relationship between Jim and Huck Finn in the Mark Twain novel, this book covers how his many contributions have been provocative, outrageous, novel, and enduring.

He destroys in order to create. In a sweeping critique of the field, Benjamin Schreier resituates Jewish Studies in order to make room for a critical study of identity and identification. Displacing the assumption that Jewish Studies is necessarily the study of Jews, this book aims to break down the walls of the academic ghetto in which the study of Jewish American literature often seems to be contained: alienated from fields like comparative ethnicity studies, American studies, and multicultural studies; suffering from the unwillingness of Jewish Studies to accept critical literary studies as a legitimate part of its project; and so often refusing itself to engage in self-critique. The Impossible Jew interrogates how the concept of identity is critically put to work by identity-based literary study. Through readings of key authors from across the canon of Jewish American literature and culture—including Abraham Cahan, the New York Intellectuals, Philip Roth, and Jonathan Safran Foer—Benjamin Schreier shows how texts resist the historicist expectation that self-evident Jewish populations are represented in and recoverable from them. Through ornate, scabrous, funny polemics, Schreier draws the lines of relation between Jewish American literary study and American studies, multiethnic studies, critical theory, and Jewish Studies formations. He maintains that a Jewish Studies beyond ethnicity is essential for a viable future of Jewish literary study.

This brilliant collection of essays examines the dialogue between Jewish history and historiography in terms of changing national and popular myths, folk memory, and historical consciousness of Jews in modern times. From essays dealing with the origins of Jewish historiography in the nineteenth century, to its contemporary perspectives and methodologies, this book provides a great overview and varied insights into the field.

"No other study of the American novel has such fascinating and on the whole right things to say." Washington Post