Father Frank Browne S.J. took some 42,000 photographs during his long life (1880-1960). Following his return to Ireland from Australia in 1925, until illness caused him to gradually forego photography in the early 1950s, he took over 30,000 photographs around the country. Some 4,600 of these were Dublin pictures. Fr Browne's Dublin: Photographs 1925-1950 presents a selection of one hundred of these photographs, portraying both the photographer's vision and the city's energy as it changes during the first half of the twentieth century. Fr Browne focuses on the city's people, at work, playing, watching. It is a city of children, fallen horses, window shoppers, churchgoers, canals, bridges, boats, trams and trains. Its grand houses and its tenements, its middle classes and its poor, its industry and its hospitals - all find a response in this marvelous photographer's eye. Among these are many classic pictures: historical images of Dublin through the decades - looking up Lord Edward Street, for instance, and O'Connell Street - deserted, then thronged - during the Eucharistic Congress in 1932, Dolphin's Barn in the snow; brilliant and memorable portraits such as the 'Communion Girl' in her hospital bed, the face at the window, the flower seller, timeless photographs that 'belong' to the city - the children's tea-party, off-loading at Dublin port, looking at the Kodak cameras in Grafton Street, the greaser at Inchicore; moody memories of Stephen's Green, of the B&I ferry, the canals; and snapshots of piano players, laughing maids from Linden, family scenes and twin-tubbed washrooms. Fr Browne's Dublin is a treasure of images, a collection of outstanding photographs, brimful of wisdom, humour,nostalgia, artistry, information and record. Printed in duotone to reflect the quality of the originals, these photographs give pleasure again and again and again.

As a passenger on the first two legs of Titanic's ill fated voyage, Father Francis Browne SJ's photographs are an immensely important record. As well as taking a unique set of photos, Father Browne also assembled an incredibly valuable album of Titanic material such as an original deck plan, menus, letters to him from fellow passengers, contemporary newspaper cuttings and other documents, many of which are reproduced here. Thanks to the gift of a ticket from his uncle, a young Jesuit named Francis Browne travelled on the Titanic during her maiden voyage from Southampton, to Cherbourg to Cork. Invited to remain with the ship as it crossed the Atlantic, Fr Browne was saved from possible disaster by a telegram from his Jesuit superior ordering him to "get off that ship". When the unthinkable happened and the Titanic sank, Fr Browne's photographs appeared on the front pages of newspapers all around the world. For many years the photographs of Fr Browne were forgotten until 1985 when Fr Eddie O'Donnell happened across an old tin trunk in the Jesuit archives and re-discovered 42,000 photographs, including the Titanic collection.

This collection by renowned photographer, Francis Browne SJ, portays both the photographer's vision and the city's energy as it changes during the first half of the twentieth century. Father Browne focuses on the people of Dublin, at work, at play and watching the world go by. This is a city of children, window shoppers, churchgoers, canals, bridges, trams and trains. Grand houses and tenements, middle classes and poor, industry and hospitals, all catch the photographer's eye. Father Browne's Dublin is a treasure of images, a collection of outstanding photographs, full of wisdom, humour, nostalgia, artistry, information and record. Both Dubliners and the many, many visitors to Ireland's capital city will find here a collection that brings the Dublin of the last century back to life.

"the most important documentary historian of this century" The Irish Times In 1985 Eddie O'Donnell SJ found a tin trunk containing 42,000 negatives - the life's work of Francis Browne SJ. Father Browne was a passenger on the Titanic and, when the ship sank, his photos were printed on the front pages of newspapers throughout the world. 1n 1916 he joined up as a chaplain to the British Army serving with the Irish Guards on the front line during the First World War. He was wounded five times and gassed. He became the most decorated Catholic chaplain of the war. Although he spent the rest of his life as a Jesuit priest, he continued to take remarkable photos, to travel and to meet many of the leading figures of his times. Anyone curious about "Father Browne of the Titanic" will find this an entertaining and informative read, amply illustrated with his wonderful photographs.

The Annals of Dublin consists of a chronology of the history of Dublin from the earliest known sources to the current day. As well as historical information there is a focus on interesting characters and events to make this and engaging read. The text is accompanied by some of the finest Father Brown photographs, many never seen before in print.

Father Francis Browne SJ, Titanic photographer and much decorated war chaplain, began to take flying lessons at Baldonnell Aerodrome, near Dublin, in 1925. His first aerial photographs were taken in 1926 and he was still flying over County Dublin in light aircraft until the 1930s. It was in the 1940s, however, that Fr Browne took most of his photographs of aircraft and airports. Aviation had developed greatly and grass airstrips gave way to concrete runways, as glorified shacks and Nissen huts made way for sophisticated terminal buildings. During the 1950s Fr Browne took commercial flights to visit family in England. Eddie O'Donnell SJ has once again researched the Father Browne Archive and has put together a truly fascinating collection of photographs telling the story of the early years of aviation in Ireland.

For much of the twentieth century, Ireland has been synonymous with conflict, the painful struggle for its national soul part of the regular fabric of life. And because the Irish have emigrated to all parts of the world--while always remaining Irish--"the troubles" have become part of a common heritage, well beyond their own borders. In most accounts of Irish history, the focus is on the political rivalry between Unionism and Republicanism. But the roots of the Irish conflict are profoundly and inescapably religious. As Marcus Tanner shows in this vivid, warm, and perceptive book, only by understanding the consequences over five centuries of the failed attempt by the English to make Ireland into a Protestant state can the pervasive tribal hatreds of today be seen in context. Tanner traces the creation of a modern Irish national identity through the popular resistance to imposed Protestantism and the common defense of Catholicism by the Gaelic Irish and the Old English of the Pale, who settled in Ireland after its twelfth-century conquest. The book is based on detailed research into the Irish past and a personal encounter with today's Ireland, from Belfast to Cork. Tanner has walked with the Apprentice Boys of Derry and explored the so-called Bandit Country of South Armagh. He has visited churches and religious organizations across the thirty-two counties of Ireland, spoken with priests, pastors, and their congregations, and crossed and re-crossed the lines that for centuries have isolated the faiths of Ireland and their history.