Biograf a del P. Varela en espa ol e ingl s

Accessible treatise on moral philosophy cautions against irreligiousness, superstition and fanaticism. Written by a founding father of New York Catholicism who was also the father of Cuban nationalism.

-- An anthology of the writings of 33 of the most important Cuban men and women of letters, such as Felix Varela, Jose Marti, Juana Borrero, Jose Yglesias, and Ricardo Pau-Llosa -- An enlightening and comprehensive introduction examines the historical importance of the Cuban contribution to Florida's heritage -- The works are presented in English, most translated here for the first time

The history of the United States is made by many extraordinary individuals who gave significat contributions to this country. Many of them are of Hispanic origin and their achievements have not been exposed to the general public. Spanish-Americans highlights the deeds of many Hispanic figures who have made significant accomplishments in this land before it became independent and after its independence. Among them, the reader will find explorers, scholars, mossionaries, sailors, politicians, sciientist, artists, athletes, etc. Each biography gives hte background of each person, the main achievement and other important aspects of the individual's life. As one reads eack fascinating biography, one can glance at the picture of the person, giving the feeling of his (or her) presence. Spanish-Americans provides an additional one hundred profiles of other extraordinary individuals who merit being remembered for their achievements. Abundant historical sources and related bibliography are provided, accompanied by an alphbetical list of names.

This book is a study of the forensic theatricality of human rights claims in literary texts about slavery in the sixteenth and the nineteenth century in the Spanish Empire. The book centers on the question: how do literary texts use theatrical, multisensorial strategies to denunciate the violence against enslaved people and make a claim for their rights? The Spanish context is particularly interesting because of its early tradition of human rights thinking in the Salamanca School (especially Bartolomé de Las Casas), developed in relation to slavery and colonialism. Taking its point of departure in forensic aesthetics, the book analyzes five forms of non-narrative theatricality: allegorical, carnivalesque, tragicomic, melodramatic and tragic.