"[This book] is a research effort by the author, originally as "Ideology, power and powerlessness in female creativity", using Tess Onwueme's plays as a case study. An original and very insightful study, it throws light on female creativity within the sociological matrix of contemporary Africa. The analysis is done with the ideological framework of feminism and womanism with the aim of arousing female consciousness to be more alive to the societal biases that deny them their dignity and womanhood. [This work] is part of a corpus of the on-going battle by female writers and critics to narrow the gap of male dominance in dramatic creativity and appreciation in Africa."--P. [4] of cover.

This book showcases the important, but often understudied, work of Nigerian women playwrights. As in many spheres of life in Nigeria, in literature and other creative arts the voices of men dominate, and the work of women has often been sidelined. However, Nigerian women playwrights have made important contributions to the development of drama in Nigeria, not just by presenting female identities and inequalities but by vigorously intervening in wider social and political issues. This book draws on perspectives from culture, language, politics, theory, orality and literature, to shine a light on the engaged creativity of women playwrights. From the trail blazing but more traditional contributions of Zulu Sofola, through to contemporary postcolonial work by Tess Osonye Onwueme, Julie Okoh, and Sefi Atta, to name just a few, the book shows the rich variety of work being produced by female Nigerian dramatists. This, the first major collection devoted to Nigerian women playwrights, will be an important resource for scholars of African theatre and performance, literature and women’s studies.

The Journal of Integrative Humanism Ghana, now International Journal of Integrative Humanism is a publication of the Faculty of Arts, University of Cape Coast, Ghana. All papers, reports, communications and contributions published in this journal and copy right in the same are property of Faculty of Arts, University of Cape Coast, Ghana and University of Calabar, save where otherwise indicated. The Faculty wishes to be understood that it is not responsible for statements or opinions expressed in the paper published in its journal

This book provides balanced critical linguistic and literary representations of gender and power relations in Ghanaian and Nigerian texts, contrary to most existing literary and linguistic studies on gender that have either focused on male chauvinism or male emasculation. This text provides novel insight into gender dynamics, liberation and empowerment especially as it relates to language and power in Africa.

In literature the ambiguous portraiture of female characters by some male writers and the phallic nature of men's writings have proved a matter of concern to female writers in Africa. For decades within African writing the issue of silencing was interrogated particularly as it addressed the muting and marginalisation of black women by male writers through the script of patriarchy which men follow. In this series we continue the literary and dramatic tradition of feminist concern for womens issues and we review novels, plays and poetry which demonstrate a commitment to exploring the challenges facing modern women in changing times and excerpting the issues of gender, feminism, identity, race, history, national and international politics specifically as they affect women. Female Subjectivities collectively answers the need to question and adumbrate the possibilities of literary revisions, showing what it would mean to revise even the Feminist psychoanalyst in a discourse on the subjectivity of women of colour.

AN INSTANT NEW YORK TIMES BESTSELLER A READ WITH JENNA TODAY SHOW BOOK CLUB PICK! “Brave, fresh . . . unforgettable.”—The New York Times Book Review “A celebration of girls who dare to dream.”—Imbolo Mbue, author of Behold the Dreamers (Oprah’s Book Club pick) Shortlisted for the Desmond Elliott Prize and recommended by The New York Times, Marie Claire, Vogue, Essence, PopSugar, Daily Mail, Electric Literature, Red, Stylist, Daily Kos, Library Journal, The Everygirl, and Read It Forward! The unforgettable, inspiring story of a teenage girl growing up in a rural Nigerian village who longs to get an education so that she can find her “louding voice” and speak up for herself, The Girl with the Louding Voice is a simultaneously heartbreaking and triumphant tale about the power of fighting for your dreams. Despite the seemingly insurmountable obstacles in her path, Adunni never loses sight of her goal of escaping the life of poverty she was born into so that she can build the future she chooses for herself – and help other girls like her do the same. Her spirited determination to find joy and hope in even the most difficult circumstances imaginable will “break your heart and then put it back together again” (Jenna Bush Hager on The Today Show) even as Adunni shows us how one courageous young girl can inspire us all to reach for our dreams…and maybe even change the world.

2021COMAGI 1st International Conference on Migration and Gender Issues (2021 COMAGI) was organised under the shadows of wide spreading COVID -19 on March 11th and 12th 2021 to explore and discuss the issues of migration and gender worldwide which seem to have doubled in the past two decades. The conference was called upon by Dr Abha Foundation, India, and was held online at the Alfred Nobel University, Ukraine. 2021COMAGI witnessed a galaxy of scholars’ participants from more than fifty countries. A good number of selected research papers from scholars from different parts of the world were presented at the two-day conference. Out of those selected presentations, ten presentations were invited for full paper submission to be disseminated as a conference proceeding in the special issue of SOCRATES Journal. This issue of SOCRATES Journal is the dissemination of those chosen research papers.