Father Ryan'S Poems by Abram Joseph Ryan, first published in 1879, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

The result of meticulous scholarship and decades of careful collecting to create a body of reliable information, this definitive, full-length biography of the enigmatic Confederate poet presents a close examination of the man behind the myth and separates Lost Cause legend from fact."--Jacket.

The first-ever collection of essays by one of our most distinguished poets, the Pulitzer Prize–winner and former Poet Laureate of the United States. Synthesizing Gravity gathers for the first time a thirty-year selection of Kay Ryan’s probings into aesthetics, poetics, and the mind in pursuit of art. A bracing collection of critical prose, book reviews, and her private previously unpublished soundings of poems and poets—including Robert Frost, Stevie Smith, Marianne Moore, William Bronk, and Emily Dickinson—Synthesizing Gravity bristles with Ryan’s crisp wit, her keen off-kilter insights, and her appetite and appreciation for the genuine. Among essays like “Radiantly Indefensible,” “Notes on the Danger of Notebooks,” and “The Abrasion of Loneliness,” are piquant pieces on the virtues of emptiness, forgetfulness and other under-loved concepts. Edited and with an introduction by Christian Wiman, this generous collection of Ryan’s distinctive thinking gives us a surprising look into the mind of an American master. “Synthesizing Gravity is a delight, if a tart and idiosyncratic one . . . If Ryan gives us a view through a keyhole, it’s a view often made richer by its constraints.” —The New York Times Book Review “Reading Ryan’s writing will charge and recharge the mind . . . a wonderful entry point to her work.” —San Francisco Chronicle “Brilliant . . . For poetry enthusiasts and skeptics alike, this will be an inviting portal into the mind of one of America’s greatest living writers.” —Publishers Weekly (starred review) “Damn fine prose . . . What a wonderful voice [Ryan] displays.” —John Freeman, “Lit Hub’s Most Anticipated Books of 2020”

Influenced by his father’s and grandfather’s poetry, Ryan Hennessy started writing poems as a young boy growing up in Co. Kildare. As lead singer of Picture This, Ryan’s songwriting reveals the unguarded spirit of a young man unafraid to wear his heart on his leopard-print sleeve. In his first book of poetry, Ryan reveals his natural gifts of self-expression to cover topics such as love, relationships, growing up and identity. At once defiantly romantic and nakedly vulnerable, he deftly chips away at the barriers many young men build in self-defence as he explores the euphoria of young love and its subsequent heartbreak. With striking illustrations by Irish illustrator Megan Luddy, Syncopated Blue features over ninety relatable yet deeply intimate poems, resulting in an extraordinary collection that reflects the free spirit of its creator.

"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.

Danny thinks he must be the only seventeen-year-old guy in Cape Breton—in Nova Scotia, maybe—who doesn't have his life figured out. His buddy Kierce has a rule for every occasion, and his best friend Jay has bad grades, no plans and no worries. Danny's dad nags him about his post-high-school plans, his friends bug him about girls and a run-in with the cops means he has to get a summer job. Worst of all, he's keeping a secret that could ruin everything.