"One of the most bizarre stories in all of popular music is the history of the 'Orange Blossom Special,' arguably the century's best-known fiddle tune. Here revealed is the tale of its feuding owners, Rouse and Wise, and Johnny Cash, who made the song a mainstream hit. This trio's disparate legacies are here told - and forever linked with the legendary diesel steamliner."--Publisher's website.

Standing on the shoulders of Haunt: A Novel, this powerful second entry in the Loveletting series will shock you, chapter after chapter. [HAUNT: A NOVEL] ✦ GOLD WINNER FOR GENERAL FICTION IN THE 2023 NEXT GENERATION INDIES AWARDS ✦ [HAUNT: A NOVEL] ✦ GOLD WINNER FOR ROMANCE IN THE 2023 FEATHERED QUILL BOOK AWARDS ✦ [HAUNT: A NOVEL] ✦ GOLD WINNER FOR WESTERN IN THE 2023 READER'S FAVORITE BOOK AWARDS ✦ [HAUNT: A NOVEL] ✦ GOLD WINNER FOR ROMANCE IN THE 2023 BESTSELLERS WORLD AWARDS ✦ [HAUNT: A NOVEL] ✦ GOLD WINNER FOR ADULT FICTION IN THE 2023 LITERARY TITAN BOOK AWARDS ✦ [HAUNT: A NOVEL] ✦ ADULT FICTION FINALIST IN THE 2023 FEATHERED QUILL BOOK AWARDS ✦ [HAUNT: A NOVEL] ✦ CATEGORY FINALIST IN THE 2023 ERIC HOFFER BOOK AWARDS ✦ Love and despair are entangled in this story of circumstances pushing the boundaries of morality. A dense battlefield, both pure and grotesque. Grief, a concept yet unrevealed to Charlotte, now bound to fester within her; mind and soul. Supported by the hands of young and kindhearted Jesse McCoy, she bravely learns to find herself again in the midst of sorrow…only to lose herself further in the process. Morphing into a woman she could never recognize, as she crosses paths with dangerous new influences who hide the darkest of secrets. Devastation tests the will of the characters, as well as that of the reader, leading one to an all-important question…who can you trust? As a direct sequel to Haunt: A Novel, this is an immediate continuation of the story and not intended to be consumed on its own. If Haunt broached subjects or crossed boundaries that left you uncomfortable, you will find no respite within the pages of Curse...prepare yourself for a much deeper and darker dive into the haunting world of Loveletting.

De-centering queer theory seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory’s vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings.

The bold careers of Henry James, D.H. Lawrence, James Joyce, and Samuel Beckett--writers with profoundly unsettled cultural identities--spark Margery Sabin's investigation of values carried through inherited forms of speech. The Dialect of the Tribe offers fresh readings of such great novels as The Golden Bowl, Women in Love, Ulysses, and the Beckett trilogy which illustrate how complex attitudes toward the speech forms of language inform the most varied social, psychological, and aesthetic structures in modern fiction. Sabin explores the powerful tension in these writers between appreciation for the resources of common speech in English and contrary longings for a freedom associated with abstraction, system, and foreign or private language. Her own critical procedures transcend restrictive and reductive polarizations, as she lucidly analyzes the biases of both the Anglo-American critical tradition and the challenge to that tradition in French literary theory and practice. Written in a jargon-free, accessible style, The Dialect of the Tribe argues that the ambiguous cultural positions of the great modern novelists in English emerge as a major source of their strength--the rich traditions of the English language give enlivening power to writers also remarkable for their drive toward radical independence and skepticism.

Joe McHugh, an accomplished storyteller and old-time fiddler, has put down his bow and picked up the pen to entertain us with a collection of supernatural tales about violins and fiddlers. A hotel haunted at midnight by the eerie sound of a fiddle, a dancing skeleton and a pirate’s buried treasure, a romantic rivalry between sisters that leads to foul murder, an ill-advised bargain with the Devil during the rough and tumble days of the California Gold Rush, these are just a few of the unexpected delights to be found within these pages. Each is an original tale, inspired by ancient myths and folk beliefs, and told with reverence for this most mysterious and seductive of all musical instruments—the violin.

(Book). One of the most bizarre stories in all of popular music is the history of "Orange Blossom Special," arguably the century's best-known fiddle tune. The man credited with its ownership, Ervin T. Rouse, endured tragedy, alcoholism and mental illness. He spent his last years fiddling for tips in isolated taverns at the edge of the Florida Everglades, and died all but unknown. The man who claimed co-ownership, Chubby Wise, achieved fame as the seminal fiddler of the bluegrass genre, but struggled to overcome personal demons and to heal the scars of childhood abandonment and abuse. This fascinating book uncovers how their legacies are forever linked with the legendary diesel streamliner which inspired the tune six decades ago, as it roared through American history, bringing wonder and hope to every stop. Includes a Collector's CD of rare, unreleased original recordings of "Orange Blossom Special" by Bluegrass Etc., Byron Berline, Dennis Caplinger, Buddy Emmons, John Henry Gates, The Hellcasters, Gary Morse, Benny Martin and Mike Stevens. Also features the original Rouse Brothers recording from 1939, a live performance by Chubby Wise, and six vintage bonus tracks. Randy Noles is a publisher of city/regional magazines in Florida. During his 25-year career, he has won awards for investigative reporting, feature writing and commentary. Born in Tuscaloosa, AL, he has lived in Orlando since 1967. He is married and has two children. "If you go back and listen to Ervin and Gordon Rouse's original 1939 recording, it's easy to hear 'Orange Blossom Special''s beauty, elegance and power. It bonds the romance of rambling around on trains with the mystique of a far-away land known as Florida. It is pure country music; it is pure Americana." from the foreword by Marty Stuart

Are you a holy terror? Are you a go-boy? Could you live on the skin of a rasher? Or are you so hungry that you eat a farmer's arse through a hedge? When you're on the razz, do you get so buckled, crippled and scuttered that you can't get your back outa the scratcher in the morning? Never mind the answers: if you understand the questions you are in Slanguage country. If you don't, you need to be. This is the dictionary that glosses the words that real Irish people use in the streets each day, every day. Slang is elusive. Some words and phrases are always there. Others slip in and out of usage according to the whims of fashion. This expanded edition of the standard dictionary of Irish slang includes many entries not in the 1997 edition. It has dropped a few that have fallen out of favour and has revised others. In all, this edition is 25 per cent longer than its predecessor. It will confirm Bernard Share's invaluable book in its position as the major work of its kind, combining scholarship and a keen sense of fun. "Slanguage" does justice to it by taking it seriously, but not too seriously.