I have gone through Dr. Rajesh Latane and Dr. Shehjad Sidiquii book entitled, “Feminist Perspective in Githa Hariharan’s Novels”, the book consisted Seventh Chapters the first chapter presents. The rise and development of feminism has been sharply focused. Further, a brief profile of life and works of Githa Hariharan is also put forth. A round-up review of major novels crafted by Githa Hariharan is neatly presented. Besides, literary influence on Githa Hariharan has also been given. Second to sixth chapters writer deal with the feminist perspective of Githa Hariharan novels like in “The Thousand Faces of Night”, “The Ghosts of Vasu Master”, “When Dreams Travel”, “In Times of Siege” and “Fugitive Histories”. The author has also significantly pointed out Githa Hariharan’s use of myth, fable, parable, fantasy, tradition, modernity, etc. as fictional techniques in an effective way. Besides, the novelist’s discussion on “Women’s Issues” is vividly presented through the technique of third person narration. The book has really presented the novelist’s works affected by the “otherness” and “opposition”. The study also investigates Githa Hariharan’s use of meta-fiction, inter-text and magic realism – unique features of post-colonial novel just to bring the feminist discourse in the forefront. A book is really acknowledged when it become a source material for the future researchers and comparatives. Dr. Latane and Dr. Shehjad’s book has that potential. I heartily wish a good reception to the book.

Winner Of The 1993 Commonwealth Writers&Rsquo; Prize For Best First Book What Makes A Dutiful Daughter, Wife, Mother? What Makes A Good Indian Woman? Devi Returns To Madras With An American Degree, Only To Be Sucked In By The Old Order Of Things&Mdash;A Demanding Mother&Rsquo;S Love, A Suitable But Hollow Marriage, An Unsuitable Lover Who Offers A Brief Escape. But The Women Of The Hoary Past Come Back To Claim Devi Through Myth And Story, Music And Memory. They Show Her What It Is To Stay And Endure, What It Is To Break Free And Move On.Sita Has Been The Ideal Daughter-In-Law, Wife And Mother. But Now That She Has Arranged A Marriage For Her Daughter She Has To Come To Terms With An Old Dream Of Her Own. Mayamma Knows How To Survive As The Old Family Retainer, Bending The Way The Wind Blows. But, Through Devi, She Too Can See A Different Life. A Subtle And Tender Tale Of Women'S Lives In India, This Award-Winning Novel Is Structured With The Delicacy And Precision Of A Piece Of Music. Fusing Myth, Tale And The Real Voices Of Different Women, The Thousand Faces Of Night Brings Alive The Underworld Of Indian Women&Rsquo;S Lives. &Lsquo;

An Extraordinarily Moving Tale Of A Small-Town Schoolteacher. The New Novel From The Winner Of The Commonwealth Writers Prize For Best First Novel Vasu Master Has Recently Retired From His Job In A Local School. Away From The Familiar Circumscribed World Of School, Principal And Classroom, He Begins To Relive Incidents From The Past And Discover In His Own Halting But Imaginative Way The Nature Of Teaching, Teacher And Pupil. This Process Of Self-Discovery Is Speeded Up By The Arrival Of Mani, Who Cannot-Or Will Not-Speak. Vasu Master Tells The Reticent Child One Fantastic Story After The Other As He Faces Up To The Biggest Challenge Of His Life: Can He Teach (Or Heal) Mani? Using Fantasy, Fable And A Host Of Wonderfully Imagined Characters-And The Gentle, Humane And Philosophic Voice Of Vasu Master-The Author Creates A Richly Textured And Complex Work That Eloquently Explores The Human Condition And The Underlying Principles Of All Human Action.

In 1992 when a Dalit woman left the convent and wrote her autobiography, the Tamil publishing industry found her language unacceptable. So Bama Faustina published her milestone work Karukku privately in 1992-a passionate and important mix of history, sociology, and the strength to remember.Karukku broke barriers of tradition in more ways than one. The first autobiography by a Dalit woman writer and a classic of subaltern writing, it is a bold and poignant tale of life outside mainstream Indian thought and function. Revolving around the main theme of caste oppression within theCatholic Church, it portrays the tension between the self and the community, and presents Bama's life as a process of self-reflection and recovery from social and institutional betrayal.The English translation, first published in 2000 and recognized as a new alphabet of experience, pushed Dalit writing into high relief. This second edition includes a Postscript in which Bama relives the dramatic movement of her leave-taking from her chosen vocation and a special note "Ten YearsLater".

Where is that land where water flows free? A powerful, beautifully imagined novel from Githa Hariharan asks when the tide will turn to make this dream real. Hundreds of years ago, Chikka, son of a cattle skinner, finds a home in Anandagrama, among people who believe everyone is equal; people whose prayer is inseparable from song and work, the river and the land, friendship and love. Chikka becomes Chikkiah the washerman who sings by his beloved river. But the Anandagrama movement against caste is torn apart, and its men and women slaughtered or forced to flee. In the present day, Professor Krishna makes a discovery. The saint-singer Kannadeva is none other than the son of Chikkiah. The poets and fighters of Anandagrama have been forgotten; Kannadeva has been whitewashed into a casteless ‘Hindu saint’. Professor Krishna reconstructs many lives of resistance from his findings in a palm-leaf manuscript. But will the bigots, armed with bullets, bombs and hit-lists, let scholars and poets do what they must? Three Dalit students—Asha, Ravi and Satya—dream of a future that will let them and their families live with dignity, just like everyone else. From Chikkiah’s story to theirs, a few things may have changed, but too much has remained the same. Three distinctive narratives intertwine past and present in compelling ways to raise an urgent voice against the cruelties of caste, and the destructive forces that crush dissent. But they also celebrate the joy of resistance, the redemptive beauty of words, and the courage to be found in friendship and love. I Have Become the Tide is deeply political, but it never loses sight of humour, tenderness—or the human spirit.

&Lsquo;The Powerless Must Have A Dream Or Two, Dreams That Break Walls, Dreams That Go Through Walls As If They Are Powerless.&Rsquo; A Magical Tour De Force By A Writer At The Height Of Her Powers, When Dreams Travel Weaves Round Scheherazade&Mdash;Or Shahrzad Of The Thousand And One Nights&Mdash;A Vibrant, Inventive Story About That Old Game That&Rsquo;S Never Played Out: The Quest For Love And Power. The Curtain Opens On Four Figures, Two Men And Two Women. There Is The Sultan Who Wants A Virgin Every Night; There Is His Brother, Who Makes An Enemy Of Darkness And Tries To Banish It; And There Are Their Ambitious Brides, The Sisters Shahrzad And Dunyazad, Aspiring To Be Heroines&Mdash;Or Martyrs. Travelling In And Out Of These Lives To Spellbinding Effect Is A Range Of Stories, Dark, Poetic And Witty By Turns, Spanning Medieval To Contemporary Times. With Its Sharp And Lively Blend Of Past And Present, Its Skilful Reworking Of The Historical Tradition, And Its Controlled Use Of Evocative Language, Githa Hariharan&Rsquo;S Multi-Voiced Narrative Assumes The Significance Of Modern Myth.