The Swiss artist Felix Vallotton (1865-1925) was born in Lausanne, but spent much of his working life in France. Closely associated with Pierre Bonnard and Edouard Vuillard, and a fellow member of the avant-garde group Les Nabis, Vallotton has nonetheless sometimes been overshadowed by his more famous contemporaries. Although he produced some of his most important work in Paris in the 1890s, his original and innovative approach persisted throughout his career. Texts by leading authorities on the artist look at his life, work and reception. Generously illustrated throughout with the finest exemplars of the artist's paintings and prints, this book accompanies a new presentation of Vallotton's oeuvre that aims to re-evaluate his output and legacy, and includes some works never seen before. AUTHORS: Dita Amory is curator at The Metropolitan Museum of Art, New York, and author of Madame Cézanne (2014). Philippe Buttner is Keeper of the Collection at the Kunsthaus Zurich. Ann Dumas is curator at the Royal Academy of Arts, London. Patrick McGuinness is a novelist, critic and poet, and Professor of French and Comparative Literature at the University of Oxford. Katia Poletti is Director of the Vallotton Foundation. Christian Rumelin is Keeper of Prints and Drawings at the Cabinet d'arts graphiques du Musee d'art et d'histoire in Geneva. Belinda Thomson is an honorary fellow at the University of Edinburgh and an independent art historian. SELLING POINT: * An important study of the work of Felix Vallotton, a prominent member of Les Nabis and a contemporary of Bonnard and Vuillard 150 colour images

The Swiss painter Félix Vallotton (1865–1925) and his artworks were uniquely poised to embrace both the dawn of modernism and the fading light of the post-impressionist and symbolist movements. Lavishly illustrated, Félix Vallotton traces the artist’s life from his early days as a portraitist and printmaker to his later work as painter who prefigured European modernism. Linda Schädler and Christoph Becker reveal Valloton to be not only the most important Swiss symbolist, but an intelligent observer of his tumultuous times, highly critical of bourgeois convention. His sometimes eerie naturalism, the authors argue, links him to literary fashions of the day as well as reflecting the inception of psychoanalysis. This stunning volume forges a new understanding of landmark paintings from an especially fertile period in art history and the fascinating artist behind them.

This work traces Félix Vallotton's development, bringing to life a multi-talented artist and describing the collectors who admired his works and the painters and writers he mixed with. It draws out the essential features of a style which even today defies categorizing.

A well-to-do bachelor, who sees no more promise in love. A beautiful young woman with a mysterious past. A picture and its price. An auction, which causes an uproar in the art community - and a few who come up short in their desire for the big money. Adrian Weynfeldt, mid-fifties, bachelor, upper middle class, art expert at an international auction house, lives in an expansive apartment in the city centre. He is done with love. Until one day a younger woman persuades him - against his customary practice - to take her home with him. The next morning, she is holding on to the balcony... and threatening to jump. Adrian is able to dissuade her, but from now on she makes him responsible for her life. Weynfeldt's settled life becomes untracked - until he finally realizes that nothing is the way it appears.

A NEW YORK REVIEW BOOKS ORIGINAL Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.

The Art of Looking Up surveys spectacular ceilings around the globe that have been graced by the brushes of great artists including Michelangelo, Marc Chagall and Cy Twombly. From the floating women and lotus flowers of the Senso-ji Temple in Japan, to the religious iconography that adorns places of worship from Vienna to Istanbul, all the way to bold displays like the Chihuly glass flora suspended from the lobby of the Bellagio Hotel in Las Vegas: this book takes you on a tour of the extraordinary artworks that demand an alternative viewpoint. History of art expert Catherine McCormack guides you through the stories behind the artworks – their conception, execution, and the artists that visualised them. In many cases, these artworks also make bold but controlled political, religious or cultural statements, revealing much about the society and times in which they were created. Divided by these social themes into four sections – Religion, Culture, Power and Politics – and pictured from various viewpoints in glorious colour photography, tour the astounding ceilings of these and more remarkable locations: Vatican Palace, Rome, Italy Blenheim Palace, Oxfordshire, UK Louvre Museum, Paris, France Dali Theatre-Museum, Figueres, Catalonia Museum of the Revolution, Havana, Cuba Capitol Building, Washington, DC, USA Four eight-page foldout sections showcase some of the world's most spectacular ceilings in exquisite detail. First and foremost, this is a visual feast, but also a desirable art book that challenges you to seek out fine art in more unusual places and question the statements they may be making.

Along with his celebrated drawings, paintings, sculptures, and photographs, Cy Twombly has left an imposing body of graphic work as well. As early as 1984, the Berlin-based art writer and Twombly expert, Heiner Bastian, compiled the first catalogue raisonné of the artist's printed graphics which has been out of print for 18 years. Now back in print for the first time, this new edition of the catalogue raisonné has been updated and includes the graphic works Twombly created since 1984 until his death in 2011. Cy Twombly's graphic oeuvre is characterized by a variety of graphic and printing techniques. Along with monotypes, etchings, lithographs, and silkscreens, the artist tested his expertise using offset lithographs and the combination of various print and reproduction techniques. The scholarly portion of the catalogue features 96 works created between 1952 and 2008, all of them illustrated in full color.