The First World War saw one of the biggest ever changes in the demographics of warfare, as thousands of women donned uniforms and took an active part in conflict for the first time in history. Female Tommies looks at the military role of women worldwide during the Great War and reveals the extraordinary women who served on the frontline. Through their diaries, letters and memoirs, meet the women who defied convention and followed their convictions to defend the less fortunate and fight for their country. Follow British Flora Sandes as she joins the Serbian Army and takes up a place in the rearguard of the Iron Regiment as they retreat from the Bulgarian advance. Stow away with Dorothy Lawrence as she smuggles herself to Paris, steals a uniform and heads to the front. Enlist in Russia's all-female 'Battalion of Death' alongside peasant women and princesses alike. The personal accounts of these women, who were members of organisations such as the US Army Signal Corps, the Canadian Army Medical Corps, the FANY, WRAF, WRNS, WAAC and many others, provide a valuable insight into what life was like for women in a male-dominated environment.

During World War I, as young men journeyed overseas to battle, American women maintained the home front by knitting, fundraising, and conserving supplies. These became daily chores for young girls, but many longed to be part of a larger, more glorious war effort--and some were. A new genre of young adult books entered the market, written specifically with the young girls of the war period in mind and demonstrating the wartime activities of women and girls all over the world. Through fiction, girls could catch spies, cross battlefields, man machine guns, and blow up bridges. These adventurous heroines were contemporary feminist role models, creating avenues of leadership for women and inspiring individualism and self-discovery. The work presented here analyzes the powerful messages in such literature, how it created awareness and grappled with the engagement of real girls in the United States and Allied war effort, and how it reflects their contemporaries' awareness of girls' importance.

In March 1917, the first women to be enrolled into the British Army joined the newly formed Womens Army Auxiliary Corps (WAAC). The women substituted men in roles that the Army considered suitable, thereby freeing men to move up the line. The WAACs served, for example, as cooks, drivers, signallers, clerks, as well as gardeners in the military cemeteries. Due to their exemplary service, Queen Mary gave her name to the Corps in April 1918 and it became Queen Marys Army Auxiliary Corps (QMAAC). By the time the Corps was disbanded in 1921, approximately 57,000 women had served both at home and in France.This book details the establishment of the Corps and subsequently explores the experience of the WAACs who served in France. It follows the women from enrollment to the camps and workplaces overseas, through to their experiences of the Spring Offensive of 1918, the Armistice and demobilization. The final chapter reviews how the women have been remembered in art, literature, museums and memorials. Throughout the book, the author locates the women in a society at war and examines how they were viewed by the Army, the general public and the press. The author draws on a wide range of sources to provide the background and uses the oral and written testimonies of the women themselves to tell their stories. This book will be of interest to social, womens and military historians, as well as family history researchers.

This book is about women in World Wars I & II - women working in factories and on farms, or toiling perilously in field stations just behind the front lines, in inhospitable hospitals and convalescent homes. It is, therefore, about the prodigious contribution women made to the war efforts from 1914-1918 and 1939-1945, standing in for the men who had left their places of work for the various theatres of war from Greece and Italy to Belgium, from Mesopotamia to France. Their tasks were many and various: keeping the troops supplied with shells, bullets and explosives, keeping the nation from starving to death, keeping hundreds of thousands of wounded troops alive so that they might fight another day. The book is, in short, the uplifting but sometimes tragic story of the many women who stepped up to work in the factories, hospitals, field stations, in transport and in civil defense, on the farms and shipyards, or signed up to the various military and civil services during the two world wars of the 20th century, ‘wars to end all wars…’. The book is different because it deals with women’s labour in both world wars and in all occupations, it covers the discrimination and prejudice they faced from men at every level, military and civilian, even when they had demonstrated beyond doubt that they were quick learners, industrious and proficient, and usually as good as any man. The book raises the embarrassing question why it has it taken so long for the prodigious contribution women made in both wars to be recognized, and why some women workers still remain air brushed from our military history after more than a century. As it turned out, little was beyond their capabilities and it is reasonable to suppose that without their huge efforts and accomplishments both wars might have turned out very differently for us.

Marie Marvingt (1875-1963) set the world's first women's aviation records, won the only gold medal for outstanding performance in all sports, invented the airplane ambulance, was the first female bomber pilot in history, fought in World War I disguised as a man, took part in the Resistance of World War II, was the first to survive crossing the English Channel in a balloon, worked all her life as a journalist, spent years in North Africa and invented metal skis. Her life story was so unusually rich in exploits and accomplishments that some dismissed it as a hoax. This biography explores the life of "the most incredible woman since Joan of Arc" and investigates the reasons she has been forgotten. Known as the "fiancee of danger," she was the model for the silent film series The Perils of Pauline.

The legacies service in the First World War had on women's lives and the privileges it afforded some of them.

This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since. Looking outside of the familiar representations of wartime women as nurses, munitionettes, and land girls, it introduces the reader to lesser-known aspects of women’s war experience, including female composers’ musical responses to the war, changes in the culture of women’s mourning dress, and the complex relationships between war, motherhood, and politics. Written during the war’s centenary, the chapters also consider the gendered nature of war memory in Britain, exploring the emotional legacies of the conflict today, and the place of women’s wartime stories on the contemporary stage. The collection brings together work by emerging and established scholars contributing to the shared project of rewriting British women’s history of the First World War. It is an essential text for anyone researching or studying this history. This book was originally published as a special issue of Women’s History Review.