Only Ernest Withers, a key figure in the civil rights movement, could have delivered such iconic photographs—and the kind of information the FBI wanted . . . Renowned photographer Ernest Withers captured some of the most stunning moments of the civil rights era—from the age-defining snapshot of Dr. Martin Luther King, Jr., riding one of the first integrated buses in Montegomery, to the haunting photo of Emmett Till’s great-uncle pointing an accusing finger at his nephew’s killers. He was trusted and beloved by King’s inner circle, and had a front row seat to history . . . but few people know that Withers was also an informant for the FBI. Memphis journalist Marc Perrusquia broke the story of Withers’s secret life after a long investigation culminating in a landmark lawsuit against the government to release hundreds of once-classified FBI documents. Those files confirmed that, from 1958 to 1976, Withers helped the Bureau monitor pillars of the movement including Dr. Martin Luther King and others, as well as dozens of civil rights foot soldiers. Now, on the fiftieth anniversary of King’s assasination, A Spy in Canaan explores the life, complex motivations, and legacy of this fascinating figure Ernest Withers, as well as the dark shadow that era’s culture of surveillance has cast on our own time. Includes an 8-page, black-and-white photo insert.

Jim Brady worked with the FBI for thirty-three years—and he’s the oldest living retired employee of the Memphis division of the bureau. He began working for the bureau in March 1954, going to fingerprint school in the Washington, D.C. office. There, he learned how to compare and contrast fingerprints and went on to teach at the very same fingerprint school. He served in numerous other roles over the next few decades. Whether it was a federal case, serving on a task force, or working as a private investigator with local, state, and federal officers, he brought his best to the table every day In this book, he examines some of the FBI’s most interesting cases, including the investigation into Martin Luther King Jr.’s assassination. Another interesting case was Billy Dean Anderson, who had been on the FBI top ten list for five years and was found living in a two-room cave in middle Tennessee. He also looks back at the civil era of James Meredith, the first black student to enter Ole Miss and the subsequent rioting that killed two individuals and wounded forty. The book also documents how law enforcement has changed over time, including the increasing importance of computers.

With some 6,000 entries, A Bibliography of Tennessee History will prove to be an invaluable resource for anyone--students, historians, librarians, genealogists--engaged in researching Tennessee's rich and colorful past. A sequel to Sam B. Smith's invaluable 1973 work, Tennessee History: A Bibliography, this book follows a similar format and includes published books and essays, as well as many unpublished theses and dissertations, that have become available during the intervening years. The volume begins with sections on Reference, Natural History, and Native Americans. Its divisions then follow the major periods of the state's history: Before Statehood, State Development, Civil War, Late Nineteenth Century, Early Twentieth Century, and Late Twentieth Century. Sections on Literature and County Histories round out the book. Included is a helpful subject index that points the reader to particular persons, places, incidents, or topics. Substantial sections in this index highlight women's history and African American history, two areas in which scholarship has proliferated during the past two decades. The history of entertainment in Tennessee is also well represented in this volume, including, for example, hundreds of citations for writings about Elvis Presley and for works that treat Nashville and Memphis as major show business centers. The Literature section, meanwhile, includes citations for fiction and poetry relating to Tennessee history as well as for critical works about Tennessee writers. Throughout, the editors have strived to achieve a balance between comprehensive coverage and the need to be selective. The result is a volume that will benefit researchers for years to come. The Editors: W. Calvin Dickinson is professor of history at Tennessee Technological University. Eloise R. Hitchcock is head reference librarian at the University of the South.

Coup is the behind-the-scenes story of an abrupt political transition, unprecedented in US history. Based on 163 interviews, Hunt describes how collaborators came together from opposite sides of the political aisle and, in an extraordinary few hours, reached agreement that the corruption and madness of the sitting Governor of Tennessee, Ray Blanton, must be stopped. The sudden transfer of power that caught Blanton unawares was deemed necessary because of what one FBI agent called "the state's most heinous political crime in half a century"—a scheme of selling pardons for cash. On January 17, 1979, driven by new information that some of the worst criminals in the state's penitentiaries were about to be released (and fears that James Earl Ray might be one of them), a small bipartisan group chose to take charge. Senior Democratic leaders, friends of the sitting governor, together with the Republican governor-elect Lamar Alexander (now US Senator from Tennessee), agreed to oust Blanton from office before another night fell. It was a maneuver unique in American political history. Expanded edition, with a newly discovered account of the events by Senator Lamar Alexander: "In December 2015 something unexpected happened. Keel [Hunt] delivered to my Nashville office a brown three-ring binder. He had only recently discovered it in a box that had been in storage for thirty years." —Senator Lamar Alexander This binder contained the forgotten typescript, written in 1985, of Alexander's recollections of the events leading up to his early inauguration on January 17, 1979. In this expanded edition of Coup, the Senator's 22,000-word text has been added as a lost footnote to Hunt's definitive account. From the foreword by John L. Seigenthaler: "The individual stories of those government officials involved in the coup—each account unique, but all of them intersecting—were scattered like disconnected pieces of a jigsaw puzzle on the table of history until the author conceived this book. Perhaps because it happened so quickly, and without major disagreement, protest, or dissent, this truly historic moment has been buried in the public mind. In unearthing the drama in gripping detail, Keel Hunt assures that the 'dark day' will be remembered as a bright one in which conflicted politicians came together in the public interest."

Absurdly funny, trenchant, and provocative, this outside-looking-in account of the stillbirth of one particular television series is a must read for every serious and not-so-serious television viewer.