Historians of early modern Europe have long stressed how new practices of diplomacy that emerged during the period transformed European politics. Fictions of Embassy is the first book to examine the cultural implications of the rise of modern diplomacy. Ranging across two and a half centuries and half a dozen languages, Timothy Hampton opens a new perspective on the intersection of literature and politics at the dawn of modernity. Hampton argues that literary texts-tragedies, epics, essays-use scenes of diplomatic negotiation to explore the relationship between politics and aesthetics, between the world of political rhetoric and the dynamics of literary form. The diplomatic encounter is a scene of cultural exchange and linguistic negotiation. Literary depictions of diplomacy offer occasions for reflection on the definition of genre, on the power of representation, on the limits of rhetoric, on the nature of fiction making itself. Conversely, discussions of diplomacy by jurists, political philosophers, and ambassadors deploy the tools of literary tradition to articulate new theories of political action.Hampton addresses these topics through a discussion of the major diplomatic writers between 1450 and 1700-Machiavelli, Grotius, Gentili, Guicciardini-and through detailed readings of literary works that address the same topics-works by Shakespeare, More, Rabelais, Montaigne, Tasso, Corneille, Racine, and Camoens. He demonstrates that the issues raised by diplomatic theorists helped shape the emergence of new literary forms, and that literature provides a lens through which we can learn to read the languages of diplomacy.

Historians of early modern Europe have long stressed how new practices of diplomacy that emerged during the period transformed European politics. Fictions of Embassy is the first book to examine the cultural implications of the rise of modern diplomacy. Ranging across two and a half centuries and half a dozen languages, Timothy Hampton opens a new perspective on the intersection of literature and politics at the dawn of modernity. Hampton argues that literary texts-tragedies, epics, essays-use scenes of diplomatic negotiation to explore the relationship between politics and aesthetics, between the world of political rhetoric and the dynamics of literary form. The diplomatic encounter is a scene of cultural exchange and linguistic negotiation. Literary depictions of diplomacy offer occasions for reflection on the definition of genre, on the power of representation, on the limits of rhetoric, on the nature of fiction making itself. Conversely, discussions of diplomacy by jurists, political philosophers, and ambassadors deploy the tools of literary tradition to articulate new theories of political action.Hampton addresses these topics through a discussion of the major diplomatic writers between 1450 and 1700-Machiavelli, Grotius, Gentili, Guicciardini-and through detailed readings of literary works that address the same topics-works by Shakespeare, More, Rabelais, Montaigne, Tasso, Corneille, Racine, and Camoens. He demonstrates that the issues raised by diplomatic theorists helped shape the emergence of new literary forms, and that literature provides a lens through which we can learn to read the languages of diplomacy.

"A smart, sparkling novel that is one part social satire, one part travelogue . . . Comical and cool.” —Oprah Daily In Katie Crouch's thrilling novel Embassy Wife, two women abroad search for the truth about their husbands—and their country. Meet Persephone Wilder, a displaced genius posing as the wife of an American diplomat in Namibia. Persephone takes her job as a representative of her country seriously, coming up with an intricate set of rules to survive the problems she encounters: how to dress in hundred-degree weather without showing too much skin, how not to look drunk at embassy functions, and how to eat roasted oryx with grace. She also suspects her husband is not actually the ambassador’s legal counsel but a secret agent in the CIA. The consummate embassy wife, she takes the newest trailing spouse, Amanda Evans, under her wing. Amanda arrives in Namibia mere weeks after giving up her Silicon Valley job so her husband, Mark, can have his family close by as he works on his Fulbright project. But once they’re settled in the sub-Saharan desert, Amanda sees clearly that Mark, who lived in Namibia two decades earlier, has other reasons for returning. Back in the safety of home, the marriage had seemed solid; in the glaring heat of the Kalahari, it feels tenuous. And the situation grows even more fraught when their daughter becomes involved in an international conflict and their own government won’t stand up for her. How far will Amanda go to keep her family intact? How much corruption can Persephone ignore? And what, exactly, does it mean to be an American abroad when you’re not sure you understand your country anymore? Propulsive and provocative, Embassy Wife asks what it means to be a human in this world, even as it helps us laugh in the face of our own absurd, seemingly impossible states of affairs.

NEW YORK TIMES BESTSELLER In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak. Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language. When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties: to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak—but which speaks through her, whether she likes it or not. Praise for Embassytown “A breakneck tale of suspense . . . disturbing and beautiful by turns. I cannot emphasize enough how terrific this novel is. It's definitely one of the best books I've read in the past year, perfectly balanced between escapism and otherworldly philosophizing.”—io9 “Embassytown is a fully achieved work of art. . . . Works on every level, providing compulsive narrative, splendid intellectual rigour and risk, moral sophistication, fine verbal fireworks and sideshows, and even the old-fashioned satisfaction of watching a protagonist become more of a person than she gave promise of being.”—Ursula K Le Guin “The Kafkaesque writer journeys to the distant edges of the universe in his latest sci-fi thriller.”—Entertainment Weekly “Utterly astonishing . . . A major intellectual achievement.”—Kirkus Reviews “Brilliant storytelling . . . The result is a world masterfully wrecked and rebuilt.”—Publishers Weekly (starred review)

April, 1622. Matthew Lock arrives in The Hague, determined to learn the truth about the brutal murder of his parents. To survive a terrifying conspiracy, and to save his family, Lock must lean on years of training in the musket drill. But with Europe on the brink of the Thirty Years' War, following his father's guidance will not be easy. He must confront his painful past. He must fight his innermost demons. He must become a legend. Matthew Lock must become Matchlock. Matchlock and the Embassy is the first instalment in a new historical fiction series, brought to you by Zachary Twamley, host of When Diplomacy Fails Podcast.

Arman Lance was supposed to travel the galaxy with his father, not watch him die. He was supposed to experience the adventures from his father's stories, not isolate himself from the world. He was supposed to join the Embassy Program, fly across the galaxy, and find Ladia Purnell, the girl he fell in love with years before. Clinging to his fading hopes and dreams, Arman joins the Embassy to fulfill that last promise. He knows if he finds Ladia again, he'll be happy. But on this journey, he'll discover there is more to life than chasing a desperate obsession. There are opportunities to be taken, choices to be made, and a story to be told.

A rare and brilliant story from Zadie Smith, taking us deep into the life of a young woman, Fatou, domestic servant to the Derawals and escapee from one set of hardships to another. Beginning and ending outside the Embassy of Cambodia, which happens to be located in Willesden, NW London, Zadie Smith's absorbing, moving and wryly observed story suggests how the apparently small things in an ordinary life always raise larger, more extraordinary questions. 'It's scale is superficially small, but its range is lightly immense; in the first couple of pages, the world from Ghana to London to Cambodia enters. It is a fiction of consequences both global and heartrenchingly intimate. This voice is global, plural and local, with a delicate grip on historic consequences...... Works on an awesomely global scale, and the relations of slavery and mastership are traced in both personal and international scale.' Philip Hensher, The Guardian 'Reading it is a bit like having a starter in a restaurant that is so good you wish you had ordered a big portion as a main course, only to realise, as you finish it, that it was exactly the right amount.' 'A perfect stocking-filler of a book that shows that short-form fiction can be as vibrant and as healthy as any densely realised full-length novel.' Louise Doughty, The Observer 'Smith serves up a smasher.' Leyla Sanai, The Independent On Sunday