Genre: Gender Bender Fiction Formerly incarcerated. Formerly a male. Formerly sure he’d made the right decision. Brad now Brandy, is a proverbial fish out of water in a world full of ravenous sharks and unavoidable complications, facing challenges she hadn’t anticipated. With her parents on a mission to win an election, their son turned daughter is a distraction they don’t need. But rehabilitated, she just may be their ticket to a deluge of much-needed sympathy votes. After an intervention from an expert, Brandy is seen as a hot commodity but not in the way anyone would’ve seen coming. When Brandy’s male past and her female present world collide, she’s forced to make an impossible choice: find a way to reclaim her manhood or stay feminine forever. This 35,000-word feminization story contains detailed descriptions of sex with a muscled man and domineering women with a firm touch of dominance. It's intended for those who love steamy tg stories involving men who changed into girls.

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable. In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for "decarceration", and argues for the transformation of the society as a whole.

She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.

An intimate portrait of a marriage intertwined with a meditation on reality TV that reveals surprising connections and the meaning of an authentic life. A VINTAGE ORIGINAL. In Lucas Mann's trademark vein--fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating--Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity. Captive Audience resides at the intersection of popular culture with the personal; the exhibitionist impulse, with the schadenfreude of the vicarious, and in confronting some of our most suspect impulses achieves a heightened sense of what it means to live an authentic life and what it means to love a person.

Shiver at the delicious thrills and spills of Emma's life as a prison sissy wife in a high-security men's prison, servicing her black 'husband', and inmates and guards of different races as she struggles to survive till her release date. Meanwhile, live the fear, pain, humiliation, and ultimate submission of Michael as he is made to accept his fate and bend to the will of the alpha inmates, to become their sissy plaything. Convicted of a crime he did not commit, will Michael finally piece together the puzzle of how he ended up in this hell, and who put him there? But with no escape, he is forced to cross racial lines and seek protection from the most feared of the African-American gang leaders. To keep going, he holds onto the knowledge that this nightmare must come to an end eventually...mustn't it? Not for the faint-hearted, this is the third in the series Forced Feminization Fixes Forever, and is strictly for adults over 18 only! He steps toward me and I see the tent in his shorts, the outline of the huge member that no doubt I will be better acquainted with soon. Oh God, no. The sexual tension is hanging in the air, mixed with my fear and humiliation, that I, a man, can be so easily overpowered, made completely obedient and subservient. Even when told to emasculate myself like this, to turn myself into a girl, I didn't even put up a fight. I gasp as he grabs my waist from behind, and pulls me into him. I can feel his manhood against my lower back. He holds my hair out of the way as he zips me into the dress. I'm spun around so we're face to face - well, my face to his chest, he's so much taller. He raises his hand and scares me, then grips the hair on the back of my head, pulling till it hurts. He's leaning down to kiss me, and pushes me into his big snaking tongue - there's no escape from making out. I feel his strong hands lift my dress for everyone there to see him groping my butt, and it feels like a minute before he breaks it off. He smiles down into my eyes and says two words. "Good girl." Rate and review if you would like more stories in this series.