For as long as I can remember, the sea has called to me, luring me to explore the secrets hidden beneath its cresting waves. Faye is tossed into a current of uncertainty as she deliberates over her college choices. More than anything she wants to study by the sea, forever chasing the line where the ocean meets the horizon. But she finds herself dragged down by the riptide of her and her mother's financial restraints. How can she be true to herself when anchored by her world's limitations? As the leader of the deadliest group in the Ether, Daron is at the top of his game. Yet there is one thing he's failed at time and again-finding the human-raised Ether. It's a known fact amongst his team that success on that particular mission would change their lives in unimaginable ways. Yet Daron couldn't comprehend how true that was... until he saw Faye.Guided by Daron, Faye enters a world she never knew existed. One filled with mythical creatures, struggling to coexist. As Faye wrestles with where she fits in this magical realm, secrets are revealed that turn the tide once more. Inky darkness is seeping ever closer. Can Faye and Daron work together to save Ether and themselves? Or will the world be crushed under a wave of evil?From author Nicole Bailey comes a young adult adventure filled with magic, intrigue, and the inner well of strength that flows through us all.

In this lush, magical, queer, and feminist take on Hamlet in modern-day New York City, a neuro-atypical physicist, along with his best friend Horatio and artist ex-fiancé, Lia, are caught up in the otherworldly events surrounding the death of his father. Meet Ben Dane: brilliant, devastating, devoted, honest to a fault (truly, a fault). His Broadway theater baron father is dead—but on purpose or by accident? The question rips him apart. Unable to face alone his mother's ghastly remarriage to his uncle, Ben turns to his dearest friend, Horatio Patel, whom he hasn't seen since their relationship changed forever from platonic to something...other. Loyal to a fault (truly, a fault), Horatio is on the first flight to New York City when he finds himself next to a sly tailor who portends inevitable disaster. And who seems ominously like an architect of mayhem himself. Meanwhile, Ben's ex-fiancé, Lia, sundered her from her loved ones thanks to her addiction recovery and torn from her art, has been drawn into the fold of three florists from New Orleans—seemingly ageless sisters who teach her the language of flowers, and whose magical bouquets hold both curses and cures. For a price. On one explosive night these kinetic forces will collide, and the only possible outcome is death. But in the masterly hands of Lyndsay Faye, the story we all know has abundant surprises in store. Impish, captivating, and achingly romantic, this is Hamlet as you've never seen it before.

"Cast: 1m., 4w. In this Southern Gothic comedy of romance, murder and alien abduction, the Nettle sisters are determined to escape spinsterhood--Willie Mae by going to Salt Lake and finding a good Mormon husband and Faye by hopping on the spaceship when the "space people" return for another visit. We meet Faye and Willie Mae as they return home to their ramshackle swamp dwelling in Sugar Bean, Florida, after a disastrous daytrip to Disney World, where Willie lost her prized Eva Gabor wig on Space Mountain. Having witnessed the landing of an alien space craft some 25 years ago in her daddy's sugarcane field, Faye prepares for the return of her celestial visitors on this night, the very anniversary of that fateful day. A disturbance in the sugarcane field lures the sisters outside to investigate, and Faye recalls how their infamous daddy claimed to have witnessed dead folk walking through Sugar Bean on a similar night many years before. A strange bird-like woman suddenly appears out of the darkness of Buster Swamp, setting in motion a chain of extraordinary events. Lies begin to unravel and the truth is revealed as the Sugar Bean Sisters hatch a diabolical plot to ensure the space people's return. Unit set. Approximate running time: 2 hours, 15 minutes."--Publisher's website.

Imagining Alternative Worlds explores how the far right employs fictionality as a powerful political tool in the 21st century. It does so by examining the far right’s own cultural production and commentary through a large collection of its novels, novellas, short stories, and film reviews, illustrating how the ‘alternative worlds’ articulated in such cultural products convey its ideology. More specifically, the book identifies and analyses four distinct far-right cultural imaginaries – a ‘primordial’, a ‘nostalgic’, a ‘promethean’, and a ‘nihilist’ one – that each subtly conveys different yet linked ideas about space, time, ‘race’, gender, and heroic identity. By drawing attention to the cultural heterogeneity of the contemporary far right, Imagining Alternative Worlds offers key insights into the dreams, identities, and norms such actors hope will define our future. The book will be of interest to researchers of the far right, of literary, media and communication studies, and of social and cultural history.

In recent years, environmental and human rights advocates have suggested that we have entered the first new geological epoch since the end of the ice age: the Anthropocene. In this new epoch, humans have come to reshape unwittingly both the climate and natural world; humankind has caused mass extinctions of plant and animal species, polluted the oceans, and irreversibly altered the atmosphere. Ironically, our efforts to make the planet more hospitable to ourselves seem to be driving us toward our inevitable extinction. A force of nature, humanity is now decentered as the agent of history. As Jennifer Fay argues, this new situation is to geological science what cinema has always been to human culture. Film, like the Anthropocene, is a product of the industrial revolution, but arises out of a desire to preserve life and master time and space. It also calls for the creation of artificial worlds, unnatural weather, and deadly environments for entertainment, scientific study, and devising military strategy. Filmmaking stages, quite literally, the process by which worlds and weather come into being and meaning, and it mimics the forces that are driving this new planetary inhospitality. Cinema, in other words, provides an image of "nature" in the age of its mechanical reproducability. Fay argues that cinema exemplifies the philosophical, political, and perhaps even logistical processes by which we can adapt to these forces and also imagine a world without humans in it. Whereas standard ecological criticism attends to the environmental crisis as an unraveling of our natural state, this book looks to film (from Buster Keaton, to Jia Zhangke, to films of atomic testing and early polar exploration) to consider how it reflects upon the creation and destruction of human environments. What are the implications of ecological inhospitality? What role might cinema and media theory play in challenging our presumed right to occupy and populate the world? As an art form, film enjoys a unique relationship to the material, elemental world it captures and produces. Through it, we may appreciate the ambitions to design an unhomely planet that may no longer accommodate us.

New York Times 100 Notable Books of 2018 • Amazon Editors' Top 100 of 2018 Rachel Cusk, the award-winning and critically acclaimed author of Outline and Transit, completes the transcendent literary trilogy with Kudos, a novel of unsettling power. A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation, a fissure that accrues great dramatic force as Kudos reaches a profound and beautiful climax. In this conclusion to her groundbreaking trilogy, Cusk unflinchingly explores the nature of family and art, justice and love, and the ultimate value of suffering. She is without question one of our most important living writers.

All anyone really wants is a normal life and a great adventure. Most people will settle for the adventure. Hunter Jusenkyou never wasted time wanting a normal life, because wanting things you know youre never going to have is pointless. Instead, find something realistic worth trying for, worth hoping for, worth fighting for. That is the secret to living well. Abandoned at an early age, this peculiar individual is cunningly intelligent, brutally strong, and not always known for thinking things through. He lives his life fighting for the things he knows are right. And follow the path, wherever it leads him.