"Commissioned in observance of the one hundredth anniversary of the establishment of the University of California, Fiat Lux celebrates that event with a perceptive, artistic statement about the University itself, and about its reach into the lives and surroundings of the people it serves."--Cover.

Part memoir, part essay collection, Megan Dunn’s ingenious, moving, hilariously personal Things I Learned at Art School tells the story of her early life and coming-of-age in New Zealand in the ‘70s, ‘80s and ‘90s. From her parents’ divorce to her Smurf collection, from the mean girls at school to the mermaid movie Splash!, from her work in strip clubs and massage parlours (and one steak restaurant) to the art school of the title, this is a dazzling, killer read from a contemporary voice of comic brilliance. Chapters include: The Ballad of Western Barbie; A Comprehensive List of All the Girls Who Teased Me at Western Heights High School, What They Looked Like and Why They Did It; On Being a Redhead; Life Begins at Forty: That Time My Uncle Killed Himself; Good Girls Write Memoirs, Bad Girls Don’t Have Time; Videos I Watched with My Father; Things I Learned at Art School; CV of a Fat Waitress; Nine Months in a Massage Parlour Called Belle de Jour; Various Uses for a Low Self-esteem; Art in the Waiting Room and Submerging Artist. Praise for Tinderbox: “Tinderbox is deadpan hilarious and Megan Dunn is a comic genius.” - Susanna Andrew, Metro “Megan Dunn's wry, whip-smart memoir about Fahrenheit 451, literary ambition & the last days of Borders Bookstores is funny & insightful as hell. Like Kathy Acker meets Sue Townsend. The read of the summer! ... already one of my favourite New Zealand books.” - Hera Lindsay Bird “Witty, highly entertaining.” - Philip Matthews, Stuff "Tinderbox is such a shape-shifter, such a sui generis work, that to call it a memoir does it a disservice ... [Dunn’s] voice is hard to resist – sardonic, brazen, sagacious – recalling, in places, Nora Ephron, John Jeremiah Sullivan, and Maggie Nelson.” - James Cook, Review 31

Plongée dans les tourments de son enfance, prisonnière d'un symbole maléfique, Sophia est désormais au centre d'enjeux qui la dépassent. Devenue putain maléfique, corps lubrique aux désirs douloureux, Sophia devra retrouver le chemin de la lumière. Un affrontement entre le bien et le mal au coeur de Venise, un voyage sensuel et sans suite à la poursuite de l'amour, Sophia nous entraîne là où nos désirs deviennent des hurlements.

Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.

"Since 1996, Andrew Ross has been building an extraordinary record of aspects of a vanishing New Zealand. His beautifully lit, atmospheric photographs of dilapidated buildings, industrial workshops and domestic interiors are one of the outstanding bodies of work in contemporary New Zealand photography. For 'Fiat lux', five writers have collaborated with Ross to choose ten photographs each on a particular theme - workshops, environmental portraits, domestic interiors, buildings demolished for the Wellington motorway extension, and the use of natural light - and have written short essays to accompany them."--Jacket blurb.