In this study Erika L. Briesacher argues that festivals in Lübeck, Germany spanning 1920 to 1960 demonstrate interlocking economic, social, and cultural factors that contribute to local, national, and international identity formation. Focusing on institutional records as well as public discourse and material artifacts, the author traces the mobilization of “Nordic” as a distinctly German in-group during the Weimar, Nazi, and early Cold War eras, highlighting particular ways participants included and excluded racial, religious, and other cultural identities in their own “imagined community.” Focusing on the festival as both a site of participation and consumption, the author assesses two postwar periods as well as the legacy of the Holocaust in a northwest German town.

In this study Erika L. Briesacher argues that festivals in Lübeck, Germany spanning 1920 to 1960 demonstrate interlocking economic, social, and cultural factors that contribute to local, national, and international identity formation. Focusing on institutional records as well as public discourse and material artifacts, the author traces the mobilization of "Nordic" as a distinctly German in-group during the Weimar, Nazi, and early Cold War eras, highlighting particular ways participants included and excluded racial, religious, and other cultural identities in their own "imagined community." Focusing on the festival as both a site of participation and consumption, the author assesses two postwar periods as well as the legacy of the Holocaust in a northwest German town.

In July of 1998 the European Association for Jewish Studies celebrated its Sixth Congress in Toledo, with almost four hundred participants. In these Proceedings have been collected 169 papers and communications read during the conference. By and large, they offer a broad, realistic perspective on the advances, achievements and anxieties of Judaic Studies at the turn of the 20th century, on the eve of the new millennium. They represent the point of view of the European scholars, enriched with notable contributions by colleagues from other continents. One volume (ISBN 978-90-04-11554-5) includes papers dealing with Jewish studies on biblical, rabbinical and medieval times, as well as with some general subjects, such as Jewish languages and bibliography. A second volume (ISBN 978-90-04-11558-3) is dedicated to the Judaism of modern times, from the Renaissance to our days.

A cursed book. A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists—especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere—a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination? With The End of Mr. Y, Scarlett Thomas brings us another fast-paced mix of popular culture, love, mystery, and irresistible philosophical adventure.

Republicanism and Liberalism in America and the German States represents the cooperative effort of a group of American and German scholars to move the historical debate on Republicanism and Liberalism to a new stage. Previously, the relationship between Republican and Liberal ideas, concepts and world views has been discussed in the context of American revolutionary and late eighteenth-century history. While the German states did not experience successful revolutions like those in North America and France, Republican and Liberal ideas and 'language' deeply affected German political thinking and culture, especially in the southern states. The essays published in this book expand the time frame of the debate into the first half of the nineteenth century, applying an innovative and comparative German-American perspective. By systematically studying the similarities and differences in the understanding of Republicanism and Liberalism in the United States and German states, the collection stimulates efforts toward a comprehensive interpretation of political, intellectual and social developments in the 'modernizing' Atlantic world of the eighteenth and nineteenth centuries.

Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic.